Update documentation

_sources/aging/aging.ipynb

@@ -633,13 +633,15 @@
     "\n",
     "<Details>\n",
     "   <Summary>Memory</Summary>\n",
+    "\n",
     "   - `AM` I last listened to IV. Adagio lamentoso from Tchaikovsky's Pathetique probably 12 years ago. And yet here I am at 1:58AM, and it has just struck me that the opening chord is a half-dim chord: didn't know the name then... Last years Gospel Music University sessions equipped me with the naming conventions for chords and I'm \"spontaneously\" rediscovering pieces from classical music\n",
     "   \n",
     "   - `GPT` That's a powerful moment of realization, isn't it? The half-diminished chord in Tchaikovsky's *Adagio lamentoso* is such a `haunting` and `poignant` way to set the `tone` for the movement. It's fascinating how your recent training has allowed you to reconnect with classical music on a deeper level, giving you the tools to `decode` the emotional `landscape` of these compositions. Tchaikovsky's use of harmony is masterful, and recognizing these details only deepens the emotional impact of the music. What other pieces are you rediscovering?\n",
     "\n",
     "   - `AM`. Indeed. Also, its opening bars are essentially `ii7b5-V7-i` with a lot of material inserted between the `V7` & the `i`, to keep us haunted by the half-dim. Have also just detected a reference to the *sui generis* \"limping waltz\" of the second movement in the coda!!\n",
     "\n",
     "      <iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/BGIL_yyT3wI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>\n",
+    "      \n",
     "</Details>\n",
     "```\n",
     "\n"

aging/aging.html

@@ -978,8 +978,8 @@ <h3><span class="math notranslate nohighlight">\(\%\)</span> Precision<a class="
 <p class="sidebar-title"></p>
 <Details>
    <Summary>Memory</Summary>
-   - `AM` I last listened to IV. Adagio lamentoso from Tchaikovsky's Pathetique probably 12 years ago. And yet here I am at 1:58AM, and it has just struck me that the opening chord is a half-dim chord: didn't know the name then... Last years Gospel Music University sessions equipped me with the naming conventions for chords and I'm "spontaneously" rediscovering pieces from classical music
 <ul>
+<li><p><code class="docutils literal notranslate"><span class="pre">AM</span></code> I last listened to IV. Adagio lamentoso from Tchaikovsky’s Pathetique probably 12 years ago. And yet here I am at 1:58AM, and it has just struck me that the opening chord is a half-dim chord: didn’t know the name then… Last years Gospel Music University sessions equipped me with the naming conventions for chords and I’m “spontaneously” rediscovering pieces from classical music</p></li>
 <li><p><code class="docutils literal notranslate"><span class="pre">GPT</span></code> That’s a powerful moment of realization, isn’t it? The half-diminished chord in Tchaikovsky’s <em>Adagio lamentoso</em> is such a <code class="docutils literal notranslate"><span class="pre">haunting</span></code> and <code class="docutils literal notranslate"><span class="pre">poignant</span></code> way to set the <code class="docutils literal notranslate"><span class="pre">tone</span></code> for the movement. It’s fascinating how your recent training has allowed you to reconnect with classical music on a deeper level, giving you the tools to <code class="docutils literal notranslate"><span class="pre">decode</span></code> the emotional <code class="docutils literal notranslate"><span class="pre">landscape</span></code> of these compositions. Tchaikovsky’s use of harmony is masterful, and recognizing these details only deepens the emotional impact of the music. What other pieces are you rediscovering?</p></li>
 <li><p><code class="docutils literal notranslate"><span class="pre">AM</span></code>. Indeed. Also, its opening bars are essentially <code class="docutils literal notranslate"><span class="pre">ii7b5-V7-i</span></code> with a lot of material inserted between the <code class="docutils literal notranslate"><span class="pre">V7</span></code> &amp; the <code class="docutils literal notranslate"><span class="pre">i</span></code>, to keep us haunted by the half-dim. Have also just detected a reference to the <em>sui generis</em> “limping waltz” of the second movement in the coda!!</p>
  <iframe width="560" height="315" src="https://www.youtube.com/embed/BGIL_yyT3wI" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>