From ca21e9fe86a9ab403f552a6fdd27176ce7ef932b Mon Sep 17 00:00:00 2001 From: holfordm Date: Wed, 21 Aug 2024 12:37:13 +0100 Subject: [PATCH] retroconversion: Solopova, Psalters (fin?) --- .../Canon_Bibl_Lat/MS_Canon_Bibl_Lat_85.xml | 246 +++++++++- .../Canon_Bibl_Lat/MS_Canon_Bibl_Lat_91.xml | 461 +++++++++++++++++- .../Canon_Liturg/MS_Canon_Liturg_158.xml | 218 ++++++++- .../Canon_Liturg/MS_Canon_Liturg_311.xml | 413 +++++++++++++++- .../Canon_Liturg/MS_Canon_Liturg_395.xml | 411 +++++++++++++++- .../Canon_Pat_Lat/MS_Canon_Pat_Lat_88.xml | 321 ++++++++++-- collections/Gough/MS_Gough_Liturg_18.xml | 12 +- collections/Lat_liturg/MS_Lat_liturg_a_1.xml | 343 ++++++++++++- collections/Lat_liturg/MS_Lat_liturg_a_2.xml | 348 ++++++++++++- collections/Lat_liturg/MS_Lat_liturg_a_3.xml | 273 ++++++++++- collections/Lat_liturg/MS_Lat_liturg_b_1.xml | 436 ++++++++++++++++- collections/Lat_liturg/MS_Lat_liturg_e_1.xml | 240 +++++++-- collections/Lat_liturg/MS_Lat_liturg_f_11.xml | 5 +- collections/Lat_liturg/MS_Lat_liturg_f_22.xml | 404 +++++++++++---- collections/Liturg/MS_Liturg_396.xml | 2 +- collections/Rawl_D/MS_Rawl_D_894.xml | 151 +++++- collections/Rawl_G/MS_Rawl_G_18.xml | 5 +- persons.xml | 3 + places.xml | 9 + works.xml | 9 + 20 files changed, 3942 insertions(+), 368 deletions(-) diff --git a/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_85.xml b/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_85.xml index cdac234edf..c1ae6a55fb 100644 --- a/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_85.xml +++ b/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_85.xml @@ -1,12 +1,16 @@ - + + MS. Canon. Bibl. Lat. 85 MSS. Canon. Bibl. Lat. (Canonici Latin Biblical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,47 +34,235 @@ University of Oxford Bodleian Library MS. Canon. Bibl. Lat. 85 - ark:29072/x0xw42n700n4ark:29072/x0xd07gs06wg + ark:29072/x0xw42n700n4 + ark:29072/x0xd07gs06wg + 18978 + Secular Psalter with Antiphons; France, South (?), 15th century, second half - Psalter - (secular, with antiphons) - - Bible, Psalms - + Secular Psalter with Antiphons + Fol. i is a paper fly-leaf with modern notes and paper leaves pasted to + its recto (see ‘Provenance’). + + (fols. 1–69r) + Psalms 1–150, imperfect at the beginning. Fol. 1 is a fragment, + containing parts of psalms 1–4; fol. 2 begins with psalm 4: 4 (quoniam + mirificauit dominus . . .). A quire is missing after fol. 10; missing + text 21: 23–38: 6. The psalms are in the biblical order, laid out as + prose, without numbers, most with rubrics ‘psalmus dauid’ or ‘psalmus’. + From psalm 107 onwards longer titles are also occasionally used, such as + ‘ALLELVIA. PSALMVS DAVID. VOX ECCLESIE’ (psalm 107, fol. 51r), ‘CANTICVM + SALAMONIS’ (psalm 126, fol. 60r), ‘Vox Sancte Marie’ (psalm 130, fol. + 61r). These titles do not conform to any of Salmon’s series (1959). + Punctuated throughout, with punctus elevatus used to mark metrum and + minor pauses. The order of psalms 123 and 124 is reversed (fols. + 59v–60r); psalms 148–150, a sequence for all Lauds in both monastic and + secular use, are written without breaks as a single text. Subdivisions + within psalms are not indicated, apart from psalm 118, subdivided into + twenty-two 8-verse units. There are textual divisions at psalms 52, 68, + 80, 97 and 109 (see ‘Decoration’). The psalms are accompanied by cues for + antiphons, versicles, chapters, etc. with rubrics referring to secular + use. + The following hymns are written in full as part of the psalter: Rerum + creator optime (Chevalier, no. 17322) and Nox et tenebre et nubila + (Chevalier, no. 12402), fol. 17v, after psalm 51; Nox astra rerum + (Chevalier, no. 12396) and Lux ecce surgit (Chevalier, no. 10811), fols. + 24v–25r, after psalm 67; Tv trinitatis unitas (Chevalier, no. 20713) and + Eterna celi gloria (Chevalier, no. 609), fols. 33v–34r, after psalm 79; + Svmme deus clementie (Chevalier, no. 19636) and Avrora ia(m) spargit + (Chevalier, no. 1633), fols. 42r–v, after psalm 96; Inmense rerum + conditor (Chevalier, no. 8453), fol. 59r, after psalm 120; Veluris [sic] + ingens conditor (Chevalier, no. 20268), fol. 60r, after psalm 125; Celi + deus sanctissime (Chevalier, no. 3484), fol. 61r–v, after psalm 130; + Magne deus potencie (Chevalier, no. 10934), fol. 63v, after psalm 136; + Plasmator hominis deus qui cuncta solus (Chevalier, no. 14968), fols. + 65v–66r, after psalm 141. + + + (fols. 69r–73v) + Weekly canticles, with titles and antiphons: + (1) Confitebor tibi domine (Isaiah 12) (‘Canticum ysaye + prophete’); + (2) Ego dixi (Isaiah 38: 10–21) (‘Canticum Regis + Grecie’); + (3) Exultauit cor meum (1 Samuel 2: 1–11) (‘Canticum + Anne’); + (4) Cantemus domino (Exodus 15: 1–20) (‘Canticum Moysi’); + + + + + (5) Domine audiui (Habakkuk 3) (‘Canticum Abacuc’); + (6) Audite celi (Deuteronomy 32: 1–44) (‘Canticum + Moysi’). + + + + + (fols. 73v–76v) + Daily canticles, prayers and creeds, with titles: + (1) Benedicite omnia opera (‘Himnum trium puerorum’) (fol. + 73v); + (2) Te deum laudamus (‘Laus Angelorum’) (fol. 74r); + (3) Magnificat (‘Canticum sancte Marie’) (fol. 74v); + (4) Nunc dimittis (‘Canticum Simeonis’) (fol. 75r); + (5) Pater noster (‘Oratio dominica’) (fol. 75r); + (6) Apostles’ Creed (Credo in deum ...) (‘Incipit Cimbolum’) + (fol. 75r); + (7) Gloria in excelsis (‘Laus Angelorum’) (fol. 75r); + (8) Athanasian Creed (Quicumque uult ...) (‘Fides sancti + Athanasij episcopi’) (fol. 75v). + + + + + (fols. 76v–79r) + Litany (‘Letania pro peccatis christianorum’), including saints + venerated in the south of France and north of Spain, such as Victor (of + Marseilles (?)), Saturninus (of Toulouse (?)), Privatus (of Mende (?)) + and brothers Justus and Pastor of Alcala (the last two) among the + martyrs; Bonitus (of Clermont (?)), Illidius (of Clermont or Marseilles + (?)) and Gerald (of Aurillac (?)) among the confessors; and Eulalia (of + Barcelona (?)) among the virgins. The litany is followed by collects with + short rubrics (fols. 78v–79r): + (1) Deus cui proprium est misereri semper et parcere ... (‘Pro + peccatis’); + (2) Omnipotens sempiterne deus qui facis ... (‘Oratio’); + (3) Pretende domine famulis et famulabus tuis dexteram celestis + auxilii ... (‘Alia’); + (4) Adesto domine supplicationibus nostris et uiam famulorum + tuorum in salutis tue ... (‘Alia’); + (5) Vre igne sancti spiritus renes nostros ... + (6) Actiones nostras quesimus domine aspirando preueni ... + (‘Alia’); + (7) Deus a quo sancta desideria rectaque ... (‘Pro + pace’). + At the end: ‘LAVS . TIBI . CHRISTE . FINIS’ (fol. 79r). + + + (fols. 79v–80v) + Added alphabetical index of psalms, canticles, prayers and creeds, + 15th century (?). Folio references added to the list in a hand which + foliated the psalter, 16th century (?). These references were added + before a quire was lost after fol. 10, but probably after the loss of the + opening leaf. Fol. 81 is a paper fly-leaf, blank apart from modern notes. + + Latin +

quoniam mirificauit (psalter, fol. 2r)

- parchment + fine, light parchment, resembling Italian parchment; paper + fly-leaves; at the beginning and end many leaves are mutilated and + repaired with parchment + 82 leaves + c. 220 + 150 + Leaves were trimmed in rebinding. + Modern, in pencil, i + 1–81, and early modern in brown ink, in + the hand which added folio references to the index on fols. 79v–80v. The + early modern foliation was partly lost when the leaves were trimmed + (presumably when the present binding was made). + (fol. i) paper fly-leaf, conjoint with the upper pastedown; a + quire is probably missing at the beginning, which contained the start of + psalm 1 and possibly a calendar | (fols. 1–10) I (10) a quire is missing + after fol. 10; | (fols. 11–80) II–VIII (10) | (fol. 81) paper fly-leaf, + conjoint with the lower pastedown. Catchwords, some on decorative + scrolls, or decorated with penwork. + + Ruled in ink with single vertical bounding lines extending the full + height of page; 28 lines per page; written below the top line; written + space: + c. 140 + 89 + + + + + Rounded Gothic script with a strong + humanistic influence, black ink; smaller script used for antiphons, + etc. + + + 4-line plain red and blue initials at the beginnings + of psalms 52 (fol. 17v) and 109 (fol. 51r). The opening words of psalms are + written in capitals. + 3-line plain red and blue initials at the beginnings + of psalms 68 (fol. 25r), 80 (fol. 34r), 97 (fol. 42v) and the beginning of + the litany (fol. 76v). + 2-line plain alternating red and blue initials at the + beginnings of psalms, hymns, canticles and prayers. + 1-line plain alternating red and blue initials at the + beginnings of periods and verses. + Rubrics in red ink, some in capitals; some rubrics + are not filled in (e.g. fols. 5r, 51v–52v). + Guide-letters for illuminators and rubricators are often + visible. + + + + +

Brown laid paper over pasteboard. Brown leather spine with four raised + bands, framed with gilt fillet lines. One of the bands is covered with a + paper label printed ‘Canonici || Bibl [ ...]’. Another paper label is + printed ‘85’. Red leather label with gilt lettering ‘PSALT. || ET || + HYMN. || ETC. || COD. M.’. Gilt fillet lines at the top and bottom of the + spine. Paper pastedowns and fly-leaves.

+ + - French, South (?) - 15th century, second half + French, South + (?) + 15th century, + second half - - Matteo Luigi Canonici, 1727–1805 - + Made in southern France (?): evidence of the litany, parchment and + script. + Still in use in the 16th century when the manuscript was foliated and + folio references were added to an alphabetical index of psalms (fols. 79v–80v). + A short description of the manuscript in Latin on a strip of paper + pasted to fol. i recto ‘Psalterium. Codex membran. in 4. saec. circ. xiii. + Fuisse videtur descriptus in usum privati cuiusdam Monachi Benedictini et + Galli, uti indicant Litaniae M. in fine descriptae: est initio mancus.’. The + description is in an Italian, 18th-century (?) hand, but not the hand of + Canonici or any of the earlier owners and librarians whose handwriting is + illustrated in Mitchell (1969). Such descriptions are also found in MS. Canon. + Bibl. Lat. 42, MS. Canon. Pat. Lat. 88, MS. Add. D. 47, MS. Canon. Liturg. 105, + MS. Canon. Liturg. 155, MS. Canon. Liturg. 377 and MS. Canon. Liturg. 393. + Matteo Luigi Canonici of Venice (1727–c. 1806), but not from the + libraries of Soranzo or Trevisan (Mitchell, 1969). Giuseppe Canonici , -1807 - Purchased by the Bodleian in 1817 + Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni + Perissinotti. + - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 312–6. Previously described in the Quarto Catalogue (H. O. Coxe, Catalogi codicum manuscriptorum Bibliothecæ Bodleianæ pars tertia codices Græcos et Latinos Canonicianos complectens, Quarto Catalogues III, 1854). - Quarto Catalogue, col. 278 - Summary Catalogue, vol. 4, p. 326 + Elizabeth Solopova, Latin + Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 312–6. Previously described in + the Quarto Catalogue (H. O. Coxe, Catalogi codicum manuscriptorum + Bibliothecæ Bodleianæ pars tertia codices Græcos et Latinos + Canonicianos complectens, Quarto Catalogues III, 1854). + Quarto Catalogue, col. + 278 + Summary Catalogue, vol. 4, p. + 326 @@ -78,8 +270,11 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 110 + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 110 + Frere, no. 458. @@ -87,11 +282,18 @@ + Convert full description from Solopova catalogue. - Mitch Fraas Provenance and acquisition information added using https://github.com/littlegustv/oxfordupdates/blob/master/test_case_for_oxford_prov.rb in collaboration with the Mapping Manuscript Migrations project. + Mitch Fraas Provenance and acquisition information added using https://github.com/littlegustv/oxfordupdates/blob/master/test_case_for_oxford_prov.rb + in collaboration with the Mapping + Manuscript Migrations project. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -100,4 +302,4 @@

- \ No newline at end of file + diff --git a/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_91.xml b/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_91.xml index 11088a0b18..207ab14382 100644 --- a/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_91.xml +++ b/collections/Canon_Bibl_Lat/MS_Canon_Bibl_Lat_91.xml @@ -1,12 +1,16 @@ - + + MS. Canon. Bibl. Lat. 91 MSS. Canon. Bibl. Lat. (Canonici Latin Biblical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,55 +34,401 @@ University of Oxford Bodleian Library MS. Canon. Bibl. Lat. 91 - ark:29072/x00r967473pbark:29072/x0z316q09028 + ark:29072/x00r967473pb + ark:29072/x0z316q09028 + 18984 + Portable Psalter (with Hours); Italy, 15th century, first half - Psalter - (portable) - - Bible, Psalms - - Latin - - - Devotional texts + Psalter-Hours + Fol. i is a paper fly-leaf; fol. ii is a paper slip attached to fol. i + verso (see ‘Provenance’). + + (fol. 1r–v): see Endleaf, below. + [item 2 occupies quires I–III] + + (fols. 2r–25r) + Prologues to the psalter (‘Incipiunt prologi et prefatia super + psalterium ...’): + (1) ‘Psalterium Romae dudum positus emendaram et iuxta lxx + interpretres ...’ (‘Incipit Epistola sancti hieronymi as Paulam et + Eustochium. de interpretatione. Lxx Interpretrum’), fol. 2r–v + (Bruyne, 5. Hi 1); + (2) ‘Damasus episcopus fratri et conpresbitero Hieronymo ...’ + (‘Incipit Epistola Damasi pape ad hieronymum presbiterum’), fols. + 2v–3r (Bruyne, 14. Da 1); + (3) ‘Beatissimo pape damaso sedis apostolice urbis Rome ...’ + (‘Incipit responsio sancti hieronimi ad damascum papam’), fol. 3r + (Bruyne, 15. Da 2); + (4) ‘Alleluya est laus tibi soli ...’ (‘Incipit interpretatio de + alleluya’), fol. 3r–v (Bruyne, 25. Lzs Sa–b); + (5) ‘Qvid est gloria. Gloria est terra laudat creatorem ...’ + (‘Interpretatio Glorie apud hebreos’), fol. 3v (Bruyne, 25. Lzs + e); + (6) ‘Qvid me dulcissime filie mee ...’ (‘Epistola sancti + hieronymi ad sanctam paulam et Eustochium qui psalmi uel quando + psalli uel legi debeant’), fols. 3v–4v (Bruyne, 11. Hi 7); + (7) ‘Christo donante exposimus quomode hebrei ...’ (‘Prologus + sancti hieronimi presbiteri in quinque libros psalmorum’), fols. + 4v–5r (Bruyne, 2. Or 2 and 4. Or 4); + (8) ‘Salterium dicitur psallentium multarum ...’ (‘Idem’), fol. + 5r–v (Bruyne, 3. Or 3 and 4. Or 4); + (9) ‘Omnem prophetiam ad christum referendam ...’ (‘Prologus + sancti hieronimj in libro psalmorum’), fols. 5v–8v (Bruyne, 24. Hil + 2); + (10) ‘Dudius tertius cum centesimum octauum decimum ...’ + (‘Incipit Epistola sancti hieronimj presbiteri ad Paulam de + interpretatione licterarum hebraicam’), vols. 8v–10v (Bruyne, 9. Hi + 5); + + + + (11) ‘Dauid filius Jesse cum esset in regno suo ...’ (‘Origo + prophetie regis Dauid psalmorum numero CL Prologus sancti hieronymi + presbiteri’), fol. 11r–v (Bruyne, 1. Or 1); + (12) ‘Evsebio Hieronymus Sophronio suo salutem ...’ (‘Epistola + siue prologus sancti Hieronymi de sua interpretatione psalmorum’), + Greek words transliterated into Latin or omitted, fols. 11v–12v + (Bruyne, 6. Hi 2); + (13) ‘Salterium inquirendum est in cuius lingua dicatur ...’ + (‘Prologus sancti Remigij in libro psalmorum’), fols. 12v–14r + (Bruyne, 27. Inq); + (14) ‘Interrogatio Qvare psalmi dicuntur. Responsio Quia per + psalterium canebat dauid ...’ (‘Incipit interrogatio ac Responsio + personarum de numero et nomine et qualitate psalterij utrum ad + christum omnes allegorice an ad Dauid an ad literam psalmi + referendi sunt. Secundum dictam Origenis hieronymj et augustinj’), + fols. 14r–16r (Bruyne, 28. Int); + (15) ‘Salteriun ita est quasi magna domus ...’ (‘Ex dictis + Origenis presbiteri’), fol. 16r (Bruyne, 7 Hi 3); + (16) ‘Diu iam est quod paternitas uestra humilitati mee ...’ + (rubric not filled in), fols. 16v–19v (Bruyne, *67. Fl 1); + (17) ‘Canticum psalmorum corpus sanctificat animas decorat ...’ + (‘Dicta sancti Augustini que sint uirtutes psalmorum’), fols. + 19v–20r (Bruyne, 26. Aug); + (18) ‘Quid enim in psalmis non inuenitur quod proficiat ad + utilitatem ...’ (‘Item Idem’), a version of Niceta of + Remesiana, De psalmodiae bono, V–VI + (ed. Turner, 1923), fols. 20r–21r; + (19) ‘Prophetie spiritus non semper eorum mentibus presto est + ...’ (‘Item Idem de laude psalmorum’), fols. 21r–23r (Bruyne, 58. + Alcuinus); + (20) ‘Omnis scriptura diuinitis inspirata utilis ...’ (‘Incipit + prologus sancti Augustini de laude psalmorum’), fols. 23r–25r + (Bruyne, 23. Ba). + Corrections and notes in the margins in a contemporary hand. + Fols. 25v–29v are ruled but blank. + + [item 3 occupies quires IV–XII] + + (fols. 30r–119v) + Psalms 1–150 in the biblical order, laid out with each verse starting + on a new line, with numbers and titles in the original hand, which do not + correspond to any of Salmon’s series (1959). The titles of five psalms + are quoted below: + 15 Tituli inscriptio ipsi Dauid (fol. 36v) + 30 In finem psalmus dauid pro extasi (fol. 45v) + 63 In finem psalmus dauid (fol. 67v) + 115 Alleluia (fol. 102v) + 140 psalmus dauid (fol. 115r). + + Subdivisions within psalms (apart from psalm 88) are marked with + ‘gloria’ written in red in the margins at 9: 20 (fol. 34r), 17: 26 (fol. + 38r), 36: 27 (fol. 51v), 67: 20 (fol. 70r), 68: 17 (fol. 71v), 77: 36 + (fol. 79r), 103: 25 (fol. 94r), 104: 23 (fol. 95r), 105: 32 (fol. 97r), + 106: 25 (fol. 98r), 138: 11 (‘Et dixi ...’) (fol. 114r), 143: 9 (fol. + 116v), 144: 10 (fol. 117r). Psalm 118 is subdivided into twenty-two + 8-verse units with titles (‘Aleph’, ‘Beth’, etc.) in the margins. + Punctuated throughout with punctus elevatus used to mark metrum and + minor pauses and punctus used to mark the ends of verses. The word + ‘diapsalma’ in red in the margins and the hexaplaric symbols in red are + used to mark relevant sections of the text. Notes in the margins and + corrections in the hand which corrected the prefaces, including + alternative titles added throughout, which correspond to Salmon’s (1959) + series I. Initials of the seven Penitential Psalms are marked with + crosses by the original rubricator and numbered I–VII. At the end + ‘Explicit liber psalmorum CL’, followed by a version of ‘Dauid propheta + cantavit carmina leta’ (Walther, no. 19209), with corrections, partly + erased: Quinquaginta dauid psalmos centumque notauit Versus bis + mille sexcentum sedecim ille. + + + [item 4–7 occupy quires XIII–XIV] + + (fols. 120r–125r) + Weekly canticles with titles and numbers continuing the numbering of + psalms: + (1) Confitebor tibi domine (Isaiah 12) (‘Canticum Esaye prophete + cli’); + (2) Ego dixi (Isaiah 38: 10–21) (‘Canticum Ezechie regis + clij’); + (3) Exultauit cor meum (1 Samuel 2: 1–11) (‘Canticum Anne + phamuelis cliij’); + (4) Cantemus domino (Exodus 15: 1–20) (‘Canticum Moysi + cliiij’); + (5) Domine audiui (Habakkuk 3) (‘Canticum Abachuc prophete + clv’); + (6) Audite celi (Deuteronomy 32: 1–44) (‘Canticum Moysi + clvj’). + + + + + (fols. 125r–130r) + Daily canticles, prayers and creeds, with titles and numbers + continuing the numbering of psalms and weekly canticles: + (1) Benedicite omnia opera (‘Canticum uel hymnus trium puerorum + clvij’) (fol. 125r); + (2) Benedictus dominus deus (‘Canticum Zacharie prophete + xlciij’) (fol. 125v); + (3) Magnificat (‘Canticum sancte Marie virginis xliiij’) (fol. + 126r); + (4) Nunc dimittis (‘Canticum Simeonis clx’) (fol. 126r); + (5) Pater noster (‘Oratio dominica clxj’) (fol. 126r); + (6) Ave maria (‘Canticum Armanij teutonici clxii’) (fol. + 126v); + (7) Apostles’ Creed (‘Credo in deum ...’) (‘Simbolum xij + apostolorum clxiij’) (fol. 126v); + (8) Te deum laudamus (‘himnus sancti Niceti Episcopi clxiiij’) + (fol. 127r); + (9) Gloria in excelsis (‘Canticum Angelorum clxv’) (fol. + 127v); + (10) Nicene Creed (‘Credo in unum deum ...’) (‘Simbolum Consilij + Nicenj cccxvij’) (fol. 127v); + (11) Athanasian Creed (Quicumque uult ... ) (‘Canticum uel + simbolum aut hymnus sancti Athanasij Episcopi Alexandrie clxvij’) + (fol. 128r); + (12) Salue regina (‘Canticum petri compustellani episcopi + clxviiii’) (fol. 129v). + + + + + (fols. 129v–130v) + Pericopes from the Gospels, numbered in Roman numerals, continuing + the numbering of psalms and canticles: + (1) Luke, 1: 26–37 (‘Sequentia sancti euangelii secundam lucam + Gloria tibi domine clxviiij’), beginning ‘Missus est angelus + Gabriel a deo ...’ and ending ‘... fiat mcihi secundum uerbum + tuum’. + (2) John, 1–14 (‘Initium sancti Euangelij secundum Iohanem + gloria tibi domine clxx’), beginning ‘In principio erat uerbum ...’ + and ending ‘... plenum gratie et ueritatis’. + + + + + (fols. 130v–133v) + Litany (‘Rogationes sancti Gregorij pape clxxi’), laid out in two + columns, including Old Testament figures (Adam, Enoch, Noah, etc.); + Helias and Heliseus among the prophets; George (last) among the martyrs; + Gregory (?) (second), Augustine, Bede, John Chrysostom and Thomas Aquinas + among the confessors; and Benedict (first), Francis, Dominic and Leonard + among ‘Monaci et heremite’. ‘Sancte Moyses’ and ‘Sancte Josue’ added in + the hand that corrected the prefaces and psalter. Followed by collects + (fols. 132v–133v): + (1) Deus cui proprium est misereri semper et parcere suscipe + ... + (2) Exaudi quesumus domine supplicum preces et confitentium + tibi parce peccatis ut pariter nobis indulgentiam tribuas benignam + et pacem ... + (3) Ineffabilem nobis domine misericordiam tuam quesumus nobis + domine clementer ostende ut simul nos ... + (4) Deus qui culpa offenderis penitentia placaris ... + (5) Omnipotens sempiterne deus miserere famulo tuo pontifici + nostro et dirige eum secundum tuam clementiam + (6) Deus a quo sancta desideria recta consilia et iusta sunt + ... + (7) Ure igne sancti spiritus renes nostros ... + (8) Fidelium deus omnium conditor et redemptor animabus + famulorum famularumque tuarum remissionem ... + (9) Actiones nostras quesumus domine aspirando preueni + ... + (10) Omnipotens sempiterne deus qui uiuorum dominaris simul et + mortuorum ... + + + + [item 8 occupies quire XV] + + (fols. 134r–148v) + Collects for psalms, Roman series (Brou (1949)) (‘Incipiunt orationes + super quo liber psalmo psalterij. Ista super totum librum’), numbered in + red in Roman numerals. The collects for psalm 118 have separate numbering + 1–22; the collects for canticles (fol. 146r) are numbered 151–171. + Concludes with the final prayer ‘Dominus deus omnipotens pater et filius + et spiritus sanctus qui es trinus in personis et unus in substantia ...’ + (fol. 148v). Contains many corrections in the hand which corrected + prefaces and psalter. + + [item 9 occupies quire XVI] + + (fols. 149r–158v) + Office of the Virgin, use of Rome (‘Incipit offitium Virginis marie + secundum consuetudinem Romane Curie’), including Matins with three + lessons (only two have rubrics), Lauds, Little Hours, Vespers, Compline + and variations for different times of the year (fols. 155v–158v). + + [item 10 occupies quire XVII] + + (fols. 159r–163r) + Office of the Dead, use of Rome (‘Incipit offitium in agenda + mortuorum secundum consuetudinem romane Curie’). Fol. 163v is ruled but + blank. + + [items 11–17 occupy quire XVIII] + + (fols. 164r–165r) + Devotion to the Holy Cross, starting with a stuck-in piece of paper + in the shape of the cross, with Confiteor containing invocations of Sts + Michael, Peter, Paul, James, Jerome, Augustine, Ambrose, Gregory, Mary + Magdalene and Catherine. + + + (fol. 165r–v) + The verses of St Bernard, Illumina oculos (Chevalier, no. 27912) + (‘Versus magne utilitatis quos dicitur sanctum docuit bernardum + diabolus’), followed by the usual prayer ‘Omnipotens sempiterne deus qui + Ezechie regi Iudee te cum lacrimis deprecanti uite spatium pretendisti + concede ...’ (cf. Oxford, Bodleian Library MS. Buchanan e. 9, etc.). + + + + (fols. 165v–166r) + Devotion to the Seven Last Words (‘Incipiunt 7 uerba que Christus + crucifixus dixit in cruce’) consisting of eight paragraphs, each + beginning with ‘Domine Iesu Christe ...’. + + + (fol. 166v) + Five Joys of the Virgin (‘Sequentia vij Gaudiorum in laudem Virginis + Marie’), beginning ‘Gaude virgo mater christi Quem [sic] per aurem + concepisti ...’) (Chevalier, no. 7017). + + + (fols. 166v–167v) + Litany of the Virgin, followed by the prayer ‘Deus qui beatissimam + uirginem Mariam in conceptu et in partu ...’. + + + (fol. 168r–v) + Cues of the Penitential and Gradual Psalms. + + + An erased rubric (‘Incipe (?) ad matutinum (?)’) and an erased + beginning (two lines) of a text. + Latin + +

uestigia. Ora pro nobis (prefaces, fol. 3r)

- paper + paper; parchment fly-leaf made from a 12th-century psalter (fol. + 1) + 171 leaves + c. 140 + 106 + + + modern, in pencil, i–ii + 1–169; earlier foliation in ink, 1–24 + on fols. 2–25. + (fols. i–1) fol. i is a paper fly-leaf conjoint with the upper + pastedown; fol. ii is a paper slip pasted to fol. i verso; fol. 1 is a + parchment fly-leaf | (fols. 2–21) I–II (10) | (fols. 22–29) III (8) | + (fols. 30–129) IV–XIII (10) | (fols. 130–133) XIV (4) | (fols. 134–148) + XV (16−1 (?)) missing 16, no loss of text | (fols. 149–158) XVI (10) | + (fols. 159–163) XVII (6−1) last cancelled, fol. 163v blank | (fols. + 164–168) XVIII (6−1) last missing | fol. 169 is a paper fly-leaf conjoint + with the lower pastedown. Catchwords survive except in quires 3, 12, 14, + 15, 16, 17, 18 + + + + + + + + + Ruled in plummet with double vertical bounding lines in + the left margin and single vertical bounding lines in the right margin + extending the full height of page; 26–30 lines per page; prickings + occasionally survive; written above the top line; written space: + + c. 113 + 77 + + + + Humanistic script + - Initials copying Romanesque style. (Pächt and Alexander ii. 939, pl. LXXIX) + + + Two initials copying Romanesque style, yellow, + outlined in red, with pink scrolls on red and blue background: a nearly + full-page P (fol. 2r) and a half-page Beatus-initial (fol. 30r). + 2- to 3-line red initials at the beginnings of psalms, + canticles and other texts (guideletters often survive). + 1-line red initials at the beginnings of sections of + texts. + + 1-line capitals highlighted in red at the + beginnings of verses and periods. + Rubrics and paragraph marks in red + ink. + + +

Burgundy paper over pasteboard, brown leather back. Four raised bands on + spine framed with gilt fillet lines. Red label with gilt lettering on + spine ‘PSALTER. || ET UIRTUT. || PSALMOR. || MS.’. Two Bodleian paper + labels on spine with lettering ‘Canonici || Bibl. Lat.’ and ‘91’. Paper + pastedowns and fly-leaves. Endbands of yellow and blue thread. Gauffering + on edges of textblock.

+ + - 15th century, first half + 15th century, + first half Italian - - Matteo Luigi Canonici, 1727–1805 - + Made in Italy: liturgical evidence; evidence of script and decoration. + Matteo Luigi Canonici of + Venice (1727–c. 1806), but not from the libraries of Soranzo or + Trevisan. Giuseppe Canonici , -1807 - Purchased by the Bodleian in 1817 + Purchased by the Bodleian in 1817 from + Canonici’s nephew Giovanni Perissinotti. - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 510–5. Previously described in the Quarto Catalogue (H. O. Coxe, Catalogi codicum manuscriptorum Bibliothecæ Bodleianæ pars tertia codices Græcos et Latinos Canonicianos complectens, Quarto Catalogues III, 1854) and supplementary sources. - Quarto Catalogue, cols. 279–80 - Summary Catalogue, vol. 4, p. 326 + Elizabeth Solopova, Latin Liturgical Psalters in the + Bodleian Library: A Select Catalogue (Oxford, 2013), pp. + 510–5. Previously described in the Quarto Catalogue (H. O. Coxe, + Catalogi codicum manuscriptorum Bibliothecæ Bodleianæ pars + tertia codices Græcos et Latinos Canonicianos complectens, + Quarto Catalogues III, 1854) and supplementary sources. + Quarto Catalogue, cols. + 279–80 + Summary Catalogue, vol. 4, p. + 326 @@ -86,20 +436,79 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 88 + Frere, no. 459. + Turner, C. H., ‘Niceta of Remesiana II. Introduction and text + De psalmodiae bono’, Journal of Theological Studies 24 (1923), + pp. 225–52. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 88 + Pächt and Alexander (1966–73), vol. 2, no. 939, pl. LXXIX. + + + + + + + MS. Canon. Bibl. Lat. 91, endleaf (fol. 1) + + + + Latin + + Psalter + One leaf, containing + psalm 118: 31–51 (fragmentary), laid out with each verse starting on a + new line, punctuated with punctus elevatus marking metrum, and punctus + marking the ends of verses. The ends of lines are sometimes transferred + to the preceding lines and separated from the rest of the text by + paragraph marks. + + + + + + parchment + + + + Large formal hand, brown ink. + + + Red 3-line initial and + rubric ‘h.eth’ at the start of verse 33; red 1-line initials at the + beginning of verses. + + + + + 12th century + + Italy + + + + + Convert full description from Solopova catalogue. - Mitch Fraas Provenance and acquisition information added using https://github.com/littlegustv/oxfordupdates/blob/master/test_case_for_oxford_prov.rb in collaboration with the Mapping Manuscript Migrations project. + Mitch Fraas Provenance and acquisition information added using https://github.com/littlegustv/oxfordupdates/blob/master/test_case_for_oxford_prov.rb + in collaboration with the Mapping + Manuscript Migrations project. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -108,4 +517,4 @@

- \ No newline at end of file + diff --git a/collections/Canon_Liturg/MS_Canon_Liturg_158.xml b/collections/Canon_Liturg/MS_Canon_Liturg_158.xml index 71357978d0..3ce5d4ea89 100644 --- a/collections/Canon_Liturg/MS_Canon_Liturg_158.xml +++ b/collections/Canon_Liturg/MS_Canon_Liturg_158.xml @@ -1,12 +1,16 @@ - + + MS. Canon. Liturg. 158 MSS. Canon. Liturg. (Canonici Liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -34,62 +38,241 @@ University of Oxford Bodleian Library MS. Canon. Liturg. 158 - ark:29072/x08910jv0579ark:29072/x0hh63sw09rc + ark:29072/x08910jv0579 + ark:29072/x0hh63sw09rc + 19289 + Portable Secular Psalter with Antiphons; Italy, North-East, 15th century, third quarter Psalter - (portable secular psalter with antiphons) + Fols. i–iii are paper fly-leaves, blank apart from modern and early + modern notes (see ‘Provenance’). + [items 1–4 occupy quires I–XVI] + + (fols. 1r–141v) + Psalms 1–150, in the biblical order, written as prose, without + numbers, with rubrics ‘psalmus dauid’ or ‘psalmus’. Subdivisions within + psalms are not indicated, apart from psalm 118, subdivided into + twenty-two 8-verse units. Punctuated throughout, with punctus used to + mark metrum, and occasionally minor pauses and the ends of verses. Psalms + are accompanied by antiphons, versicles, responses, invitatoria, opening + words of chapters and hymns, etc., with rubrics referring to secular use. + Full or nearly full texts of hymns appear as follows: + – Nocte surgentes uigilemus (Chevalier, no. 12035) (fol. 1 r) + preceding psalm 1; + – Ecce iam noctis tenuatur umbra (Chevalier, no. 5129) (fol. + 17r) after psalm 20; + – Lvcis creator optime (Chevalier, no. 17328) (fol. 110r) after + psalm 113; + – Iam lucis orto sydere (Chevalier, no. 9272) (fol. 111v) after + psalm 116; + – Nunc sancte nobis spiritus (Chevalier, no. 12586) (fol. 115r) + after psalm 118: 25; + – Rector potens (Chevalier, no. 17061) (fol. 117v) after psalm + 118: 73; + – Rerum tenax uigor (Chevalier, no. 17328) (fol. 120r) after + psalm 118: 121; + – O lux beata trinitas (Chevalier, no. 13150) (fol. 140r) after + psalm 147. + There are textual divisions at psalms 26, 38, 52, 68, 80, 97 and + 109 (see ‘Decoration’). + + + (fols. 141v–149v) + Weekly canticles, with titles: + (1) Confitebor tibi domine (Isaiah 12) (‘canticum’); + (2) Ego dixi (Isaiah 38: 10–21) (‘psalmus dauit’); + (3) Exultauit cor meum (1 Samuel 2: 1–11) (‘psalmus + dauid’); + (4) Cantemus domino (Exodus 15: 1–20) (‘psalmus’); + (5) Domine audiui (Habakkuk 3) (‘Canticum psalmorum’); + (6) Audite celi (Deuteronomy 32: 1–44) (‘psalmus dauid’). + + + + + (fols. 149v–155v) + Daily canticles, prayers and creeds, with titles: + (1) Benedicite omnia opera (‘psalmus dauit’) (fol. 149v); + (2) Benedictus dominus deus (‘psalmus’) (fol. 150v); + (3) Magnificat (‘psalmus dauid’) (fol. 151r); + (4) Nunc dimittis (‘psalmus’) (fol. 151v); + (5) Te deum laudamus (‘ymnum’) (fol. 151v); + (6) Athanasian Creed (Quicumque uult ... ) (‘psalmus’) (fol. + 152v); + (7) Pater noster (‘oratio dominica’) (fol. 154v); + (8) Apostles’ Creed (Credo in deum ... ) (fol. 155r) with the + names of apostles inserted between lines, with a rubric ‘Articuli + fidei sunt duodecim’. + + + + + (fols. 155v–159v) + Litany, including Vitalis (of Ravenna (?)) and Apollinaris (of + Ravenna (?)) among the martyrs; Leonard (of Brescia (?)), Dominic and + Francis among the confessors; Antonia (of Aquila, or of Brescia (?)) and + Anthia among the virgins. Followed by collects with rubrics ‘oratio’ + (fol. 159r–v): + (1) Clamantes ad te deus dignanter exaudi ... + (2) Liberator animarum mundi redemptor ... + (3) Suscipere digneris domine deus hos psalmos ... + The last two prayers use feminine grammatical forms, e.g. + ‘supplico ego misera’, ‘famula tua’ (fol. 159r), ‘indigna famula tua’ + (fol. 159v). Fol. 160 is ruled but blank, apart from modern notes; fols. + 161–163 are paper fly-leaves, blank apart from modern notes. + Latin +

super syon montem (psalter, fol. 2r)

+ - parchment + parchment; paper fly-leaves + 166 leaves + c. 153 + 110 + + + modern, in pencil; i–iii + 1–163. + (fols. i–iii) paper fly-leaves; fols. i–ii are a bifolium | + (fols. 1–160) I–XVI (10) | (fols. 161–163) paper fly-leaves; fols. + 162–163 are a bifolium. Catchwords, some partly cropped off, and leaf + signatures often survive + + + + + Ruled in pale ink + with single vertical bounding lines extending the full height of page; 21 + lines per page; written below the top line; written space: + c. 90 + 62 + + + + Formal Gothic book hand, black ink, smaller script used for + antiphons, etc. + - Fine border. + + + + + fol. 1r Psalm 1 (initial B(eatus)) 9-line initial, + decorated with foliage, on gold background, infilled with half-figure of + King David playing psaltery. + (full border) Rectangular border, outlined in gold, + decorated with filigree scrolls, flowers, foliage and gold discs; medallion + with a dove in rays of light in the right margin. In the lower margin two + winged putti support a laurel wreath with an overpainted coat of + arms. + One 9-line (psalm 109, fol. 107r) and six 8-line + initials, decorated with foliage, on gold background, with sprays of + filigree scrolls, foliage, flowers and gold discs extending into margins, at + liturgical divisions at psalms 26 (fol. 21v), 38 (fol. 34v), 52 (fol. 47r), + 68 (fol. 60r), 80 (fol. 76r) and 97 (fol. 91r). + Borders: see above. + 2-line alternating red and blue initials, decorated + with contrasting purple or red penwork, at the beginnings of psalms, + canticles, prayers, litany and hymns. + 1-line alternating plain red and blue initials at the + beginnings of verses and periods. + rubrics in red ink + + Guide-letters are often visible. + -

18th century, middle (by 1751), Italian: pasteboards; polished, hard, near-black leather, heavily grained (like shagreen?), plain except for blind triple lines around edges of covers; two fine fore-edge clasps, comprising straps of the same leather with scallop-shaped tips and loops of dark metal which fit onto pins at edges of lower cover; paste-downs of marbled paper; flyleaves of thick white laid paper, with an ex dono inscription dated 1762 (fol. iiir) and the date ‘1751’ at end (fol. 161v, cf. 160v). +

18th century, middle (by 1751), Italian: pasteboards; polished, hard, near-black leather, + heavily grained (like shagreen?), plain except for blind triple lines + around edges of covers; two fine fore-edge clasps, comprising straps of + the same leather with scallop-shaped tips and loops of dark metal which + fit onto pins at edges of lower cover; paste-downs of marbled paper; + flyleaves of thick white laid paper, with an ex dono inscription dated + 1762 (fol. iiir) and the date ‘1751’ at end (fol. 161v, cf. 160v). + 160–161 116–117 c. 35–36 - (book closed). Identical clasps are at MS. Canon. Liturg. 291, but with different binding style.

+ (book closed). Identical clasps are at MS. Canon. Liturg. + 291, but with different binding style.

 - 15th century, third quarter + 15th century, + third quarter Italian, North-east + Made in the north-east of Italy, perhaps in Ravenna or Brescia: + evidence of the litany. Written for a woman: feminine grammatical forms in + prayers on fol. 159r–v. Shield of arms, painted over, on fol. 1r. + ‘Ex dono f: [or J?] M: A: D: Danielis Adelardi + anno 1764’, fol. iii recto, possibly by Canonici. + ‘1751’ written in ink on fols. 160v and 161v. + Matteo Luigi Canonici of + Venice (1727–c. 1806), but not from the libraries of Soranzo or + Trevisan (Mitchell, 1969). + Bodleian Library: bought in 1817 from Canonici’s nephew + Giovanni Perissinotti. Earlier shelfmarks: ‘73’ (fol. i recto); ‘E codd. Bodl. + Miscell. Liturg. 158.’ (fol. iii verso). - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 545–8. Binding: B. C. Barker-Benfield, Bookbindings of Canonici manuscripts : a survey of early and non-standard bindings, mostly Italian, in the Canonici collection of the Bodleian Library, University of Oxford (Oxford, privately printed, 2020). Previously described in the Summary Catalogue. - Summary Catalogue, vol. 4, p. 349 + Elizabeth Solopova, Latin + Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 545–8. Binding: B. C. + Barker-Benfield, Bookbindings of Canonici manuscripts : a + survey of early and non-standard bindings, mostly Italian, in the + Canonici collection of the Bodleian Library, University of + Oxford (Oxford, privately printed, 2020). Previously + described in the Summary Catalogue. + Summary Catalogue, vol. 4, p. + 349 - Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 118 + Select bibliography to 2006: + + Frere, no. 163. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 118 + Pächt and Alexander (1966–73), vol. 2, no. 870, pl. LXXVII. + Baroffio, G., ‘Liturgia e musica nella tradizione demenicana’ + in C. Parmeggiani, Canto e colore: i corali di San Domenico di Perugia + nella Biblioteca comunale Augusta, XIII–XIV sec., 11 marzo–17 aprile + 2006, Perugia, Sala Lippi, Unicredit banca, Corso Vannucci, 39 + [exhibition catalogue] (Perugia: Volumnia, 2006), pp. 33–68, + at p. 62. + + + @@ -97,10 +280,13 @@ + Convert full description from Solopova catalogue. Binding description added. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -109,4 +295,4 @@

- \ No newline at end of file + diff --git a/collections/Canon_Liturg/MS_Canon_Liturg_311.xml b/collections/Canon_Liturg/MS_Canon_Liturg_311.xml index 86a95666aa..f8cc6ff1cf 100644 --- a/collections/Canon_Liturg/MS_Canon_Liturg_311.xml +++ b/collections/Canon_Liturg/MS_Canon_Liturg_311.xml @@ -1,12 +1,16 @@ - + + MS. Canon. Liturg. 311 MSS. Canon. Liturg. (Canonici Liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,21 +34,94 @@ University of Oxford Bodleian Library MS. Canon. Liturg. 311 - ark:29072/x0xg94hn67ggark:29072/x0xw42n723jn + ark:29072/x0xg94hn67gg + ark:29072/x0xw42n723jn + 19400 + Psalter with Antiphons and Hours, Carthusian Use; Italy, Venice (?), 15th century, third quarter -

Composite

+

Composite. Made of three parts, all written in Italy in the 15th century. Fol. i is a paper fly-leaf, + blank apart from modern notes.

+

bis bona. Signatum est (psalter, fol. 8r)

+ + + parchment; paper fly-leaves + 121 leaves + c. 223157Leaves were trimmed, + occasionally causing the loss of decoration. + + modern in brown ink with corrections and additions in pencil; i + + 1–99 + 100–103 + ‘104–105’ + 106–124. + + + (fol. i) paper fly-leaf | (fols. 1–90) I–IX (10) | (fols. 91–94) + X (4) | (fols. 95– ‘100–103’) XI (10−4) missing 6–9, no loss of text | + (fols. ‘104–105’–113) XII (10−1) missing 1 | (fols. 114–123) XIII (10) | + (fol. 124) paper fly-leaf. Catchwords in parts I and III, with penwork + decoration in part I. + + + + + + + + + Formal Gothic book hands, black and brown ink. + - Good border and historiated and other initials. (Pächt and Alexander ii. 541) + + Rubrics in red ink; initials highlighted with + yellow wash + + + +

+ Red leather over wood boards, worn and damaged by worms. Border of gilt laurel + leaves round the outer edge of both covers. Sewn on four cords, four raised bands on + spine, outlined with gilt fillet lines. Label on spine of dark green leather with gilt borders + and gilt lettering ‘PSALTERIU(M) || ET || LECTIONAR. || ETC.’. Gilt lettering + at the centre of spine: ‘COD . MEM’. ‘311’ painted white on spine. Pastedowns + of paper with dark green and burgundy criss-cross and floral designs. Fly-leaves of + laid paper, no watermarks. Fols. 122–123 have marks and perforations around the + edges left by an earlier binding. +

+ + + + + 15th + century, third quarter + + Italian, Venice + (?) + + Made for the Carthusian monastery of San Andrea de Lido, Venice (?). Partly + erased inscription on fol. 1r, 15th century: ‘Psalterium est sancti Andreae de lictore + ...’ (Pächt and Alexander, 1966–73). The addition of ‘blaxii’ to the litany suggests + Venetian orthography. + Matteo Luigi Canonici of Venice (1727–c. 1806), but not from the libraries of + Soranzo or Trevisan (Mitchell, 1969). + Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni Perissinotti. + Earlier shelfmark: ‘E codd Bodl. Miscell. Liturg. cccxi’ (fol. 1r). + + - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 560–6 Previously described in the Summary Catalogue. - Summary Catalogue, vol. 4, p. 378 + Elizabeth Solopova, Latin + Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 560–6 Previously described in + the Summary Catalogue. + Summary Catalogue, vol. 4, p. + 378 @@ -52,20 +129,183 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 103 + Frere, no. 189. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 103 + Pächt and Alexander (1966–73), vol. 2, no. 541. + Ker (1969–2002), vol. 2, p. 591. - MS. Canon. Liturg. 311 – Part 1 + MS. Canon. Liturg. 311 – Part 1 (fols. 1–93) Psalter (Carthusian) + [items 1–7 occupy quires I–X] + + (fols. 1r–69v) + Psalms 1–150 (‘Incipit psalterium secundum ordinem cartusiensium + Amen’) laid out as prose, with titles ‘psalmus’ or ‘psalmus dauid’. + Punctuated throughout with punctus used to mark metrum, minor pauses + and the ends of verses. Psalms are in the biblical order, accompanied + by antiphons, versicles, responses, invitatoria, chapters, hymns and + collects with rubrics. There are textual divisions at psalms appointed + to be recited first at Matins on Sunday and during the week, and + Sunday and Saturday Vespers in monastic use: 20, 32, 45, 59, 73, 85, + 101, 109 and 144: 10 (see ‘Decoration’). Subdivisions within psalms + are marked by 2-line initials and rubrics ‘diuisio’ or ‘psalmus dauid’ + at 9: 20 (fol. 3r), 17: 26 (fol. 6r), 36: 27 (fol. 14v), 67: 20 (fol. + 27v), 68: 17 (fol. 28v), 77: 36 (fol. 33v), 88: 20 (fol. 39r), 103: 25 + (fol. 46r), 104: 23 (fol. 47r), 105: 32 (fol. 48r), 106: 25 (fol. + 49r), 138: 11 (‘Et dixi ... ) (fol. 65r), 143: 9 (fol. 67r), 144: 10 + (fol. 67v). Psalm 116 (fol. 54r) has a rubric ‘diuisio’, rather than + ‘psalmus’. Psalm 118 is subdivided into twenty-two 8-verse units. The + text contains corrections in a 15th-century (?) hand, and antiphons, + invitatoria, versicles, responses, collects and lessons added in the + margins on fols. 7v–48r in a 16th-century (?) hand (e.g. fols. 7v, + 12v, 16v, 19v, etc.). + + + (fol. 69v–74r) + Weekly canticles, each followed by antiphons, some with titles: + (1) Confitebor tibi domine (Isaiah 12); + (2) Ego dixi (Isaiah 38: 10–21) (‘canticum’); + (3) Exultauit cor meum (1 Samuel 2: 1–11) + (‘canticum’); + (4) Cantemus domino (Exodus 15: 1–20); + (5) Domine audiui (Habakkuk 3) (‘Canticum abacuc’); + (6) Audite celi (Deuteronomy 32: 1–44); subdivided at verse + 22, ‘Ignis succensus ...’. + + + + + (fols. 74r–77r) + Daily canticles, prayers and creeds, some with titles: + (1) Benedicite omnia opera (fol. 74r); + (2) Benedictus dominus deus (‘canticum’) (fol. 74v); + (3) Magnificat (‘canticum’) (fol. 74v); + (4) Nunc dimittis (‘canticum’) (fol. 75r); + (5) Athanasian Creed (Quicumque uult ... ) (fol. 75r); + (6) Pater noster (fol. 76r); + (7) Apostles’ Creed (Credo in deum ... ) (‘Simbolum xij + apostolorum’) (fol. 76r); each verse is followed by the name of + one of the twelve apostles; + (8) Nicene Creed (Credo in unum deum ... ) (‘Simbolum’) (fol. + 76v); + (9) Te deum laudamus (fol. 76v); + (10) Salve regina (‘oratio’) (fol. 77r). + + + + + (fols. 77r (rubric), 77v–82r) Canticles for the year, many with + rubrics: + (1) Ecce dominus in fortitudine ueniet et brachium eius + dominabitur (Isaiah 40: 10–17) (‘In aduentu domini et in + annuntiatione diebus dominicis. Canticum ysaie prophete’); + + + (2) Cantate domino canticum nouum laus eius ab extremis terre + (Isaiah 42: 10–16); + (3) Hec dicit dominus redemptor israel sanctus eius ... + (Isaiah 49: 7–13); + (4) Populus qui ambulabat in tenebris uidit lucem magnam ... + (Isaiah 9: 2–7) (‘In natiuitate domini circumcisione et + purificatione. canticum ysaie’); + (5) Letare ierusalem et diem festum agite ... (Isaiah 66: + 10–16, non-Vulgate text); + (6) Urbs fortitudinis nostre syon saluator ponetur in ea ... + (Isaiah 26: 1–12); + (7) Deducant oculi mei lacrimas per diem et noctem ... + (Jeremiah 14: 17–21) (‘In quadragesima diebus dominicis . + Canticum Ieremie prophete’); + (8) Recordare domine quid acciderit nobis intuere et respice + obprobrium nostrum ...(Lamentations 5: 1–21) + (‘canticum’); + (9) Tollam quippe uos de gentibus et congregabo uos de + uniuersis terris ...(Ezekiel 36: 24–28); + (10) Quis est iste qui uenit de edom tinctis uestibus de + bosra ... (Isaiah 63: 1–5) (‘In festo pasce et diebus dominicis + usque ad octauam pentecostes. Canticum ysaie’); + (11) Uenite et reuertamur ad dominum quia ipse cepit et + sanabit nos ... (Hosea 6: 1–6); + (12) Expecta me dicit dominus in die resurrectionis mee in + futurum ... (Zephaniah 3: 8–13) (‘canticum’); + (13) Uos sancti domini uocabimini ministri dei nostri ... + (Isaiah 61: 6–9) (‘In festis apostolorum et plurimorum martirum. + Canticum’); + (14) Reddidit deus mercedem laborum sanctorum suorum ... + (Wisdom 10: 17–20) (‘aliud in sapientia’); + (15) Fulgebunt iusti et tanquam scintille in arundineto + discurrent ... (Wisdom 3: 7–9) (‘aliud in sapientia’); + (16) Beatus uir qui in sapientia morabitur ... (Sirach 14: 22 + and 15: 3–6) (‘In festo martiris uel confessoris in + ecclesiastico’); + (17) Benedictus uir qui confidit in domino ... (Jeremiah 17: + 7–8) (‘aliud canticum Jeremie’); + (18) Beatus uir qui inuentus est sine macula ... (Sirach 31: + 8–11) (‘aliud in ecclesiastico’); + (19) Audite me diuini fructus ... (Sirach 39: 17–21) + (‘Canticum in natalibus beate marie uirginis et aliarum uirginum + in ecclesiastico’); + (20) Gaudens gaudebo in domino et exultabit anima mea ... + (Isaiah 61: 10–62: 3) (‘Aliud canticum ysaie’); + (21) Non uocaberis ultra derelicta ... (Isaiah 62: 4–7) + (‘Aliud canticum ysaie’). + + + + + (fols. 82r–88v) + Hymnal, with rubrics, comprising hymns for the year from Advent to + Pentecost, followed by the hymns for the feasts of Corpus Christi, + John the Baptist, the Virgin Mary and Exaltation of the Cross. Deus + creator omnium polique (Chevalier, no. 4426), Eterne rerum conditor + (Chevalier, no. 647), Splendor paterne (Chevalier, no. 19349), + Conditor alme (Chevalier, no. 3733), Uenit redemptor gentium + (Chevalier, no. 21243), Egressus eius a patre (Chevalier, no. 5268), + Audi benigne conditor (Chevalier, no. 1449), Uexilla regis (Chevalier, + no. 21481), Arbor decora (Chevalier, no. 1268), Hic est dies uerus dei + (Chevalier, no. 7793), Misterium mirable ut abluat (Chevalier, no. + 11831), Optatus uotis omnium sacratus (Chevalier, no. 14177), O grande + cunctis gaudium (Chevalier, no. 13071), Ueni creator spiritus + (Chevalier, no. 21204), Iam christus astra (Chevalier, no. 9215), + Impleta gaudent uiscera (Chevalier, no. 8506), Pange lingua gloriosi + corporis (Chevalier, no. 14467), Sacris solempnijs (Chevalier, no. + 17713), Uerbum supernum prodiens nec patris (Chevalier, no. 21398), Ut + queant laxis resonare (Chevalier, no. 21039), Antra deserti + (Chevalier, no. 1214), O nimis felix meritique (Chevalier, no. 13311), + Aue maris stella (Chevalier, no. 1889), Misterium ecclesie hymnum + christo (Chevalier, no. 11828), Uere gratia plena es (Chevalier, no. + 21408), Memento salutis auctor (Chevalier, no. 11446), Crux fidelis + inter omnes (Chevalier, no. 4018), Christe redemptor omnium conserua + tuos famulos (Chevalier, no. 2959), Iesu saluator seculi redemptis + (Chevalier, no. 9677), Iam lucis orto sydere (Chevalier, no. 9272), + Nunc sancte nobis spiritus (Chevalier, no. 12586), Rector potens uerax + deus (Chevalier, no. 17061), Rerum deus tenax uigor (Chevalier, no. + 17328), Christe qui lux es et dies ... (Chevalier, no. 2934), Crux + fidelis inter omnes (Chevalier, no. 4018). + + + (fols. 88v–92r) + Hours of the Virgin (‘Incipit officium beate marie uirginis’), + with rubrics. + + + (fols. 92r–93v) + Two masses of the Virgin Mary with variations for the year. Fol. + 94r is ruled but blank. The top of the second column on fol. 94v + contains versicles and responses (6 lines) in a different 15th-century + hand. + Latin @@ -74,25 +314,74 @@ parchment + + Ruled in plummet for two columns, with single + vertical bounding lines extending the full height of page; 29 lines + per page (30 in quire 1); written below the top line. Written space + c. 145 + 112 + + + + 15-line (one-column) pink Beatus-initial (fol. + 1r) on gold background, decorated with foliage, flowers and arabesque + designs. Infilled with King David, playing psaltery and looking up at + half-figure of God, in clouds, blessing. Sprays of flowers, filigree + scrolls and gold discs extending into the left and upper + margins. + 7- to 8-line pink, yellow and blue initials with + white floral and arabesque designs, on gold background, with sprays of + foliage and gold discs extending into the margins at the beginnings of + psalms 20 (fol. 7v), 32 (fol. 12v), 45 (fol. 19v), 59 (fol. 25r), 73 + (fol. 32r), 101 (fol. 44v), 109 (fol. 51v), 144: 10 (fol. 68r), the + beginning of the canticles for the year (fol. 77v) and the beginning of + the hymnal (fol. 82r). + Borders: see above. + 4-line plain blue initial at the beginning of psalm + 85 (fol. 38r). + 2-line blue initial with red penwork at the + beginning of psalm 41 (fol. 17v). + 2-line alternating plain red and blue initials at + the beginnings of psalms and canticles. + 1-line alternating plain red and blue initials at + the beginnings of verses and periods. + + - 15th century, third quarter + 15th + century, third quarter - Italian, Venice (?) + Italian, Venice + (?) - MS. Canon. Liturg. 311 – Part 2 + MS. Canon. Liturg. 311 – Part 2 (fols. + 95–‘100–103’) - - Responsoria for the Common of Saints + + [item 8 occupies quire XI] + + (fols. 95r–99r) + Common of the Saints of the breviary without lessons. Includes the + feasts of apostles (‘In festiuitate apostolorum . Ad uesperas’, fol. + 95r) and martyrs (‘In natiuitate plurimorum Martirum ad vesperas’, + fol. 96r). Liturgical notes in the margins and chapters for the feasts + of apostles (fol. 99v, col. 1) and martyrs (fol. 99v, col. 2) are + added in the hand which added antiphons, invitatoria, etc. in the + margins of the psalter (fols. 8–48). Fol. ‘100–103’ is blank except + for ruling and an erased addition on the recto. + Latin @@ -101,26 +390,77 @@ parchment + + Ruled in hard point for two columns, with single + vertical bounding lines extending the full height of page; 41 lines + per page; written below the top line. Written space: + c. 145 + 112 + + + + Spaces left blank for 2-line initials at the + beginnings of sections; 1-line initials highlighted in red. + - 15th century, third quarter + 15th + century, third quarter - Italian, Venice (?) + Italian, Venice + (?) - MS. Canon. Liturg. 311 – Part 3 + MS. Canon. Liturg. 311 – Part 3 (fols. ‘104–105’–123) - + Book of Hours (fragment) + [items 9–12 occupy quires XII–XIII] + (fols. ‘104–105’r–115v) + Hours of the Virgin, beginning imperfectly + at the end of the second lesson at Matins with ‘in senectute sua : Et + his mensis est sextus illi ...’ (Luke I: 36). This is followed by + ‘lectio iij’ ‘Exurgens maria abiit in montana cum festinatione ...’. + Psalms are written out in full. Prime (fol. 108r–v) is followed by two + masses of the Virgin Mary with variations for the year (fols. + 108v–109v); offices of Terce, Sext, None, Vespers followed by a + confession (fol. 112v); Compline and a second Prime, followed by a + confession (fol. 115r). + + + (fols. 115v–117r) + Penitential Psalms (‘Incipiunt septem psalmi penitentiales’), with + rubrics ‘psalmus’. + + + (fols. 117r–118r) + Litany, including Blandina among the virgins, followed by collects + with rubrics ‘oratio’ (fol. 118r): + (1) Deus cui proprium est misereri semper et parcere + ... + (2) Pretende domine famulis et famulabus tuis dextera [sic] + celestis auxilij ... + (3) Omnipotens sempiterne deus qui uiuorum dominaris simul et + mortuorum ... + + + + + (fols. 118r–123v) + Carthusian Office of the Dead (‘Incipit officium defunctorum ...’) + with rubrics. + Latin @@ -129,13 +469,39 @@ parchment + + Ruled in + hard point for two columns, with single vertical bounding lines + extending the full height of page; 41 lines per page; written below + the top line. Written space: + c. 145 + 112 + + + + The style of decoration is very similar to part I. + 5- to 6-line pink, yellow and blue initials with white floral and + arabesque designs, on gold background, with sprays of foliage and gold + discs extending into the margins at the beginning of Penitential Psalms + and major sections of the offices (fols. ‘104–105’r, 108r, 108v, 109v, + 110v, 111r, 111v, 115v, 118r). + Borders: see above. + 2-line alternating plain red and blue initials at + the beginnings of the sections of the text. + 1-line alternating plain red and blue initials at + the beginnings of verses and periods. + - 15th century, third quarter + 15th + century, third quarter - Italian, Venice (?) + Italian, Venice + (?) @@ -143,9 +509,12 @@ + Convert full description from Solopova catalogue. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -154,4 +523,4 @@

- \ No newline at end of file + diff --git a/collections/Canon_Liturg/MS_Canon_Liturg_395.xml b/collections/Canon_Liturg/MS_Canon_Liturg_395.xml index 47ead45529..a7629880b5 100644 --- a/collections/Canon_Liturg/MS_Canon_Liturg_395.xml +++ b/collections/Canon_Liturg/MS_Canon_Liturg_395.xml @@ -1,12 +1,16 @@ - + + MS. Canon. Liturg. 395 MSS. Canon. Liturg. (Canonici Liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -34,35 +38,341 @@ University of Oxford Bodleian Library MS. Canon. Liturg. 395 - ark:29072/x0d217qp711jark:29072/x06w924c61s1 + ark:29072/x0d217qp711j + ark:29072/x06w924c61s1 + 19475 + Secular Ferial Choir Psalter with Antiphons, Use of Rome; Dalmatia, Trogir (?), 15th century, early - Psalter, Use of Rome - (secular ferial choir psalter, with antiphons) + Secular Ferial Choir Psalter with Antiphons, Use of Rome + [item 1 occupies quire I] + + (fols. ib recto–vi verso) + Calendar, written in black and red, laid out one month per page, + approximately half full, largely ungraded apart from a few major feasts + graded ‘duplex’ or ‘semiduplex’, with 16th- to 18-century additions. + Includes Domnio (7 May; alleged first bishop of Salona in Dalmatia), + Lawrence (10 August) as duplex, Giovanni Orsini of Trogir and his + translation (14 November and 26 June), all in red. Also includes in the + original hand Herculanus of Perugia (1 March), Ubaldus of Gubbio (16 May) + and the assumption of Elijah (?) (‘Assumpcio Helye prophete’, 20 July). + Comemoracio sancti Ioannis Traguriensis ob liberationem Clyssie’ (11 + April) is added in a 16th-century hand. Other 16th- and 17th-century + additions include Longinus as duplex (15 March), Francis of Paola as + duplex (2 April), canonized in 1519, Vincent Ferrer as duplex (6 April), + Januarius (19 September), Mercurius (21 November) and Maximus (martyr, 29 + October). 18th-century additions in the hand which supplied an + alphabetical table of contents on the lower pastedown (see below) include + the dedication of the Cathedral of St Lawrence in Trau (Trogir), + Dalmatia, on 12 August (‘dedicatio sancti Laurentij Trã . Ecclesie’), + Clare of Assisi (12 August), Sancti Angeli Custodis (10 October) and an + expanded record for the feast of Giovanni Orsini (‘Festum ... Tragum + Prot. cum Octaua’). Months are headed by notes on the length of the solar + and lunar month and on the number of hours in day and night. + + [items 2–3 occupy quires II–XXI] + + (fols. vii recto–viii verso) + Hymns for Matins on Sundays during the year with rubrics and music + (square notation on staves of four red lines): Primo dierum omnium + (Chevalier, no. 15450) and Nocte surgentes uigilemus (Chevalier, no. + 12035). The hymns are preceded by a rubric: ‘Incipit psalterium secundum + vsum curie Romane’ and followed by antiphons with music. + + + (fols. 1r–217v) + Psalms, appointed for reading at Matins and Lauds on Sundays, Prime, + Terce, Sext and None, and Matins and Lauds during the week according to + secular use. Originally there may have been another volume containing + psalms for Vespers and Compline (similarly to MSS. Lat. liturg. a. 1 and + Lat. liturg. a. 2, two parts of a complete ferial psalter with a somewhat + different order of psalms). The psalms are laid out as prose, without + numbers, most preceded by rubrics ‘psalmus dauid’ or ‘psalmus’. + Punctuated throughout with punctus flexus used to mark minor pauses, + punctus elevatus used to mark metrum, and punctus used to mark the ends + of verses. There are textual divisions at psalms 26, 52, 68, 80 and 97 + (see ‘Decoration’). The beginning of psalm 38 is missing (see below). The + divisions within psalms are not indicated, apart from psalm 118, + subdivided into twenty-two 8-verse sections. Psalms are accompanied by + antiphons, versicles, responses, chapters, prayers and hymns with rubrics + and music (square notation on staves of four red lines). The margins + contain liturgical notes in early modern (up to the 18th century) hands. + Added running titles in the upper margin mark the sections of psalter + appointed for recitation on different days of the week (‘feria secunda’, + fols. 75v–76r, ‘feria tertia’, fols. 102v–103r, etc.). They are in an + 18th-century hand which made additions to the calendar and added a table + of contents on the lower pastedown. Psalms, canticles, hymns, chapters + and creeds are in the following order: + Sunday Matins (fol. 1r) + 1–20 + Te deum laudamus (fol. 31r) + + Sunday Lauds (fol. 32v) + 92, 99, 62, 66 + Benedicite omnia opera (fol. 35v) + 148–150 (written without breaks as a single text) + Benedictio et claritas (‘Capitulum’) (Revelation, 7: 12) + Eterne rerum conditor (Chevalier, no. 647) + Ecce iam noctis tenuantur umbra (Chevalier, no. 5129) + Benedictus dominus deus (fol. 42r) + Iam lucis orto sidere (Chevalier, no. 9272) + + + + + Prime (fol. 43v) + 21–25, 53, 117, 118: 1, 118: 9, 118: 17, 118: 25 + Athanasian Creed (Quicumque uult ... ) (‘Simbolum’) (fol. + 56r) + Apostles’ Creed (Credo in deum ... ) (fol. 59v) + Prayers, short reading and hymn: + Confiteor deo omnipotenti beate marie semper uirgini beato + petro beato paulo laurentio iohanni et omnibus sanctis ... + Misereatur uestri fratres omnipotens deus et dimissis + ... + Domine deus omnipotens qui ad principium huius diei ... + Dirigere et sanctificare regere et gubernare dignare domine + deus rex celi et terre hodie corda et corpora nostra ... + Dominus autem dirigat corda et corpora nostra ... (2 + Thessalonians 3: 5) + Nunc sancte nobis spiritus (Chevalier, no. 12586) + + Terce (fol. 62v) + 118: 33, 118: 41, 118: 49, 118: 57, 118: 65, 118: 73 + Rector potens (Chevalier, no. 17061) + + Sext (fol. 67r) + 118: 81, 118: 89, 118: 97, 118: 105, 118: 113, 118: 121 + Alter alterius onera portate (‘capitulim’) (Galatians 6: + 2) + Rerum deus tenax uigor (Chevalier, no. 17328) + + None (fol. 71v) + 118: 129, 118: 137, 118: 145, 118: 153, 118: 161, 118: + 169 + Empti enim estis pretio magno (‘capitulim’) (1 Corinthians 6: + 20) + Sompno refectis artubus spreto (Chevalier, no. 19210) + + Monday Matins (fol. 76r) + 26–37 + + Monday Lauds (fol. 96r) + Confitebor tibi domine (Isaiah 12) (fol. 97v) + Nox precessit dies (‘Capitulum’) (Romans 13: 12–13) + Splendor paterne (Chevalier, no. 19349) + Christus resurgens ex mortuis (‘Capitulum’) (Romans 6: + 9–10) + Christus resurexit amor (‘ad sextum capitulum’) (1 Corinthians + 15: 20–22) + Christus semel pro peccatis (‘ad .ix.’) (1 Peter 1: 18) + Pacem et ueritatem diligite ait dominus omnipotens + (‘capitulum’) (Zacharias 8: 19) + + Tuesday Matins (fol. 103r) + 38 (verses 1–3 are missing owing to the loss of a folio after + fol. 102 and are added in the lower margin of fol. 102v in an + 18th-century hand which supplied the table of contents at the end + of the manuscript) + 39–41, 43–49, 51 + + Tuesday Lauds (fol. 118v) + Ego dixi (Isaiah 38: 10–21) (fol. 119v) + Ales diei nuncius (Chevalier, no. 795) + Rerum creator optime (Chevalier, no. 17322) + + Wednesday Matins (fol. 122v) + 52, 54–61, 63, 65, 67 + + Wednesday Lauds (fol. 137v) + Exultauit cor meum (‘Canticum’) (1 Samuel 2: 1–11) (fol. + 139r) + Nox (et) tenebre et nubila (Chevalier, no. 12402) + Nox atra rerum (Chevalier, no. 12396) + + Thursday Matins (fol. 142v) + 68–79 + + Thursday Lauds (fol. 164v) + Cantemus domino (‘Canticum’) (Exodus 15: 1–20) (fol. + 166r) + Lux ecce surgit (Chevalier, no. 10811) + Tu trinitatis unitas (Chevalier, no. 20713) + + Friday Matins (fol. 170r) + 80–88, 93, 95–96 + + Friday Lauds (fol. 185v) + Domine audiui (Habakkuk 3) (fol. 186v) + Eterna celi gloria (Chevalier, no. 609) + Summe deus clemencie (Chevalier, no. 19636) + + + Saturday Matins (fol. 190v) + 97–108 + + Saturday Lauds (fol. 211v) + Audite caeli (‘Canticum’) (Deuteronomy 32: 1–44) (fol. + 212v) + Aurora iam spargit (Chevalier, no. 1633) + The manuscript was corrected throughout by the original scribe, + e.g. fols. 85r, 123v, 124v, 126r, 131r, 167v, etc. New text was + apparently written on top of lead white (?) which is now blackening + through oxidization. + + + (lower pastedown) + Alphabetical list of psalms and canticles with page references, added + in an 18th-century hand which made additions to the calendar and psalter. + + Latin +

nobis benigne (hymns, fol. viii recto)

- parchment + Parchment; 19th-century paper fly-leaves. + 227 leaves + c. 390 + 280 + Leaves were trimmed in rebinding occasionally causing + the loss of marginal text and decoration. + + 18th-century foliation in ink in a hand which added the table of + contents; modern foliation in pencil and purple crayon; ia–ib + ii–viii + + 1–218. + + + (fol. ia) paper fly-leaf | (fols. ib–vi) I (6) | (fols. vii–98) + II–IX (10) | (fols. 99–107) X (10−1) missing 5; fol. 103 is a singleton + attached to its quire with a strip of parchment from a medieval + manuscript | (fols. 108–217) XI–XXI (10) | (fol. 218) paper fly-leaf. + Catchwords survive + Extensive heat (?) damage on some leaves, causing severe + pleating at intervals throughout the book (damage from a nearby light + fitting (?)). Many leaves are mutilated and repaired with white + 18th-century laid paper, possibly when the table of contents was added to + the lower pastedown and other alterations were made in the 18th century. + Some leaves are repaired with brown 19th-century paper, similar to that + used for the fly-leaves, probably in the Bodleian. Fragments of the + 18th-century paper (used as bookmarks attached to leaves (?)) also + occasionally appear in the outer margins, often on leaves badly damaged + by heat. Such fragments occur, for example, at the beginnings of the + Penitential Psalms: 6 (fol. 4v), 31 (fol. 83r), 37 (fol. 93v), 50 (fol. + 90r), 101 (fol. 193v) and 142 (fol. 185v). Some such fragments contain + printed or handwritten text, e.g. fols. 32v, 48v, 80v, 83r, 183v, 193v, + etc. Strips of parchment cut from a medieval manuscript with fragments of + text were used to repair and reattach several leaves (e.g. fols. 103, 118 + and 127) + + Ruled in ink for + 17 lines per page with single vertical and double horizontal bounding + lines extending the full height and width of page; written below the top + line; written space: + c. 283 + 185 + + + + Large formal Gothic + book hand, black ink (flaking); antiphons, versicles, invitatoria, etc. and + some rubrics are in a smaller script + -

Notation on staves (see van Dijk 1957).

+

Square notation on staves of four red lines.

 - Fine historiated borders. + + + + Red and blue or red and purple KL monograms, + decorated with contrasting purple and red penwork, in the + calendar. + Historiated initials and borders: + fol. vii recto Hymns (initial P(rimo)) 6-line pink initial on gold + background (badly rubbed), with a vertical stroke extending the full + height of page, decorated with foliage. The loop of the initial is + infilled with a miniature, depicting God, seated, in mandorla (badly + rubbed) in the upper part of the initial. The lower part is entirely + rubbed off, but may have contained King David as in other miniatures + in the psalter. + (full border) Half-figures of a nimbed bishop (St Giovanni Orsini + (?)) and two male saints holding books (all badly rubbed) in + diamond-shaped frames in the lower margin; acanthus- leaf designs and + gold discs. + fol. 1r Psalm 1 (initial B(eatus)) 11-line red and gold initial on + blue background, decorated with foliage, infilled with Christ + (defaced), seated, in mandorla, holding a book and blessing, and King + David (defaced), seated on the throne, playing psaltery, in a + landscape. + (border, upper, left and lower margins) Acanthus-leaf designs, + grotesque and gold discs. + fol. 76r Psalm 26 (initial D(ominus)) 7-line pink initial on gold + background, decorated with foliage, infilled with King David, seated + on the throne, speaking to his courtiers, in a landscape (badly + rubbed), and Christ, seated, in mandorla, holding a book and + blessing. + (border, left and lower margins) Acanthus-leaf designs and gold + discs. + fol. 122v Psalm 52 (initial D(ixit)) 4-line red initial, decorated + with foliage, on gold background, infilled with a standing figure + (entirely rubbed off) under gold stars and rays of light; gold discs + with penwork in the margins. + fol. 142v Psalm 68 (initial S(aluum)) 6-line red initial, on gold + background, infilled with Christ, seated, in mandorla, holding a book + and blessing in the upper part of the initial, and King David, nude, + praying in waters in the lower part of the initial; gold discs with + penwork in the left margin. + fol. 170r Psalm 80 (initial E(xultate)) 7-line pink initial, + decorated with foliage, on gold background, infilled with an altar (?) + in a landscape (badly rubbed) in the upper part of the initial, and + musicians playing different instruments (defaced) in the lower part of + the initial. + (border, left and upper margins) Acanthus-leaf designs and gold + discs. + fol. 190v Psalm 97 3-line pink initial on gold background, with a + miniature entirely rubbed off. + (border, left and lower margins) Acanthus-leaf designs and gold + discs with penwork. + + Borders: see above. + 2-line red, blue and purple initials, decorated with + contrasting purple and red penwork, and sometimes yellow wash, at the + beginnings of psalms, canticles, hymns, chapters and creeds. + 1-line red and blue initials, decorated with + contrasting blue and red penwork, some with anthropomorphic designs, at the + beginnings of verses and periods. + Minor capitals are highlighted with yellow + wash. + Guide-letters for illuminators are often + visible. + Rubrics in red ink -

15th century, early, Dalmatian coast? (as MS., made for Trogir Cathedral): wood boards, rounded bevel and corners; rough dark-brown leather, undecorated; two damaged strap-and-pin fastenings with thick leather straps (probably replacements, the lower with remains of a metal tip), running from front cover fore-edge to double pins at back; traces of a label-holder with eight nails at lower right of front board; edges plain (distorted by fire/water, and discoloured); front paste-down is a Missal fragment, 14th century, Italian-style script.

-

Damaged through heavy and prolonged use, into the 18th century when the textblock was massively repaired; rebacked and edges restored with leather, later 19th century, Bodleian. +

15th century, early, Dalmatian coast? (as MS., made for Trogir + Cathedral): wood boards, rounded bevel and corners; rough dark-brown + leather, undecorated; two damaged strap-and-pin fastenings with thick + leather straps (probably replacements, the lower with remains of a metal + tip), running from front cover fore-edge to double pins at back; traces + of a label-holder with eight nails at lower right of front board; edges + plain (distorted by fire/water, and discoloured); front paste-down is a + Missal fragment, 14th century, Italian-style script.

+

Damaged through heavy and prolonged use, into the 18th century when the + textblock was massively repaired; rebacked and edges restored with + leather, later 19th century, Bodleian. c. 410 270 c. 125–130 @@ -72,18 +382,43 @@ - 15th century, beginning + 15th century, + beginning - Dalmatia, Trogir (?) + Dalmatia, Trogir (?) + + Made for the Cathedral of St Lawrence at Trau (Trogir), + Dalmatia: evidence of the calendar. Prayer ‘Confiteor’ on fol. 60v + includes an invocation of St Lawrence. + The manuscript was still in use in Trau in the 16th to 18th centuries + when various additions were made (see the description of the calendar). + Additions in an 18th-century hand include foliation, the table of contents on + the lower pastedown, the opening lines of psalm 38 on fol. 102v, running titles + and several feasts to do with Trau in the calendar. In the 18th century the + manuscript was probably repaired and bookmarks were added. + Matteo Luigi Canonici of + Venice (1727–c. 1806), but not from the libraries of Soranzo or + Trevisan (Mitchell, 1969). + Bodleian Library: bought in 1817 from Canonici’s nephew + Giovanni Perissinotti. Former shelfmarks: ‘MS Misc. Liturg. 395’ (binding, fol. + 1b recto); ‘b. 3’ (fol. 1b recto). - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 497–503. Previously described in the Summary Catalogue. Binding: B. C. Barker-Benfield, Bookbindings of Canonici manuscripts : a survey of early and non-standard bindings, mostly Italian, in the Canonici collection of the Bodleian Library, University of Oxford (Oxford, privately printed, 2020). + Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian + Library: A Select Catalogue (Oxford, 2013), pp. 497–503. + Binding: B. C. Barker-Benfield, Bookbindings of Canonici + manuscripts : a survey of early and non-standard bindings, mostly + Italian, in the Canonici collection of the Bodleian Library, + University of Oxford (Oxford, privately printed, 2020). + Previously described in the Summary Catalogue. - Summary Catalogue, vol. 4, p. 398 + Summary Catalogue, vol. 4, p. + 398 @@ -94,21 +429,59 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 133 + Frere, no. 157. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 133 - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 5: Fragments - Mass Books (typescript, 1957), p. 243 + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 5: Fragments - Mass Books (typescript, + 1957), p. 243 + Pächt and Alexander (1966–73), vol. 2, no. 770, pl. LXXIII. + + + + + + + MS. Canon. Liturg. 395, front pastedown + + + + Latin + + Fragment of a missal + + + + + + parchment + + + + + + 14th century, late + Italy (?) + + + + Convert full description from Solopova catalogue. Binding description added. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -117,4 +490,4 @@

- \ No newline at end of file + diff --git a/collections/Canon_Pat_Lat/MS_Canon_Pat_Lat_88.xml b/collections/Canon_Pat_Lat/MS_Canon_Pat_Lat_88.xml index 4728153337..fdd0279f09 100644 --- a/collections/Canon_Pat_Lat/MS_Canon_Pat_Lat_88.xml +++ b/collections/Canon_Pat_Lat/MS_Canon_Pat_Lat_88.xml @@ -1,12 +1,16 @@ - + + MS. Canon. Pat. Lat. 88 MSS. Canon. Pat. Lat. (Canonici Latin Patristic) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,57 +34,286 @@ University of Oxford Bodleian Library MS. Canon. Pat. Lat. 88 - ark:29072/x0t435gc34xgark:29072/x0xk81jj73q3 + ark:29072/x0t435gc34xg + ark:29072/x0xk81jj73q3 + 19074 + Psalter with Monastic Collects and Commentary from + De titulis psalmorum; Italy, Umbro-Lazian region, Rome (?), late 11th century–early 12th century - - Psalter with commentary from <persName key="person_209749583" role="aut">Ps.-Bede</persName>, <hi rend="italic">De titulis psalmorum</hi> + <msItem class="#liturgica #biblia #commentarii" n="1" + xml:id="MS_Canon_Pat_Lat_88-item1"> + <title key="work_work_14114" type="desc">Psalter with commentary from <persName + key="person_209749583" role="aut">Ps.-Bede</persName>, <title key="work_5604" + >De titulis psalmorum - - Ps.-Bede - De titulis psalmorum - - Latin + Fols. i–ii are paper fly-leaves (see ‘Provenance’). + [items 1–3 occupy quires I–IV] + + (fols. 1r–22v) + Jerome + Letter to Sunnia and Fretela (ep. 106) + Greek words highlighted in red + (Bruyne, 10. Hi 6). + + + (fols. 22v–30r) + Martyrological calendar, of the same date, but possibly of a + different origin than the psalter. Includes Antimo (11 May), Giusta (1 + August) and Onorato of Fondi (17 December). Among the names in majuscules + are Maurus, Benedict and Sabba. Contains many erasures and additions. + ‘Dedicatio S. Laurentii mar(tiris)’ on 3 April, a slightly later addition + over erasure. Fragments of Roman numerals, written vertically in the + outer margin, cropped when the leaves were trimmed, on fol. 22r. Verses + on the ‘Egyptian’ days in the lower margins, Hennig’s (1955) set I. + + + (fol. 30v) + Added notes relating to the calendar and mnemonic + calendarial verses with music, 12th century, early (?). + + [items 4–9 occupy quires V–XXXI] + + (fols. 31r–45v) + Prefatory materials including Bruyne, 1; 26; followed by a piece on + fol. 32v, beginning ‘Quid enim in psalmis non inuenitur ...’ and ending + ‘... hoc est gloria in qua sancti exultant cum christo’; Bruyne, 5; 7; + 38; 49; 36; 39; 3; 4 (without a title on fol. 36v); 27; 14; 16; 17 + (without a title on fol. 39v); 15; 6; 9; 25abe; followed by ‘Hieronimus + ad marcellam scribens ait ...’ (based on St Jerome, Ep. 25, fol. 44r); + Bruyne, 55. The beginning of Bruyne 15 is erased on fols. 41v–42v and a + penitential prayer is added in a near contemporary hand, beginning + ‘Domine exaudi orationem meam ...’ and ending ‘per in mortalia secula + seculorum amen’. Notes in the margin in a 15th-century hand on fol. 41r. + + + + (fol. 45v–222v) + Psalms 1–150 (Roman version) in the biblical order, laid out with + each verse starting on a new line. Punctuated throughout with punctus + versus or occasionally punctus interrogativus or punctus used to mark the + ends of verses, and punctus elevatus or occasionally punctus used to mark + metrum and minor pauses. + The psalter has a complex system of textual divisions and there is + variation in the size and decoration of larger initials used to signal + these divisions, but only Matins in secular use (psalms 20, 32, 45, 59, + 73, 85, 101) seem to be marked consistently. There are larger initials at + some psalms appointed to be read first at Vespers in secular use (109, + 113, 134, 138); some psalms appointed to be read first at Matins in the + monastic use (26, 68); as well as psalms 72, 90, 118, 118: 33, 118: 81, + 118: 121, 118: 129, 119 and possibly some others. + Subdivisions within psalms are marked with larger initials and + ‘gloria’ at 17: 26 (fol. 62v), 67: 20 (fol. 120r), 68: 17 (fol. 122r), + 77: 36 (fol. 135r), 88: 20 (fol. 149v), 103: 25 (fol. 165v), 104: 23 + (fol. 167r), 105: 32 (fol. 169v), 106: 25 (fol. 172r), 138: 14 (fol. + 210r), 143: 9 (fol. 215r) and 144: 10 (fol. 216v). Psalm 118 is + subdivided into twenty-two 8-verse units. + Each psalm is preceded by an exposition from De titulis psalmorum (CPL + 1384), a number in Roman numerals and a title (Salmon’s (1959) series I), + and is followed by a collect of the Roman series (Brou, 1949). The first + exposition begins on fol. 45v with a rubric ‘Incipit interpretatio + uenerabilis Bedae in titulis psalmorum’. Notes in the margins in a + 15th-century hand (e.g. fols. 66v, 118v). + The opening line of Sanctorum meritis inclita gaudia (Chevalier, no. + 18607) with musical notation is added in the margin on fol. 143v. + + + (fol. 222r–222v) + Pusillus eram. + + + (fols. 222v–229r) + Weekly canticles (Roman version), with titles, each followed by a + collect: + (1) Confitebor tibi domine (Isaiah 12) (‘Incipiunt cantica + prophetarum. Feria ii. Canticum esaie prophete’); + (2) Ego dixi (Isaiah 38: 10–21) (‘Feria iii. Canticum ezechie + Regis’); + (3) Exultauit cor meum (1 Samuel 2: 1–11) (‘Feria iiii. Canticum + Anne’); + (4) Cantemus domino (Exodus 15: 1–20) (‘Feria v. canticum + Exodi’); + (5) Domine audiui (Habakkuk 3) (‘Feria vi. Canticum + abbacuc’); + (6) Attende celum (Deuteronomy 32: 1–44) (‘Sabbato. Canticum + Mosi ad filios Israel’). + + + + + (fols. 229r–235r) + Daily canticles, prayers and creeds, most with titles; (1), (2), (3), + (4) and (9) are followed by collects: + (1) Benedicite omnia opera (‘Ymnus trium puerorum’) (fol. + 229r); + (2) Benedictus dominus deus (‘Canticum Zacharie’) (fol. + 229v); + (3) Magnificat (‘Canticum S. Marie’) (fol. 230v); + (4) Gloria in excelsis (‘Ymnus angelorum’) (fol. 230v); + (5) Nunc dimittis (‘Canticum Symeonis’) (fol. 231r); + (6) Apostles’ Creed (Credo in deum ...) (‘Fides apostolorum’) + (fol. 231r), names of apostles in the margins; + (7) Nicene Creed (Credo in unum deum ... ) (‘Fides patrum’) + (fol. 231v); + (8) Pater noster (‘Oratio Dominica’) (fol. 232r); + (9) Te deum laudamus (fol. 232r); + (10) Athanasian Creed (Quicumque uult ... ) (‘Fides anathasii + episcopi’) (fol. 233r); + (11) Domine Deus omnipotens (fol. 233v); + (12) Deus pie exaudibilis clemens et benignus (‘Consumatio + psalmodie’) (fol. 233v). + Notes in the margin in a 15th-century hand on fol. 231r. + + + (fols. 235r–246v) + Litany, preceded by ‘oratio ante letania’, with many additions and + corrections in a 15th-century hand. Includes Ansuino among the + ‘pontifices’, Benedict in capitals and highlighted in red (first) and + Libertino among ‘monachi’, and Anatolia and Vittoria among the virgins. + Added names include Geruasius, Prothasius, Fortunatus, Hermagoras (?), + Mary Magdalene, Mary of Egypt, Euphemia, Dorothy, Tecla, Erasma and + Catherine. The litany is followed by prayers (fols. 238r–246v), including + ‘Oro uos ac deprecor ...’ (‘oratio post letania’). In the margin on fol. + 243v: ‘sanctissimis apostolis bartholomeo et Jacobo ac Gloriosissimo + Yheronimo et’ (another hand added ‘Sancto sebastiano’). + + [item 10 occupies quire XXXII] + + (fols. 247r–253v) + (Ps.-?)Sisbertus of Toledo + Lamentum paenitentiae + + CPL 1533Díaz 334 + + Nearly complete, but imperfect at the end (ends at ‘quem pro meis + meritis’ (l. 309)). Fols. 254–256 are blank. + + Latin with some Greek +

fenore (St Jerome’s Letter, fol. 2r)

- parchment + parchment; paper fly-leaves contemporary with the + binding + 258 leaves + c. 260 + 170 + + + modern, in pencil: i–ii, 1–256. + (fols. i–ii) paper bifolium | (fols. 1–24) I–III (8) | (fols. + 25–30) IV (6) 2 and 5 are singletons | (fols. 31–246) V–XXXI (8) | (fols. + 247–254) XXXII (8−1+1) missing 8, fol. 254 is a modern parchment leaf + conjoint with fol. 247 | (fols. 255–256) paper bifolium + + Ruled in hard point for 24 lines per page, with horizontal lines + extending the full width of page, and double vertical bounding lines + extending the full height of page; prickings often survive; written above + the top line; written space: + c. 200 + 105 + + + + Caroline minuscule, similar to that of St Cecilia’s, Rome (as in + Oxford, Bodleian Library MS. Add. D. 104), brown ink. Calendarial + martyrology (fols. 22v–30r) is in light brown ink, in a different + contemporary hand. Psalms are often, though not always, in a bigger script + than the titles, explications and collects +

Neums (see van Dijk 1957).

 - Good initials. + Initials in brown and red ink, some with yellow wash, decorated with + plant motifs, and animal figures and heads in two Ottonianizing styles. + Closely related to the initials in Oxford, Bodleian Library MS. Add. D. 104 + from St Cecilia, Rome, c. 1067 (de la Mare, 1985, p. 129, quoting L. M. + Ayres). + Almost full-page Beatus-initial (fol. 46r); 3- to + 5-line white-vine initials at the beginning of Prol. Ps. 10 (fol. 1r), + prefatory materials (fol. 31r), psalms 20 (fol. 65v), 26 (fol. 71v), 32 + (fol. 78r), 45 (fol. 95v), 59 (fol. 111v), 68 (fol. 121r), 72 (fol. 127v), + 73 (fol. 129r), 85 (fol. 144v), 90 (fol. 152r), 101 (fol. 162r), 109 (fol. + 175v), 113 (fol. 179r), 118 (fol. 183v), 118: 33 (fol. 185v), 118: 81 (fol. + 188v), 118: 121 (fol. 191v), 118: 129 (fol. 192r), 119 (fol. 196r), 134 + (fol. 206r), 138 (fol. 209v), Athanasian Creed (fol. 233r) and Lamentum + (fol. 247r). + 1- to 2-line decorated and plain initials at the + beginnings of prefaces, explications, psalms, collects, canticles and + prayers. + 1-line plain red initials at the beginnings of periods + and verses. + Rubrics in red; Greek words and letters + highlighted in red and yellow on fols. 1r–22v + + + +

Light brown diced calf over wood boards with an inside bend (archaizing + style (?)); one of the standard Canonici styles, Italian, 18th century. + Blind and gilt roll decoration round the outer edge of both covers. Five + raised bands on spine. Spine label with gilt lettering: ‘S. HIER. IN + PSALM | LITAN. SS. ET | S. ISID. PLANCT [?] || COD. MEMB. SÆC. X[I?]’. + The remains of the Bodleian paper labels on spine. Marbled pastedowns. + Edges of textblock tinted yellow.

+ + + - 11th century, late - 12th century, early + 11th century, + late - 12th century, early - Italian, Umbro-Latian region, Rome (?) + Italian, Umbro-Latian + region, Rome (?) - - Matteo Luigi Canonici, 1727–1805 - - + + Possibly made in Rome for a monastery or a church dedicated to St + Lawrence (but this may not apply to calendarial martyrology): liturgical + evidence, evidence of script and decoration. + Notes, corrections and additions in a 15th-century humanistic Italian + hand. + Short description of the contents of the manuscript in Latin on fol. + ii recto in an Italian, 18th-century hand (?), but not the hand of Canonici or + any of the earlier owners and librarians whose handwriting is illustrated in + Mitchell (1969). Similar descriptions in the same hand are also found in MS. + Canon. Bibl. Lat. 42, MS. Canon. Bibl. Lat. 85, MS. Add. D. 47, MS. Canon. + Liturg. 105, MS. Canon. Liturg. 155, MS. Canon. Liturg. 377, MS. Canon. Liturg. + 393. + Matteo Luigi Canonici of Venice (1727–c. 1806), but not from the + libraries of Soranzo or Trevisan. Giuseppe Canonici , -1807 - Purchased by the Bodleian in 1817 + Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni + Perissinotti. + + - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 447–51. Previously described in the Quarto Catalogue (H. O. Coxe, Catalogi codicum manuscriptorum Bibliothecæ Bodleianæ pars tertia codices Græcos et Latinos Canonicianos complectens, Quarto Catalogues III, 1854). - Quarto Catalogue, col. 342 - Quarto Catalogue, col. 343 - Summary Catalogue, vol. 4, p. 328 + Elizabeth Solopova, Latin + Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 447–51. Previously described in + the Quarto Catalogue (H. O. Coxe, Catalogi codicum manuscriptorum + Bibliothecæ Bodleianæ pars tertia codices Græcos et Latinos + Canonicianos complectens, Quarto Catalogues III, 1854). + Quarto Catalogue, col. + 342 + Quarto Catalogue, col. + 343 + Summary Catalogue, vol. 4, p. + 328 @@ -88,8 +321,33 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 8 - + + Coxe (1854), cols. 342–3. + Laistner, M. L. W. and King, H. H., A hand-list of Bede + manuscripts (Ithaca, NY: Cornell University Press, 1943), p. + 159. S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 8 + + Díaz y Díaz, M. C., Index scriptorum Latinorum medii aevi + Hispanorum (Salmantica: Universidad de Salamanca, + 1958–59). + Garrison, E. B., ‘Saints Equizio, Onorato and Libertino in + eleventh- and twelfth-century Italian litanies as clues to the + attribution of manuscripts’, Revue Bénédictine 88 (1978), pp. + 297–316, at pp. 303 and n. 5, 307, 314. + de la Mare, A. C., ‘Further Italian illuminated manuscripts in the + Bodleian Library’ in E. Sesti (ed.), La miniatura Italiana tra Gotico e Rinascimento: atti del + II Congresso di storia della miniatura italiana, Cortona 24–26 settembre + 1982, Storia della miniatura 6, 2 vols. (Firenze: L. S. Olschki, 1985), + vol. 1, pp. 127–54, at p. 129. + Gorman, M., ‘The Argumenta and Explanationes on the psalms + attributed to Bede’, Revue Bénédictine 108 (1998), pp. + 226–7. + Gryson (2004), pp. 137–8, no. 369. + + + @@ -97,11 +355,18 @@ + Convert full description from Solopova catalogue. - Mitch Fraas Provenance and acquisition information added using https://github.com/littlegustv/oxfordupdates/blob/master/test_case_for_oxford_prov.rb in collaboration with the Mapping Manuscript Migrations project. + Mitch Fraas Provenance and acquisition information added using https://github.com/littlegustv/oxfordupdates/blob/master/test_case_for_oxford_prov.rb + in collaboration with the Mapping + Manuscript Migrations project. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -110,4 +375,4 @@

- \ No newline at end of file + diff --git a/collections/Gough/MS_Gough_Liturg_18.xml b/collections/Gough/MS_Gough_Liturg_18.xml index 4f6b1fe011..f2f78120ca 100644 --- a/collections/Gough/MS_Gough_Liturg_18.xml +++ b/collections/Gough/MS_Gough_Liturg_18.xml @@ -46,22 +46,22 @@ Portable Psalter Fols. i–iii are paper fly-leaves, originally blank. [item 1 occupies quires I–II] - - (fols. iv recto–xiii verso) An alphabetical index of psalms in a + (fols. iv recto–xiii verso) + An alphabetical index of psalms in a 16th-century hand, including their opening words and numbers (fols. vi recto–xi verso). The opening words and numbers of psalms omitted in the main index are listed in the same hand on fol. xii recto–verso. Fols. iv–v and xiii are blank. [item 2 occupies quire III] - - (fols. xiv recto–xvii verso) Four miniatures, painted on the versos + (fols. xiv recto–xvii verso) + Four miniatures, painted on the versos of fols. xiv and xv, leaving the rectos blank, and on the rectos of fols. xvi and xvii, leaving the versos blank (see ‘Decoration’). [item 3 occupies quires IV–V] - - (fol. xviii recto–xxviii verso) Calendar for the use of Benedictine + (fol. xviii recto–xxviii verso) + Calendar for the use of Benedictine Priory of St Mary and St Oswin, Tynemouth (Northumberland), 15th century, laid out one month per leaf (see Wormald’s edition of the calendar of St Albans, 1939, pp. 31–45). The calendar is graded to 12 lessons (in a diff --git a/collections/Lat_liturg/MS_Lat_liturg_a_1.xml b/collections/Lat_liturg/MS_Lat_liturg_a_1.xml index 56c65cbcd9..8025649cd4 100644 --- a/collections/Lat_liturg/MS_Lat_liturg_a_1.xml +++ b/collections/Lat_liturg/MS_Lat_liturg_a_1.xml @@ -1,12 +1,16 @@ - + + MS. Lat. liturg. a. 1 MSS. Lat. liturg. (Latin liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,63 +34,354 @@ University of Oxford Bodleian Library MS. Lat. liturg. a. 1 - ark:29072/x0p8418n09b2ark:29072/x0p5547r2616 + ark:29072/x0p8418n09b2 + ark:29072/x0p5547r2616 + 30553 + Secular Ferial Choir Psalter with Antiphons, Use of Rome; Italy, North, 15th century, middle - Psalter (Choir Psalter), Use of Rome - Part: Matins, Lauds and Prime. + Secular Ferial Choir Psalter with Antiphons, Use of Rome + Matins, Lauds and Prime. + Fol. i is a blank paper fly-leaf. [items 1–2 occupy quires I–XX] + + (fols. 1r–2v) + Hymns for Matins on Sundays during the year with rubrics and music + (square notation on staves of four red lines): Primo dierum omnium + (Chevalier, no. 15450); Nocte surgentes uigilemus (Chevalier, no. 12035). + Antiphons with music for different seasons. + + + (fols. 3r–197r) + Psalms for Matins, Lauds and Prime on Sundays, and Matins and Lauds + during the week in secular use, written as prose, preceded by rubrics + ‘psalmus dauid’ or ‘psalmus’, and numbers in Roman numerals up to fol. + 79r. Punctuated throughout with colon used to mark metrum, punctus flexus + used to mark minor pauses, and punctus used to mark the ends of verses. + Punctus flexus is accompanied by a sign in the margins, similar to number + ‘2’. Psalms are accompanied by antiphons, versicles, responses, etc. with + rubrics, and music (square notation on staves of four red lines). + Subdivisions within psalms are not indicated, apart from psalm 118, + subdivided into 8-verse units. Subdivisions in psalms 9, 17, 36, 67, 68, + 77, 88, 103, 104, 105, 106 are marked in a 16th-century (?) hand. Fol. + 197v is ruled but blank. Psalms, creeds, canticles and hymns are in the + following order: + Sunday Matins (fol. 2v) + 1–20 + Te deum laudamus with music (fol. 31r) + + Sunday Lauds (fol. 35v) + 92, 99, 62, 66 + Benedicite omnia opera (‘trium puerorum’) (fol. 38r) + 148–150 + Benedictio et claritas (Revelation, 7: 12) (‘capitulum’) (fol. + 42r) + Eterne rerum conditor (Chevalier, no. 647) + Ecce iam noctis tenuatur umbra (Chevalier, no. 5129) + Benedictus dominus deus (‘Canticum zacharie patris sancti + iohannis baptiste’) (fol. 44r) + + + Prime (fol. 45r) + 21–25, 53, 117, 118: 1, 118: 9, 118: 17, 118: 25 + Athanasian Creed (Quicumque uult ... ) (‘Simbolum athanasij’) + (fol. 56v) + Sumno refectis artubus (Chevalier, no. 19210) + + Monday Matins (fol. 61r) + 26–37 + + Monday Lauds (fol. 81v) + Confitebor tibi domine (Isaiah 12) (‘psalmus’) (fol. + 83r) + Nox precessit dies (Romans, 13: 12–13) (‘Capitulum’) + Splendor paterne (Chevalier, no. 19349) + Consors paterni luminis (Chevalier, no. 3830) + + Tuesday Matins (fol. 85v) + 38–41, 43–49, 51 + + Tuesday Lauds (fol. 102r) + Ego dixi (Isaiah 38: 10–21) (‘canticum’) (fol. 102v) + Ales diei nuntius (Chevalier, no. 795) + Rerum creator optime (Chevalier, no. 17322) + + Wednesday Matins (fol. 105v) + 52, 54–61, 63, 65, 67 + + Wednesday Lauds (fol. 120v) + Exultauit cor meum (1 Samuel 2: 1–11) (‘psalmus’) (fol. + 121v) + Nox et tenebre et nubila (Chevalier, no. 12402) + Nox atra rerum (Chevalier, no. 12396) + + Thursday Matins (fol. 124r) + 68–79 + + Thursday Lauds (fol. 144v) + Cantemus domine (Exodus 15: 1–20) (‘canticum’) (fol. + 146r) + Lux ecce surgit (Chevalier, no. 10811) + Tu trinitatis unitas (Chevalier, no. 20713) + + Friday Matins (fol. 149r) + 80–88, 90, 93, 94, with antiphon Venite adoremus with music + inserted between verses, 95–96 + + Friday Lauds (fol. 167v) + Domine audiui (Habakkuk 3) (‘psalmus’) (fol. 168v) + Eterna celi gloria (Chevalier, no. 609) + Summe deus clementie (Chevalier, no. 19636) + + Saturday Matins (fol. 171v) + 97–108 + + Saturday Lauds (fol. 191r) + Audite celi (Deuteronomy 32: 1–44) (‘canticum’), subdivided at + verse 22, ‘Ignis succensus’; + rubric ‘diuisio’ (fol. 192r) + Aurora iam spargit (Chevalier, no. 1633) + Hec dies quam fecit dominus (Chevalier, no. 7585), opening + lines with music. + + Psalms 1, 92, 21, 26, 50, 38, 52, 68, 80, 97 and canticles Te + deum and Benedictus dominus deus begin with historiated initials (see ‘Decoration’). + + + [item 3 occupies quires XXI–XXIV] + + (fols. 198r–237v) + Hymnal with rubrics and music (square notation on staves of four red + lines) comprising hymns for the year from Advent to Pentecost, followed + by hymns for feasts and saints’ days (Trinity, Corpus Christi, + Transfiguration, the Virgin Mary, Sts Paul, Peter, John the Baptist, Mary + Magdalene, Michael) and the Common of Saints. Two hymns for St + Christopher occur on fols. 222v and 223v: Militantis ecclesie (Chevalier, + no. 11535) and Miranda res et caritas (Chevalier, no. 29656). + + (fols. 198r–205v) Uerbum supernum prodiens a patre (Chevalier, no. + 29391), Uox clara ecce intonat (Chevalier, no. 22199), Christe + redemptor omnium ex patre (Chevalier, no. 2960), A solis ortus cardine + (Chevalier, no. 26), Hostis herodes impie (Chevalier, no. 8073), Ex + more docti mistico (Chevalier, no. 5610), Iam christe sol iustitie + (Chevalier, no. 9205), Pange lingua gloriosi prelium Chevalier, no. + 14481), Lvstris sex qui iam peractis (Chevalier, no. 10765), Rex + sempiterne domine (Chevalier, no. 17518). + + + (fols. 205v–206v) Aurora lucis rutilat (Chevalier, no. 1644), + incomplete because of the loss of a leaf after fol. 205, ending at + ‘Cum rex’. The missing text and the first line of Ad cenam agni + prouidi (Chevalier, no. 110) with music are supplied in a later hand + (16th century (?)) on fol. 206r. Fol. 206v is blank. + + + (fols. 207r–237v) Eterne rex altissime (Chevalier, no. 654), Yhesu + nostra redemptio (Chevalier, no. 9582), Iam christus astra (Chevalier, + no. 9215), Beata nobis gaudia (Chevalier, no. 2339), Adesto sancta + trinitas (Chevalier, no. 487), O trinitas laudabilis (Chevalier, no. + 13829), Sacris solemnijs (Chevalier, no. 17713), Uerbum supernum + prodiens nec patris (Chevalier, no. 21398), Fons pietatis (Chevalier, + no. 6446), Yhesus postquam monstrauerat (Chevalier, no. 9736), Quem + terra pontus ethera (Chevalier, no. 16347), O gloriosa domina excelsa + (Chevalier, no. 13042), Doctor egregie paule mores (Chevalier, no. + 4791), Qvodcunque uinclis super terram strinxerit (Chevalier, no. + 16918), Iam bone pastor petre (Chevalier, no. 9196), Antra deserti + teneris (Chevalier, no. 1214), O nimis felix meritique celsi + (Chevalier, no. 13311), Iam bone pastor petre (Chevalier, no. 9196), + opening lines with music, Doctor egregie paule mores (Chevalier, no. + 4791), Nardi maria pistici (Chevalier, no. 11846), Militantis ecclesie + (Chevalier, no. 11535), Miranda res et caritas (Chevalier, no. 29656), + Petrus beatus cathenarum (Chevalier, no. 14885), Tibi christe splendor + (Chevalier, no. 20455), Christe sanctorum decus (Chevalier, no. 3000), + Christe redemptor omnium conserua tuos famulos (Chevalier, no. 2959), + Iesu saluator seculi redemptis (Chevalier, no. 9677), Eterna christi + munera apostolorum gloriam (Chevalier, no. 590), Exultet celum + laudibus (Chevalier, no. 5832), Deus tuorum militum (Chevalier, no. + 4533), Martyr dei qui unicum patris (Chevalier, no. 11228), Eterna + christi munera et martyrum uictorias (Chevalier, no. 598), Rex + gloriose martyrum (Chevalier, no. 17453), Iste confessor domini + sacratus (Chevalier, no. 9136), Yesu redemptor omnium perpes + (Chevalier, no. 9628), Yesu corona celsior (Chevalier, no. 9494), + Uirginis proles opifexque matris (Chevalier, no. 21703), Yesu corona + uirginum (Chevalier, no. 9507), Urbs beata ierusalem dicta pacis + (Chevalier, no. 20918), Angularis fundamentum (Chevalier, no. + 1082). + + Fol. 238 is a paper fly-leaf, blank apart from modern notes. + Latin +

acrius . Ob hoc (hymns, fol. 2r)

- parchment + parchment; paper fly-leaves; some leaves repaired with strips of + parchment, occasionally with fragments of text (e.g. fol. 44v) + 240 leaves + c. 510 + 365 + Leaves were trimmed in rebinding, occasionally causing + the loss of decoration. + + modern, in pencil (sporadic and irregular) and purple crayon, + and early modern in black ink (lower right corner) entered before the + leaves were trimmed (16th century (?)); i + 1–145a + 145b + + 146–238. + + + (fol. i) fol. i is a paper fly-leaf with a modern bifolium + pasted to the recto | (fols. 1–189) I–XIX (10) | (fols. 190–197) XX (8) | + (fols. 198–207) XXI (10−1) missing 9 is replaced with fol. 206 | (fols. + 208–237) XXII–XXIV (10). Catchwords survive + + + + + + Ruled in ink for tops and bottoms of minims, with single vertical + and horizontal bounding lines extending the full height and width of + page; 16 lines per page; written below the top line; written space: + + c. 350 + 243 + + + + Large formal Gothic + book hand; black and brown ink; rubrics, antiphons, versicles, responses, + etc. are in a smaller script. + -

Notation on staves (see van Dijk 1957).

+

Square notation on staves of four red lines.

 - Pächt and Alexander ii. 806, pl. LXXV: + + + + Historiated initials on gold background, decorated + with foliage, gold discs and filigree scrolls, and borders at the beginnings + of hymns and canticles and at liturgical divisions: + fol. 1r Hymns (initial P(rimo)) 6-line initial with God, seated, + holding an orb, surrounded by rays of light. + (border, upper, left and lower margins) Panel with half-figures of + two tonsured clerics in blue habits, looking up at rays of + light. + fol. 3r Psalm 1 (initial B(eatus)) 9-line initial with King David, + kneeling in prayer next to his psaltery, looking up at God in triple + papal crown, in clouds, blessing; in a landscape. + (border, upper, left and lower margins) Two tonsured clerics in + blue habits, kneeling in prayer. + Fol. 31r Te deum (initial T(e)) 4-line initial with half-figures of + two nimbed bishops in prayer (presumably Augustine and + Ambrose). + Fol. 35v Psalm 92 (initial D(ominus)) 4-line initial with + half-figure of a young man and rays of light shining from + above. + Fol. 44r Benedictus dominus deus (initial B(enedictus)) 5-line + initial with half-figure of Zachariah looking up at rays of + light. + Fol. 45r Psalm 21 (initial D(eus)) 4-line initial cut out. Sprays + of foliage, filigree scrolls and gold discs survive in the + margin. + Fol. 61r Psalm 26 (initial D(ominus)) 5-line initial with + half-figure of the psalmist (?) pointing to his almost-closed eyes; + light shining from above. + Fol. 81v Psalm 50 3-line initial on gold background, decorated with + foliage. + Fol. 85v Psalm 38 (initial D(ixi)) 5-line initial with half-figure + of a layman in blue cloak and coif, covering his mouth with his + hand. + Fol. 105v Psalm 52 (initial D(ixit)) 5-line initial with + half-figure of the Fool, tonsured (?), holding a club. + Fol. 124r Psalm 68 (initial S(aluum)) 5-line initial with + half-figure of the nude psalmist (?), praying in waters, looking up at + rays of light. + Fol. 149r Psalm 80 (initial E(xultate)) 5-line initial with + half-figure of a bearded man playing lute with plectrum, looking up at + rays of light. + Fol. 171v Psalm 97 (initial C(antate)) 5-line initial with + half-figures of two angels, singing from a book with music. + + Borders: see above. + Decorated initial: see above. + 2-line alternately red and blue initials, decorated + with contrasting blue or red penwork at the beginnings of psalms, hymns, + canticles, etc. Penwork decorations include flowers, fruit, human, bird and + animal heads, faces and geometric designs. Head of Christ with cruciform + halo on fol. 83v. + 1-line alternately red and blue initials, decorated + with contrasting blue or red penwork, at the beginnings of verses and + periods. + + Rubrics in red ink. - -

Stamped reddish brown leather with brass corners, bosses and clasp fittings, - contemporary Italian work.

+ +

Brown leather over boards, Italian, 16th century. Blind roll border with + vine decoration framed by double blind fillet lines round the outer edge + of both covers. Floral blind roll rectangle with a diamond-shaped figure + inside, both framed by double blind fillet lines, on both covers. Brass + corners and bosses. Two raised bands on each cover with brass bosses to + prevent the covers from rubbing against surface when lying flat. Two + clasps with brass fittings. Five raised bands on spine. A band at the + bottom of the spine is covered with a leather strap decorated with brass + bosses (only fragments of a second such strap at the top of the spine now + remain). Fleurs-de-lis decoration on panels between the raised bands + (almost completely obliterated). Gilt lettering on spine ‘MS. || Lat. + liturg. || a. 1’. Dark discoloration left by a label (?) on one of the + panels. Probably resewn. Paper pastedowns and fly-leaves.

- 15th century, middle + 15th century, + middle Italian, North + Made for a collegiate church dedicated to St Christopher (?): two rare + hymns to St Christopher in the hymnal; secular use; images of tonsured clerics + in blue (representing black (?)) habits on fols. 1r and 3r. Silverstrine, + according to van Dijk (1958), because of the images of ‘Benedictines clad in + blue habits’. + Still in use in the 16th century: liturgical notes in the margins, + including added subdivisions in psalms which were recited in two parts in the + monastic use. 'Found at the end of MSS. Liturg. in 1885' - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 515–21. Previously described in the Summary Catalogue. - Summary Catalogue, vol. 5, p. 832 - Summary Catalogue, vol. 5, p. 833 + Elizabeth Solopova, Latin + Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 515–21. Previously described in + the Summary Catalogue. + Summary Catalogue, vol. 5, p. + 832 + Summary Catalogue, vol. 5, p. + 833 - + Digital Bodleian (1 image from 35mm slides) @@ -95,8 +390,13 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 122 + Frere, no. 152. + Latin liturgical manuscripts (1952), no. 48. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 122 + Pächt and Alexander (1966–73), vol. 2, no. 806, pl. LXXV. @@ -104,10 +404,13 @@ + Convert full description from Solopova catalogue. Add binding information from Summary Catalogue. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -116,4 +419,4 @@

- \ No newline at end of file + diff --git a/collections/Lat_liturg/MS_Lat_liturg_a_2.xml b/collections/Lat_liturg/MS_Lat_liturg_a_2.xml index f042c51999..c8d1be2479 100644 --- a/collections/Lat_liturg/MS_Lat_liturg_a_2.xml +++ b/collections/Lat_liturg/MS_Lat_liturg_a_2.xml @@ -1,12 +1,16 @@ - + + MS. Lat. liturg. a. 2 MSS. Lat. liturg. (Latin liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,58 +34,370 @@ University of Oxford Bodleian Library MS. Lat. liturg. a. 2 - ark:29072/x0fb494814j4ark:29072/x0pg15bd75zc + ark:29072/x0fb494814j4 + ark:29072/x0pg15bd75zc + 30554 + Ferial Choir Psalter with Antiphons, Dominican Use (companion volume to MS. + Lat. liturg. a. 3); Italy, Brescia or Padua (?), 15th century, third + quarter - Psalter, Dominican use (Choir Psalter) + Ferial Choir Psalter with Antiphons, + Dominican Use Companion volume to MS. Lat. liturg. a. 3. + [item 1 occupies quire I] + + (fols. ii verso–3v) Probably original parchment fly-leaves, filled + with liturgical texts, some with music (square notation on staves of four + red lines), in several different hands, added soon after the manuscript + was made. The texts include psalm 5 (Uerba mea auribus percipe ...’) + (fols. 1v–2v), hymn Hec dies quam fecit dominus ... (Chevalier, no. 7585) + with music (fol. 3r), invitatoria with rubrics (fol. 3v), possibly the + earliest addition. 17th-century corrections in the margins. Fol. i is a + blank paper fly-leaf; fol. ii recto is blank. + + [item 2 occupies quires II–XIV] + + (fols. 4r–119v) + Psalms in the order Sunday Matins, Sunday Lauds, Little Hours, + Vespers on Sunday and during the week, and Compline in secular use, laid + out with each verse starting on a new line, some with titles ‘psalmus’ or + ‘psalmus dauid’, without numbers. Punctuated throughout with punctus + flexus used to mark minor pauses, colon used to mark metrum, and punctus + used to mark the ends of verses. The verses with punctus flexus are + identified with a special sign in the margins, sometimes decorated with + penwork human profiles (cf. MS. Lat. liturg. a. 3). The psalms are + accompanied by antiphons, versicles and invitatoria with rubrics and + music (square notation on staves of four red lines). Subdivisions within + psalms are not indicated, apart from psalm 118, subdivided into eleven + 16-verse units. The text contains corrections in contemporary and later + hands. Psalm 109 (Vespers) starts on a new quire. The scribe ran out of + space on the preceding quire and completed the sequence for None, which + comes immediately before Vespers, on an added bifolium. Most of the + second leaf (fol. 75) of the bifolium was originally left blank, but in + the 16th century the verso was filled with Regina celi (see below). + Psalms, canticles and creeds are in the following order: + Sunday Matins (fol. 4v) + 1, 2 (imperfect), 3 (imperfect), 6–20; Psalms 2: 8–3: 8 are + missing because of the loss of a leaf after fol. 5 + + Sunday Lauds (fol. 37r) + 92, 99, 62, 66 + Benedicite omnia opera (fol. 39v) + 148–150 + Benedictus dominus deus (fol. 44r) + + Prime (fol. 45v) + 21 (imperfect), 23 (imperfect), 24–25, 53, 117, 118: 1, 118: + 17 + Psalms 21: 27–32 and 23: 1–8 are missing because of the loss of + a bifolium after fol. 47. Presumably the missing leaves also + contained Psalm 22 as part of the sequence for Sunday Prime + Athanasian Creed (Quicumque uult ... ) (fol. 57v) + + Terce (fol. 61r) + 118: 33, 118: 49, 118: 65 + + Sext (fol. 66v) + 118: 81, 118: 97, 118: 113 + + None (fol. 71r) + 118: 129, 118: 145, 118: 161 + Regina celi with music added in a 16th-century Italian hand on + fol. 75v, originally left blank + + Sunday Vespers (fol. 76r) + 109–113 + + Monday Vespers (fol. 82v) + 114–116, 119–120 + + Tuesday Vespers (fol. 86v) + 121–125 + + Wednesday Vespers (fol. 90v) + 126–130 + + Thursday Vespers (fol. 95r) + 131–132, 134–136 + + Friday Vespers (fol. 102r) + 137–141 + + Saturday Vespers (fol. 109r) + 143–147 + Magnificat (fol. 115v) + + Compline (fol. 116v) + 4, 30, 90, 133 + Psalms at the beginning of sections for different Canonical Hours + start with historiated initials (see ‘Decoration’). Psalm 109 starts with + a larger historiated initial and a historiated border. Some liturgical + divisions are marked with parchment bookmarks. MS. Lat. liturg. a 2 is a + companion volume to MS. Lat. liturg. a 3, which contains the rest of the + ferial psalter. + + [item 3 occupies quire XV] + + (fols. 120r–121r) + 17th-century additions on paper, comprising versicles, responses and + invitatoria with rubrics and music (square notation on staves of four red + lines). Fol. 121v is ruled for music but otherwise blank. [item 4 is on + an added paper leaf] + + + (fol. 122r–v) + Parchment fly-leaf with a paper leaf pasted to the recto. The paper + leaf contains ‘Hec dies quam fecit dominus ...’ with music, added in a + 17th-century hand. Fol. 122v is blank; fol. 123 is a paper fly-leaf, + blank apart from modern notes. + Latin +

diem tentationis (invitatoria, fol. 1r)

- parchment + Parchment; paper fly-leaves. Many leaves are mutilated (usually + the margins are cut off, without the loss of text) and repaired with + pieces of paper or parchment, presumably when the manuscript was rebound + in the 17th century. The strips of parchment are also used to strengthen + quires. Many pieces of parchment have text (not always clearly visible) + and come from medieval Italian manuscripts, including the following: + (fol. 52) fragment of a 14th-century Italian manuscript with text on both + sides; on the verso is Cicero, Tusculan + Disputations, Book III, around sections XXIX–XXX (73–74) (cf. + MS. Lat. liturg. a. 3); (fols. 62v, 76v, 80r, 83r–v) offsets from a + 15th-century document in an Italian cursive script which was pasted with + text downwards and is now gone apart from small fragments; (fols. 76r and + 85r) 15th-century fragment in Latin; (fols. 117r, 118r) 13th-century + fragment in Latin, in a small Gothic book hand. + 122 leaves + c. 535 + 385 + Leaves were trimmed in rebinding, occasionally causing + the loss of decoration; 17th-century folio numbers were also + occasionally lost. + + 17th-century foliation in ink, some trimmed off; modern + foliation on flyleaves, and modern restorations and corrections to the + 17th-century foliation in pencil, ink and purple crayon; i–ii + 1–6/7 + + 8–48/50 + 51–123. + (fols. i–ii) fol. i is a paper fly-leaf, conjoint with the upper + pastedown (?); a modern paper bifolium (smaller size, unnumbered) is + pasted to fol. i recto; fol. ii is a parchment leaf with a laid paper + leaf pasted to its recto | (fols. 1–3) I (4−1 (?)) missing 1 (?) | (fols. + 4–13) II (10−1) missing 3 | (fols. 14–43) III–V (10) | (fols. 44–53) VI + (10−2) missing 5 and 6 | (fols. 54–73) VII–VIII (10) | (fols. 74–75) IX + (2) | (fols. 76–115) X–XIII (10) | (fols. 116–119) XIV (4) | (fols. + 120–121) XV (2) added paper leaves | (fols. 122–123) fol. 122 is a + parchment fly-leaf with a paper leaf pasted to its recto; fol. 123 is a + paper fly-leaf, conjoint with the upper pastedown (?). Fols. 6, 48 and 49 + were lost after the manuscript was foliated in ink in the 17th century, + as indicated by irregularities in foliation. Catchwords + survive + + + + + + Ruled in ink with + single vertical bounding lines extending the full height of page; 17 + lines per page; written below the top line; written space: + c. 380 + 245 + + + + Large formal Gothic + book hand; black ink (often flaking); antiphons, versicles, invitatoria, + etc. without music and some rubrics are in a smaller script. + -

Notation on staves (see van Dijk 1957).

+

Square notation on staves of four red lines.

 - Attributed to the Maestro del Messale Barbo (Pächt and Alexander ii. 682, pl. LXV): + + + + The illumination is by an artist known as the Maestro del Messale Barbo + (Bollati, 2004), named after Padua, Biblioteca del Seminario MS. 355, missal + with the arms of Barbo. This artist’s work is found in other Bodleian + manuscripts produced in Brescia or Padua in the third quarter of the 15th + century, including MS. Canon. Liturg. 328, MS. Douce 272, MS. Canon. Misc. + 382 and MS. Lat. liturg. a. 3. + Historiated initials on gold background, decorated + with foliage, flowers and scrolls, and borders, some historiated, most + formed by sprays of foliage, flowers and gold discs, at liturgical + divisions. + fol. 4v, Psalm 1 (initial B(eatus)), 12-line initial with King David, + kneeling in prayer, his psaltery lying on a rock beside him, looking + up at half-figure of God, holding an orb and blessing; landscape with + a town in the background. + (full border) Coiled tendrils, flowers, fruit and foliage on gold + and white background, Annunciation in the upper margin with a kneeling + angel (upper left corner), white dove and the Virgin Mary (upper right + corner); bishop (St Ubaldus (?), bishop of Gubbio, Umbria) holding + crosier and blessing, surrounded by six kneeling Dominicans in the + lower margin; St Catherine of Alexandria with a crown and wheel (lower + left corner) and another female saint, crowned with a wreath by an + angel (lower right corner); winged putto in the left margin. + fol. 37r, Psalm 92 (initial D(ominus)), 4-line initial with King + David, kneeling in prayer, looking up at rays of light; landscape in + the background. + fol. 45v, Psalm 21 (initial D(eus)), 4-line initial with a bearded + saint in a Dominican habit, seated, holding an open book; landscape in + the background. + fol. 61r, Psalm 118: 33 (initial L(egem)), 5-line initial with King + David, kneeling in prayer, looking up at rays of light, his crown next + to him on the ground; landscape in the background. + fol. 66v, Psalm 118: 81 (initial D(efecit)), 5-line initial with King + David, kneeling in prayer, looking up at rays of light; landscape in + the background. + fol. 71r, Psalm 118: 129 (initial M(irabilia)), 5-line initial with a + seated bishop-saint (St Ubaldus (?)), in prayer, with crosier and an + open book; landscape in the background. + fol. 76r, Psalm 109 (initial D(ixit)), 6-line initial with the + Trinity: God-the-Father with a triangular nimbus, seated, holding an + orb and blessing; Christ seated, pointing to a wound in his side; + white dove hovering above; landscape in the background. + (border, left margin) Sprays of foliage, flowers and gold discs + extending into margins (mutilated). Two panels, one with half-figure + of a praying king, another with half-figure of a praying + prophet. + fol. 82v, Psalm 114 (initial D(ilexi)), 4-line initial with St + Ubaldus, seated, nimbed, holding crosier and blessing; lettering ‘S + VBALDUS’ above the shoulders of the figure; landscape in the + background. + fol. 86v, Psalm 121 (initial L(etatus)), 4-line initial with St + Jerome in penance before crucifix, beating his chest with a stone; + landscape in the background. + fol. 90v, Psalm 126 (initial N(isi)), 5-line initial with St Dominic + (?), kneeling in prayer, looking up at rays of light; landscape in the + background. + fol. 95r, Psalm 131 (initial M(emento)), 6-line initial with a + kneeling nimbed prophet looking up at rays of light, holding a blank + scroll and raising a finger in a gesture of teaching; landscape in the + background. + fol. 102r, Psalm 137 (initial C(onfitebor)), 5-line initial with St + Dominic (?), kneeling in prayer; landscape in the background. + fol. 109r, Psalm 143 (initial B(enedictus)), 5-line initial with a + standing bearded saint, holding a scroll with lettering ‘CREDO IN + DEO’; landscape in the background. + fol. 116v, Psalm 4 (initial C(um)), 3-line initial on gold background + decorated with a flower and foliage. + + Borders: see above. + 2- to 3-line pink, green and blue initials on gold + background, decorated with foliage, flowers, scrolls, arabesque and + geometric designs at the beginnings of psalms; similar initials with yellow + instead of gold background at the beginnings of antiphons, versicles, + invitatoria, etc. + The opening words of texts starting with illuminated + initials are written in capitals in black ink, decorated with penwork + designs, including human heads and profiles. + 1-line alternating red and blue initials with + contrasting purple or red penwork at the beginnings of verses and + periods. + Rubrics in red ink. + + + +

Brown leather over pasteboard, 19th century (perhaps made for the + Bodleian). Borders on both covers made of crossing single and triple + blind fillet lines. Originally there were five false raised bands on + spine, framed by triple blind fillet lines, but three are now missing. + Gilt lettering on spine ‘PSALTERUM’ and ‘MS’. Paper pastedowns and + fly-leaves, no watermarks. Floral blind roll decorations on turn-ins and + edges of covers. Fols. ii and 122 (parchment with paper pasted to the + side facing the cover) were the pastedowns of an earlier 17th-century + binding. They show considerable worm damage and traces left by seven + broad sewing support slips. Similar to MS. Lat. liturg. a. 3 and MS. Lat. + liturg. b. 1.

+ + - 15th century, third quarter + 15th century, + third quarter - Italian, Brescia or Padua (?) + Italian, Brescia or Padua + (?) - 'Found at the end of MSS. Liturg. in 1885' + Made in Brescia or Padua (?) for a Dominican house, perhaps in Gubbio, + Umbria (historiated initial with St Ubaldus, fol. 82v; miniature, fol. 4v) (cf. + MS. Lat. liturg. a. 3). Historiated border with St Catherine. Decorated by an + artist whose work is found in manuscripts from Brescia, Padua and elsewhere, + dating from the third quarter of the 15th century. + The manuscript was foliated, rebound, repaired with strips of + parchment and paper, and supplemented with additions on paper, while still in + use in the 17th century. Bookmarks may have been added at the same time. + 'Found at the end of MSS. Liturg. in 1885' (Summary + catalogue, vol. 5). - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 566–72. Previously described in the Summary Catalogue. - Summary Catalogue, vol. 5, p. 834 + Elizabeth Solopova, Latin + Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 566–72. Previously described in + the Summary Catalogue. + Summary Catalogue, vol. 5, p. + 834 + + + Frere, no. 153. + van Dijk (1958), fols. 130–1. + Pächt and Alexander (1966–73), vol. 2, no. 682, pl. LXV. + Canova, G. M., ‘Il recupero di un complesso librario dimenticato: i + corali quattrocenteschi di S. Giorgio Maggiore a Venezia’, Arte + Veneta 27 (1973), pp. 38–64, at p. 50 and fig. 60 (fol. + 4v). + ——, ‘I manoscritti liturgici miniati del Quattrocento nella Biblioteca + Antoniana’, Il Santo, s. II, 14 (1974), pp. 5–61, at p. 58 + n. 23 and pl. 18 (fol. 4v). + Bollati (2004), p. 622. + Baroffio, G., ‘Liturgia e musica nella tradizione domenicana’ in C. + Parmeggiani, Canto e colore: i corali di San Domenico di Perugia + nella Biblioteca comunale Augusta, XIII–XIV sec., 11 marzo–17 aprile + 2006, Perugia, Sala Lippi, Unicredit banca, Corso Vannucci, 39 + [exhibition catalogue] (Perugia: Volumnia, 2006), pp. 33–68, at p. + 62. + + + Convert full description from Solopova catalogue. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -90,4 +406,4 @@

- \ No newline at end of file + diff --git a/collections/Lat_liturg/MS_Lat_liturg_a_3.xml b/collections/Lat_liturg/MS_Lat_liturg_a_3.xml index 86ce576589..1d294c1641 100644 --- a/collections/Lat_liturg/MS_Lat_liturg_a_3.xml +++ b/collections/Lat_liturg/MS_Lat_liturg_a_3.xml @@ -1,12 +1,16 @@ - + + MS. Lat. liturg. a. 3 MSS. Lat. liturg. (Latin liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,53 +34,258 @@ University of Oxford Bodleian Library MS. Lat. liturg. a. 3 - ark:29072/x0db78tb81fqark:29072/x0pk02c9598k + ark:29072/x0db78tb81fq + ark:29072/x0pk02c9598k + 30555 + Ferial Choir Psalter with Antiphons, Dominican Use (Companion + volume to MS. Lat. liturg. a. 2); Italy, Brescia or Padua (?), 15th century, third quarter - Psalter, Dominican use (Choir Psalter) - Companion volume to MS. Lat. liturg. a. 3. + Ferial Choir Psalter with Antiphons, Dominican Use + + + (fols. 1r–157r) + Psalms for Matins and Lauds during the week in secular use, laid out + with each verse starting on a new line, some with titles ‘psalmus’ or + ‘psalmus dauid’, without numbers. Punctuated throughout with punctus + flexus used to mark minor pauses, colon used to mark metrum, and punctus + used to mark the ends of verses. Verses with punctus flexus are + identified with a special sign in the margins, sometimes decorated with + penwork human profiles (cf. MS. Lat. liturg. a. 2). The psalms are + accompanied by antiphons, versicles and invitatoria with rubrics and + music (square notation on staves of four red lines). Subdivisions within + psalms are not indicated. The text contains corrections in contemporary + and later hands. Psalms and weekly canticles are in the following order: + Monday Matins (fol. 1r) + 26–37 + + Monday Lauds (fol. 23v) + Confitebor tibi domine (Isaiah 12) (fol. 26r) + + Tuesday Matins (fol. 27r) + 38–41, 43–49, 51 + + Tuesday Lauds (fol. 46r) + Ego dixi (Isaiah 38: 10–21) (fol. 47r) + + Wednesday Matins (fol. 49r) + 52, 54–61, 63, 65, 67 + + Wednesday Lauds (fol. 67r) + Exultauit cor meum (1 Samuel 2: 1–11) (fol. 69r) + + Thursday Matins (fol. 71r) + 68–79 + + Thursday Lauds (fol. 97v) + Cantemus domino (Exodus 15: 1–20) (fol. 99v) + + Friday Matins (fol. 102v) + 80–88, 93, 96, 96 + + Friday Lauds (fol. 120v) + Domine audiui (Habakkuk 3) (fol. 122v) + + Saturday Matins (fol. 125v) + 97–108 + + Saturday Lauds (fol. 150r) + Audite celi (Deuteronomy 32: 1–44) (fol. 152r) + Psalms at the beginning of sections for different Canonical Hours + start with historiated initials (see ‘Decoration’). Fol. i is a blank + paper fly-leaf; fol. ii is a parchment fly-leaf, blank apart from + post-medieval notes, including a table of antiphons for days of the week + in an Italian 17th-century hand on the verso. Fol. 157v is blank; fol. + 158 is a blank paper fly-leaf. MS. Lat. liturg. a 3 is a companion volume + to MS. Lat. liturg. a 2, which contains the rest of the ferial psalter. + + Latin +

bernaculi sui (psalter, fol. 2r)

- parchment + Parchment; paper fly-leaves. Some leaves are mutilated (usually + margins are cut off, without the loss of text) and repaired with pieces + of paper and parchment, presumably when the manuscript was rebound in the + 17th century. Fol. 113v is repaired with a strip of parchment from a + 14th-century Italian manuscript of Cicero, Tusculan Disputations, Book III, around sections XXVIII–XXIX + (69–71) (cf. MS. Lat. liturg. a. 2). There is an erroneous reading + ‘sophodem’ for ‘apud Sophoclem qui’ (71/XXIX) + 160 leaves + c. 530 + 390 + + Leaves were trimmed in rebinding, occasionally causing the loss of + decoration. + + 17th-century foliation in ink; modern foliation on fly-leaves in + pencil and ink; i–ii + 1–158. + (fols. i–ii) fol. i is a paper fly-leaf, conjoint with the upper + pastedown (?); modern paper bifolium (unnumbered) is pasted to fol. i + recto; fol. ii is a parchment fly-leaf | (fols. 1–150) I–XV (10) | (fols. + 151–157) XVI (10−3) missing 8, 9 and 10 | (fol. 158) paper fly-leaf, + conjoint with the lower pastedown. Catchwords survive. + + + + + + + Ruled in ink with + single vertical bounding lines extending the full height of page; 17 + lines per page; written below the top line; written space: + c. 380 + 245 + + + + Large formal Gothic + book hand; black ink (occasionally flaking); antiphons, versicles, + invitatoria, etc. and some rubrics are in a smaller script + -

Notation on staves (see van Dijk 1957).

+

Square notation on staves of four red lines.

 - By four hands (Pächt and Alexander ii. 683, pl. LXVI), the second identifiable as the Maestro del Messale Barbo: + + + + The illumination is by four artists: the first (fol. 1r), apparently + French or Franco- Flemish, related to Oxford, Bodleian Library MS. Lyell 77 + from S. Giustine, Padua; the second, known as the Maestro del Messale Barbo + (Bollati, 2004) (fols. 23v, 45v, 67r, 97v, 103r, 120v, 126r and 150r), + responsible for the illumination in MS. Lat. liturg. a. 2; the third (fols. + 27v and 49v); and the fourth (fols. 71v), Lombard-looking, similar to + London, British Library, Add. MS. 22318 (Pächt and Alexander, 1966–73). The + first artist worked on quire I; the second worked on quires VII, X, XI, XII, + XIII, XV; the second and the third collaborated on quires III and V; and the + fourth worked on quire VIII. + 5- to 8-line historiated initials on gold background + at liturgical divisions and 2-line initials at the beginning of antiphons; + borders decorated with putti, coiled tendrils, foliage, flowers and gold discs. + fol. 1r, Psalm 26 (initial D(ominus)), King David, kneeling on a + terrace before a table with an open book, pointing to his eyes; crown + and psaltery next to him on the floor; landscape with sea and boats in + the background; medallion in the sky with half-figure of Christ on + gold background, holding an orb and blessing, surrounded by angels + playing musical instruments. + (border, left and lower margins) St Catherine with a book, sword + and wheel; putto climbing a vine; half-figure of a prophet with a + finger raised in a gesture of teaching. + fol. 23v, Psalm 50 (initial M(iserere)), Bearded saint, kneeling in + prayer, looking up at rays of light, in a landscape. + fol. 27v, Psalm 38 (initial D(ixit)), King David, seated on a throne, + holding an open book, pointing to his mouth; landscape with a city in + the background. + fol. 45v, Antiphon for Tuesday Lauds (initial D(ele)), Kneeling + angel, holding a scroll with lettering ‘Alleluia dele domine + iniquitatem’, in a landscape. + fol. 49v, Psalm 52 (initial D(ixit)), The Fool portrayed as a beggar + in torn clothing, standing on a road, leaning on his staff; landscape + with hills, a town with towers and church in the background; three + gold crowns in the border. + fol. 67r, Antiphon for Wednesday Lauds (initial A(mplius)), Seated + angel, playing harp, looking up at rays of light, in a + landscape. + fol. 71v, Psalm 68 (initial S(aluum)), Nude King David praying in the + sea with boats and cliffs with castles on top; halffigure of God + above, in rays of light, holding an orb and blessing, surrounded by + angels. + fol. 97v, Antiphon for Thursday Lauds (initial T(ibi)), Bearded + saint, kneeling in prayer, looking up at rays of light, in a + landscape. + fol. 103r, Psalm 80 (initial E(xultate)), Three angels, two playing + musical instruments, one pulling bell-ropes, in a landscape with rocks + and trees. + fol. 120v, Antiphon for Friday Lauds (initial S(piritu)), Bearded + saint, kneeling in prayer, looking up at rays of light, in a + landscape. + fol. 126r, Psalm 97 (initial C(antate)), Dominican friars, singing + from a book open on a lectern, inscribed with the opening words of the + , Psalm; landscape with rocks and trees in the background. + fol. 150r, Antiphon for Saturday Lauds (initial B(enigne)), St + Dominic (?), kneeling in prayer, looking up at rays of light, in a + landscape. + + Borders: see above. + 2- to 3-line pink, green and blue initials on gold + background, decorated with foliage, flowers, scrolls, arabesque and + geometric designs at the beginnings of psalms and canticles; similar + initials with yellow instead of gold background at the beginnings of + antiphons, versicles and invitatoria. + 1-line alternating red and blue initials with + contrasting purple or red penwork at the beginnings of verses and + periods. + Rubrics in red ink. + + +

Brown leather over pasteboard, 19th century (perhaps made for the + Bodleian). Borders on both covers made of crossing single and triple + blind fillet lines. Rebacked in the Bodleian (with the binders’ initial + and date ‘H. 15. 2. 51’ on the lower pastedown). Blind fillet lines on + spine, imitating the bands of five cords. Gilt lettering on spine + ‘PSALTERUM’ and ‘MS. || LAT. LITURG. || a. 3’. Paper pastedowns and + fly-leaves. Floral blind roll decorations on turn-ins and edges of + covers. Similar to MS. Lat. liturg. a. 2 and MS. Lat. liturg. b. 1.

+ + - 15th century, third quarter + 15th century, + third quarter - Italian, Brescia or Padua (?) + Italian, Brescia or Padua + (?) - 'Found at the end of MSS. Liturg. in 1885' + Made in Brescia or Padua (?) for a Dominican house, perhaps in Gubbio, + Umbria (cf. MS. Lat. liturg. a. 2). Historiated border with St Catherine. + Decorated by a team of artists, including two hands found in manuscripts from + Brescia or Padua, dating from the third quarter of the 15th century. + The psalter was still in use in Italy in the 17th century when a table + of antiphons for days of the week was added on fol. ii verso. At the same time + the manuscript was foliated, rebound and repaired with strips of parchment and + paper. + 'Found at the end of MSS. Liturg. in 1885' (Summary + catalogue, vol. 5). - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 572–7. Previously described in the Summary Catalogue. - Summary Catalogue, vol. 5, p. 833 + Elizabeth Solopova, Latin Liturgical Psalters in the + Bodleian Library: A Select Catalogue (Oxford, 2013), pp. + 572–7. Previously described in the Summary Catalogue. + Summary Catalogue, vol. 5, p. + 833 - + Digital Bodleian (2 images from 35mm slides) @@ -85,7 +294,32 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 6: Fragments - Office Books, Rituals, Directories (typescript, 1957), p. 137 + + Frere, no. 154. + Italian illuminated manuscripts from 1400 to 1550: catalogue of an + exhibition held in the Bodleian Library, Oxford, 1948 (Oxford: OUP, + 1948), no. 62. + van Dijk (1958), fols. 130–1. + Pächt and Alexander (1966–73), vol. 2, no. 683, pl. LXVI. + Canova, G. M., ‘Il recupero di un complesso librario + dimenticato: i corali quattrocenteschi di S. Giorgio Maggiore a + Venezia’, Arte Veneta 27 (1973), pp. 38–64, at p. 58 and fig. + 72 (fol. 1r). + ——, ‘I manoscritti liturgici miniati del Quattrocento nella Biblioteca + Antoniana’, Il Santo, s. II, 14 (1974), pp. 5–61, at p. 58 n. 23. + Bollati (2004), p. 622. + Baroffio, G., 'Liturgia e musica nella tradizione domenicana' + in C. Parmeggiani, Canto e colore: i corali di San Domenico di + Perugia nella Biblioteca comunale Augusta, XIII–XIV sec., 11 marzo–17 + aprile 2006, Perugia, Sala Lippi, Unicredit banca, Corso Vannucci, 39 + [exhibition catalogue] (Perugia: Volumnia, 2006), pp. 33–68, + at p. 62. + + + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 6: Fragments - Office Books, Rituals, + Directories (typescript, 1957), p. 137 @@ -94,9 +328,12 @@ + Convert full description from Solopova catalogue. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -105,4 +342,4 @@

- \ No newline at end of file + diff --git a/collections/Lat_liturg/MS_Lat_liturg_b_1.xml b/collections/Lat_liturg/MS_Lat_liturg_b_1.xml index d80555147e..a1fd983643 100644 --- a/collections/Lat_liturg/MS_Lat_liturg_b_1.xml +++ b/collections/Lat_liturg/MS_Lat_liturg_b_1.xml @@ -1,12 +1,16 @@ - + + MS. Lat. liturg. b. 1 MSS. Lat. liturg. (Latin liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford @@ -30,54 +34,440 @@ University of Oxford Bodleian Library MS. Lat. liturg. b. 1 - ark:29072/x0sx61dk28ptark:29072/x0qj72p692c2 + ark:29072/x0sx61dk28pt + ark:29072/x0qj72p692c2 + 30557 + Secular Ferial Choir Psalter with Antiphons, Use of Rome; Italy, Reggio-Emilia (?), 16th century, beginning Psalter, Use of Rome - - Bible, Psalms - + [items 1–3 occupy quires I–XXII] + + (fols. 1r–2r) + Rubric: ‘Ordo psalterij secundum morem et consuetudinem romane curie + ...’. Hymns for Matins on Sundays during the year with rubrics and music + (square notation on staves of four red lines): Primo dierum omnium + (Chevalier, no. 15450) and Nocte surgentes uigilemus (Chevalier, no. + 12035), followed by antiphons without music. + + + (fols. 2v–215v) + Psalms for Sunday Matins and Lauds, Prime, Matins and Lauds during + the week, Little Hours, Vespers on Sunday and during the week, and + Compline in secular use. Psalms are written with each verse starting on a + new line, without numbers, most preceded by a rubric ‘psalmus dauid’ or + ‘psalmus’. Punctuated throughout with colon, used to mark metrum and + minor pauses, and punctus used to mark the ends of verses. Psalms are + accompanied by antiphons, versicles, responses, etc. with rubrics and + music within the section for Vespers (fol. 178r and after). Subdivisions + within psalms are not indicated, apart from 118, subdivided into eleven + 16-verse units. Psalms, canticles, creeds and hymns (with music, square + notation on staves of three or four red lines) are in the following + order: + Sunday Matins (fol. 2v) + 1–3, 6–20 + Te deum laudamus (‘Canticum Ambrosij et Augustini’) (fol. + 22r) + + Sunday Lauds (fol. 23v) + 92, 99, 62, 66 + Benedicite omnia opera (‘Canticum trium puerorum’) (fol. 25v) + 148–150, written without breaks as a single text + Eterne rerum conditor (Chevalier, no. 647) + Ecce iam noctis tenuantur umbra (Chevalier, no. 5129) + Benedictus dominus deus (‘Canticum zacharie prophete’) (fol. + 29v) + Iam lucis orto sidere (Chevalier, no. 9272) + + Prime (fol. 31r) + 21–25, 53, 117, 118: 1, 118: 17 + Athanasian Creed (Quicumque uult ... ) (‘Symbolum athanasij’) + (fol. 40v) + Sumno refectis artubus (Chevalier, no. 19210) + + Monday Matins (fol. 43v) + 26–37 + + Monday Lauds (fol. 60r) + 50, 5 + Confitebor tibi domine (Isaiah 12) (‘Canticum esaie prophete’) + (fol. 62v) + Splendor paterne (Chevalier, no. 19349) + Consors paterni luminis (Chevalier, no. 3830) + + Tuesday Matins (fol. 64v) + 38–49, 51 + + Tuesday Lauds (fol. 78v) + Ego dixi (Isaiah 38: 10–21) (‘Canticum ezechie’) (fol. 79r) + Ales diei nuncius (Chevalier, no. 795) + Rerum creator optime (Chevalier, no. 17322) + + Wednesday Matins (fol. 81r) 5 + 2, 54–61, 63, 65, 67 + + Wednesday Lauds (fol. 95r) + Exultauit cor meum (1 Samuel 2: 1–11) (‘Canticum Anne primo + Regum’) (fol. 96r) + Nox et tenebre et nubila (Chevalier, no. 12402) + Nox atra rerum (Chevalier, no. 12396) + + Thursday Matins (fol. 98r) + 68–79 + + Thursday Lauds (fol. 119r) + Cantemus domine (Exodus 15: 1–20) (‘Canticum Moysi’) (fol. + 120r) + Lux ecce surgit (Chevalier, no. 10811) + Tu trinitatis unitas (Chevalier, no. 20713) + + Friday Matins (fol. 123r) + 80–88, 93, 95–96 + + Friday Lauds (fol. 137v) + Domine audiui (Habakkuk 3) (‘Canticum abachuc’) (fol. 138v) + Eterna celi gloria (Chevalier, no. 609) + Summe deus clementie (Chevalier, no. 19636) + + Saturday Matins (fol. 141v) + 97–108 + + Saturday Lauds (fol. 162r) + Audite caeli (Deuteronomy 32: 1–44) (‘Canticum moysi’) (fol. + 163r) + Aurora iam spargit (Chevalier, no. 1633) + + Terce (fol. 168r) + Nunc sancte nobis spiritus (Chevalier, no. 12586) + 118: 33, 118: 49, 118: 65 + Rector potens (Chevalier, no. 17061) + + Sext (fol. 172r) + 118: 81, 118: 97, 118: 113 + Rerum deus tenax uigor (Chevalier, no. 17328) + + None (fol. 175r) + 118: 129, 118: 145, 118: 161 + + Sunday Vespers (fol. 178v) + 109–113 Lvcis creator optime (Chevalier, no. 17328) + Magnificat (fol. 183v) + + Monday Vespers (fol. 184r) + 114–116, 119–120 + Immense celi conditor (Chevalier, no. 8453) + + Tuesday Vespers (fol. 187v) + 121–125 + Telluris alme conditor (Chevalier, no. 20265) + + Wednesday Vespers (fol. 191r) + 126–130 + Celi deus sanctissime (Chevalier, no. 3483) + + Thursday Vespers (fol. 194r) + 131–132, 134–136 + Magne deus potentie (Chevalier, no. 10935) + + Friday Vespers (fol. 200r) + 137–141 + Hominis superne conditor (Chevalier, no. 7963) + + Saturday Vespers (fol. 206r + ) 143–147 + Iam sol recedit igneus (Chevalier, no. 7963) + + Compline (fol. 211v) + 4, 30, 90, 133 + Te lucis ante terminum (Chevalier, no. 20136) + Tu autem in nobis es domine ... (Jeremiah 14: 9) (‘Capitulum’) + Nunc dimittis (fol. 215v) + Antiphon Salua nos domine uigilantes with music. + Fols. 111 and 120 (containing parts of psalms 76–77, 89 and + Cantemus domine) are a replacement bifolium by a different scribe and + decorator. There are illuminated initials at the beginning of psalms 1, + 21, 26, 38, 52, 68, 80, 97, 109, 114, 121, 126, 131, 137 and 143 (see + ‘Decoration’). Leaf containing the beginning of psalm 109 has a full + illuminated border. + + + (fol. 216r–v) + Hymn Custodes hominum psallimus (Chevalier, no. 4163) added on a + leaf, originally ruled, otherwise blank, in a 17th-century hand + responsible for corrections in the hymnal (see below). + + [item 4 occupies quires XXIII–XXVIII] + + (fols. 217r–267r) + Hymnal with detailed rubrics and music for the first strophe of most + hymns (square notation on staves of three or four red lines). Contains + hymns for the year from Advent to Pentecost, followed by hymns for feasts + and saints’ days, including those for Prosper (fol. 240r) and Chrysanthus + and Daria (fol. 250r) (see ‘Provenance’). The hymnal and hymns within the + psalter contain many corrections over erasures in a 17th-century hand, + aiming to bring them into conformance with the revised text of hymns, + found in the Roman Breviary (1631), following the reform of Pope Urban + VIII. + (fols. 217r–236v) Conditor alme (Chevalier, no. 3733), Uerbum supernum + prodiens a patre (Chevalier, no. 29391), Uox clara ecce intonat + (Chevalier, no. 22199), Christe redemptor omnium ex patre (Chevalier, no. + 2960), A solis ortu usque cardine (Chevalier, no. 26), Enixa est puerpera + (Chevalier, no. 5491), Hostis herodes impie (Chevalier, no. 8073), Audi + benigne conditor (Chevalier, no. 1449), Ex more docti mystico (Chevalier, + no. 5610), Iam christe sol iustitie (Chevalier, no. 9205), Aures ad + nostras deitatis (Chevalier, no. 1612), Uexilla regis (Chevalier, no. + 21481), Pange lingua gloriosi prelium (Chevalier, no. 14481), Lustris sex + qui iam peractis (Chevalier, no. 10765), Ad cenam agni prouidi + (Chevalier, no. 110), Rex eterne domine (Chevalier, no. 17393), Aurora + lucis rutilat (Chevalier, no. 1644), Tristes erant apostoli (Chevalier, + no. 20589), Iesu nostra redemptio (Chevalier, no. 9582), Eterne rex + altissime (Chevalier, no. 654), Ueni creator spiritus (Chevalier, no. + 21204), Iam christus astra (Chevalier, no. 9215), Beata nobis gaudia + (Chevalier, no. 2339), Adesto sancta trinitas (Chevalier, no. 487), Tu + trinitas laudabilis (Chevalier, no. 20707), Pange lingua gloriosi + corporis (Chevalier, no. 14467), Sacris solemnijs (Chevalier, no. 17713), + Uerbum supernum prodiens nec patris (Chevalier, no. 21398), Doctor + egregie paule mores (Chevalier, no. 4791). Fol. 236v contains a rubric + ‘In cathedra sancti petri ad uesperas et ad nocturnum hymnus’, whereas + fol. 237r contains the final lines of the hymn Aurea luce et decore roseo + (Chevalier, no. 1596), beginning ‘te cui manet ...’. Most of the hymn is + missing because of the loss of a leaf after fol. 236. + (fols. 237r–242v) Ut queant laxis resonare (Chevalier, no. 21039), + Antra deserti teneris (Chevalier, no. 1214), O nimis felix meritique + celsi (Chevalier, no. 13311), Ista dies eximia (Chevalier, no. 9124), + Carnem longis ieiunijs (Chevalier, no. 2642), Aurea luce et decore + (Chevalier, no. 1596), In maria uite uiam (Chevalier, no. 8671). (fol. + 243r–v) Martine celebri plaudite nomini (Chevalier, no. 11186) added over + erasure, a hymn to St Martina, whose relics were discovered in Rome in + 1634. The hymn was probably composed by Pope Urban VIII and was added to + the hymnal as part of his reform of the Roman Breviary. Capital C + belonging to a hymn which originally occupied this space was left + uncorrected. Rubric ‘In festos. Mart. V. et M. ad Uesperas hymnus’ added + in the upper margin. + (fols. 243v–244v) De sacro tabernaculo (Chevalier, no. 4252), Nardi + marie pistici (Chevalier, no. 11846). + (fols. 244v–245r) Miris modis repente (Chevalier, no. 11599), written + over erasure in a 17th-century hand. The capital belonging to an earlier + hymn was erased and overwritten with plain ‘M’ in black ink. + (fol. 245v) Gaude mater pietatis (Chevalier, no. 6876), imperfect at + the end owing to the loss of one leaf after fol. 245, ending ‘et helyas + iubar magnum ...’. + (fol. 246r) Final lines of Panis angelicus (Chevalier, no. 14544), + beginning ‘per tuas semitas duc nos quo ...’. + (fols. 246r–262r) Nouum sydus exoritur (Chevalier, no. 12374), Aue + maris stella (Chevalier, no. 1889), Quem terra pontus ethera (Chevalier, + no. 16347), O gloriosa domina excelsa (Chevalier, no. 13042), Tibi + christe splendor (Chevalier, no. 20455), Christe sanctorum decus + (Chevalier, no. 3000), Adsunt festa letitie (Chevalier, no. 550), Dies + reluxit agia (Chevalier, no. 550), Christe redemptor omnium conserua tuos + famulos (Chevalier, no. 2959), Iesu saluator seculi redemptis (Chevalier, + no. 9677), Exultet orbis gaudiis (added over erasure, Chevalier, no. + 5891), Eterna christi munera apostolorum gloriam (Chevalier, no. 590), + Deus tuorum militum (Chevalier, no. 4533), Martyr dei qui unicum patris + (Chevalier, no. 11228), Sanctorum meritis inclita gaudia (Chevalier, no. + 18607), Eterna christi munera et martyrum uictorias (Chevalier, no. 598), + Rex gloriose martyrum (Chevalier, no. 17453), Iste confessor domini + colentes (Chevalier, no. 9131), Iesu redemptor omnium perpes (Chevalier, + no. 9628), Iesu corona celsior (Chevalier, no. 9494), Ihesu corona + uirginum (Chevalier, no. 9507), Uirginis proles opifexque matris + (Chevalier, no. 21703), Huius obtendu deus alme (Chevalier, no. 8162), + Urbs beata hierusalem dicta pacis (Chevalier, no. 20918), Angularis + fundamentum (Chevalier, no. 1082). + (fols. 262r–267r) Music and hymns added over erasures: Alma + redemptoris mater (Chevalier, no. 861), Salue regina mater misericordie + (Chevalier, no. 18147), Lauda mater ecclesia (Chevalier, no. 10210), + Aeterni patris unice (Chevalier, no. 667), Quicumque christum queritis + oculos (Chevalier, no. 16557), Amor iesu dulcissime (Chevalier, no. + 1001), Ave regina celorum (Chevalier, no. 2070), Regina celi letare + (Chevalier, no. 17170). + Latin +

Nocte surgentes (hymns, fol. 2r)

+ - parchment + parchment; paper fly-leaves; many leaves repaired with pieces of + parchment; parchment strip used to repair fol. 176 left an imprint on the + verso + 270 leaves + c. 403 + 274 + Leaves were trimmed in rebinding, occasionally causing + the loss of decoration + + Modern, in pencil and purple crayon; i–ii + 1–268. + (fols. i–ii) fol. i is a paper fly-leaf, conjoint with the upper + pastedown, with modern paper bifolium pasted to the recto; fol. ii is a + paper fly-leaf | (fols. 1–210) I–XXI (10) | (fols. 211–216) XXII (6) | + (fols. 217–236) XXIII–XXIV (10) | (fols. 237–245) XXV (10−1) missing 1 | + (fols. 246–254) XXVI (10−1) missing 1 | (fols. 255–262) XXVII (8) | + (fols. 263–267) XXVIII (4−1+2) 4th leaf cancelled; 4th and 5th are an + added bifolium | (fols. 268–269) fol. 268 is a paper fly-leaf; fol. 269 + is a paper fly-leaf conjoint with the lower pastedown. Vertical + catchwords, written upwards, survive in most quires, but have been + excised in quires 3, 15, 20, and erased in quire 24 + + + + + Ruled in ink for + tops and bottoms of minims, with single vertical bounding lines extending + the full height of page; 18 lines per page; written below the top line; + written space: + c. 292 + 180 + + + + Formal Gothic book + hand, black ink; rubrics, antiphons, versicles, responses, etc. are in a + smaller script + -

Notation on staves (see van Dijk 1957).

+

Square notation on staves of three or four red lines.

 - Partly defaced. Pächt and Alexander ii. 1000, pl. LXXXII : + + + Historiated initials, most 5 to 6 lines high, on gold + background, decorated with coiled tendrils, foliage, flowers, grotesques, + animal heads and masks at textual divisions. + fol. 2v, Psalm 1 (initial B(eatus)), King David, kneeling, playing + psaltery, looking up at the face of God in the sky in rays of light; + in a landscape. Letters e and a of ‘Beatus’ are capitals decorated + with penwork in black ink. + (full border) Scrolls with foliage and flowers on gold background, + vases, masks, grotesques, human figures, supporting architectural + decorations; coat of arms in the lower margin (see + ‘Provenance’). + fol. 31r, Psalm 21 (initial D(eus)), 4-line initial infilled with + half-figure of a young man with raised hands (rubbed). + fol. 43v, Psalm 26 (initial D(omine)), Half-figure of a young man + pointing to his eyes in a landscape. + fol. 64v, Psalm 38 (initial D(ixi)), Half-figure of King David + pointing to his mouth. + fol. 81r, Psalm 52 (initial D(ixit)), The Fool, running, dressed in + rags and headdress decorated with feathers, holding an animal leg + (bone (?)), with a cloven hoof; in a landscape. + fol. 98r, Psalm 68 (initial S(aluum)), Young man submerged up to + his chin in water. + fol. 123r, Psalm 80 (initial E(xultate)), Young man in white robe + and red cap playing an organ. + fol. 141r, Hymn Summe deus clementie (Chevalier, no. 19636) + (initial S(umme)), 2-line initial decorated with coiled tendrils, + foliage and flowers. + fol. 141v, Psalm 97 (initial C(antate)), Clerics in white robes, of + different ages (including a young boy), singing from a book open on a + lectern. + fol. 178v, Psalm 109 (initial D(ixit)), Trinity: God-the-Father + crowning Christ, white dove hovering above; badly rubbed. + (full border) Coiled scrolls with foliage, flowers and vases on + gold background; cherub in the upper margin (all badly rubbed, lower + margin with much of its decoration cut off). + fol. 183v, Magnificat (initial M(agnificat)), Foliage and two + symmetrically placed grotesques; Annunciation: the Virgin Mary, + kneeling before a lectern with an open book, Gabriel holding a lily, + white dove. + fol. 184r, Psalm 114 (initial D(ilexi)), Young man, standing with + clasped hands over a nude young boy, lying on the ground; in a + landscape. + fol. 187v, Psalm 121 (initial L(etatus)), Half-figure of King David + with raised hands. + fol. 191r, Psalm 126 (initial N(isi)), Stonemason, working on a + wall of a building. + fol. 194r, Psalm 131 (initial M(emento)), Half-figure of King David + with hands crossed on his chest, looking up at the face of God in the + sky in rays of light. + fol. 200r, Psalm 137 (initial C(onfitebor)), Half-figure of King + David with raised hands, looking up at two angels, praying on clouds + above. + fol. 206r, Psalm 143 (initial B(enedictus)), King David (defaced), + seated, with hands joined in prayer, in a landscape, looking up at + rays of light. + + Decorated initials: see above. + Borders: see above. + 2-line red or blue initials with contrasting purple + or red penwork, and 2-line blue initials with purple penwork at the + beginnings of psalms, canticles and hymns. + 1-line alternating red and blue initials with + contrasting purple or red penwork at the beginnings of periods and + verses. + Rubrics in red ink. + + + +

Brown leather over pasteboard, 19th century (perhaps made for the + Bodleian). Borders made of crossing single and triple blind fillet lines + with cross-shaped decorations in the corners on both covers. A + diamond-shaped figure at the centre of both covers, made of floral blind + roll border, framed by double blind fillet lines. The diamond-shaped + figure is inside a rectangular frame, made of two blind roll floral + borders, framed by blind fillet lines. Five decorative raised bands on + spine, framed by triple blind fillet lines. Gilt lettering on spine + ‘PSALTERUM’ and ‘MS. || Lat. Liturg. || b... .’ (damaged). Marbled paper + pastedowns and fly-leaves. Floral blind roll decorations on turn-ins and + edges of covers. Damaged, lower board detached. Similar to MS. Lat. + liturg. a. 2 and MS. Lat. liturg. a. 3.

+ + - 16th century, beginning + 16th century, + beginning - Italian, Reggio-Emilia (?) + Italian, Reggio-Emilia + (?) + Hymns in honour of Prosper of Reggio and Chrysanthus and Daria, patron + saints of Reggio, suggest that the psalter was made for use in Reggio-Emilia. + Shield of arms, gules, cross keys argent, of Reggio (?) (Pächt and Alexander, + 1966–73) on fol. 2v. + A near-contemporary addition, partially erased: ‘Viginto octo di + givgno mastro nycolo librario de andrioli vel alias de transteverio + religio questi presenti sara (?)’ (fol. 264v, cf. Pächt and Alexander, + 1966–73). + Many 17th-century corrections aiming to bring the text of hymns into + conformance with the recension of the Roman Breviary (1631) by Pope Urban VIII. + A hymn to St Martina, whose relics were discovered in Rome in 1634, probably + composed by Pope Urban VIII, added over erasure. + Bodleian Library: former Bodleian shelfmark: ‘MS. Liturg. Misc. 411’ + (fols. i verso, 1r). - Summary description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 613–21. Previously described in the Summary Catalogue. - Summary Catalogue, vol. 5, p. 834 + Elizabeth Solopova, Latin + Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 613–21. Previously described in + the Summary Catalogue. + Summary Catalogue, vol. 5, p. + 834 - + Digital Bodleian (9 images from 35mm slides) @@ -86,8 +476,17 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 134 + + Weale, W. H. J., A descriptive catalogue of rare manuscripts + and printed books, chiefly liturgical (London: Bernard + Quartich, 1886), no. 19. + Frere, no. 155. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 134 + Pächt and Alexander (1966–73), vol. 2, no. 1000, pl. LXXXII. + @@ -95,9 +494,12 @@ + Convert full description from Solopova catalogue. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -106,4 +508,4 @@

- \ No newline at end of file + diff --git a/collections/Lat_liturg/MS_Lat_liturg_e_1.xml b/collections/Lat_liturg/MS_Lat_liturg_e_1.xml index e0817a5f35..567f0b9926 100644 --- a/collections/Lat_liturg/MS_Lat_liturg_e_1.xml +++ b/collections/Lat_liturg/MS_Lat_liturg_e_1.xml @@ -1,4 +1,5 @@ - + + @@ -30,7 +31,9 @@ University of Oxford Bodleian Library MS. Lat. liturg. e. 1 - ark:29072/x005741s97cmark:29072/x002870x142x + ark:29072/x005741s97cm + ark:29072/x002870x142x + 29739 @@ -43,17 +46,37 @@ (fols. 1r–2r) - description of the manuscript by W. H. Black, dated <q>10/3/50</q>. + description of the manuscript by W. H. Black, dated + <q>10/3/50</q>. (fols. 3r–8v) Calendar of Hildesheim - laid out one month per page, written in red, blue and brown, not graded, including the translation of Godehard, bishop of Hildesheim (4 May), his deposition (5 May) and three feasts of Bernward, bishop of Hildesheim, buried at the Abbey Church of St Michael (15 January, 16 August, 20 November), all in red. Also contains Epiphanius (22 January), Cantianus (31 May) in brown, Oswald (5 August) in red (see Kroos, 1972, p. 118), and added obits: O(bitus) Gertrudis mater mea (28 March; a near-contemporary addition); obiit Cord leyben [anno] domini mcccio […]vo dominica die […] adancsi(?) obiit (30 August; early 15th century). The months are headed by verses on the Egyptian days, which correspond to Hennig’s (1955) set I. Fol. 9r–v is blank apart from Circumdederunt me gemitus mortis … (psalm 17: 5) added on the recto in an early modern hand. + laid out one month per page, written in red, blue and brown, not graded, + including the translation of Godehard, bishop of Hildesheim (4 May), his + deposition (5 May) and three feasts of Bernward, bishop of Hildesheim, + buried at the Abbey Church of St Michael (15 January, 16 August, 20 + November), all in red. Also contains Epiphanius (22 January), Cantianus (31 + May) in brown, Oswald (5 August) in red (see Kroos, 1972, p. 118), and added + obits: O(bitus) Gertrudis mater mea (28 March; a near-contemporary + addition); obiit Cord leyben [anno] domini mcccio […]vo dominica + die […] adancsi(?) obiit (30 August; early 15th century). The months + are headed by verses on the Egyptian days, which correspond to + Hennig’s (1955) set I. Fol. 9r–v is blank apart from Circumdederunt me + gemitus mortis … (psalm 17: 5) added on the recto in an early modern + hand. (fols. 10r–119v) Psalter - Fol. 10r is occupied by a miniature (see Decoration), followed by 150 psalms, laid out as prose, without titles or numbers. Punctuated throughout with punctus used to mark the ends of verses and minor pauses, and colon used to mark metrum. The psalms are in the biblical order; a subdivision is marked with a larger initial at 67: 20 (fol. 56v) and psalm 118 is subdivided into twenty-two 8-verse units. There are textual divisions at psalms 26, 38, 51, 52, 68, 80, 97, 101 and 109. Fragments of tabs at liturgical divisions. + Fol. 10r is occupied by a miniature (see Decoration), followed by + 150 psalms, laid out as prose, without titles or numbers. Punctuated + throughout with punctus used to mark the ends of verses and minor pauses, + and colon used to mark metrum. The psalms are in the biblical order; a + subdivision is marked with a larger initial at 67: 20 (fol. 56v) and psalm + 118 is subdivided into twenty-two 8-verse units. There are textual divisions + at psalms 26, 38, 51, 52, 68, 80, 97, 101 and 109. Fragments of tabs at + liturgical divisions. (fols. 119v–126r) @@ -61,23 +84,28 @@ - Confitebor tibi domine (Isaiah 12); + Confitebor tibi domine (Isaiah + 12); Ego dixi (Isaiah 38: 10–21); - Exultauit cor meum (1 Samuel 2: 1–11); + Exultauit cor meum (1 Samuel 2: + 1–11); - Cantemus domino (Exodus 15: 1–20); + Cantemus domino (Exodus 15: + 1–20); Domine audiui (Habakkuk 3); - Audite celi (Deuteronomy 32: 1–44). + Audite celi (Deuteronomy 32: + 1–44). (fols. 126r–129v) - Daily canticles, prayers and creeds, without titles + Daily canticles, prayers and creeds, + without titles (fol. 126r) Benedicite omnia opera @@ -102,10 +130,19 @@ (fols. 129v–131v) Litany - Opening words erased, including Tiburtius and Valerian among the martyrs, Simeon (second), Epiphanius and Godehard (last) among the confessors, and Speciosa and Honesta among the virgins. Disagreement between the calendar and litany (the absence of Bernward and Oswald) may suggest a lay patron (see Kroos, 1972, p. 119). The litany is followed by petitions, one beginning Ut antistitem nostrum and collects (fol. 131v), ending imperfectly because of the loss of leaves: - Omnipotens sempiterne deus dirige actus nostros in beneplacito tuo … + Opening words erased, including Tiburtius and Valerian among the martyrs, + Simeon (second), Epiphanius and Godehard (last) among the confessors, and + Speciosa and Honesta among the virgins. Disagreement between the calendar + and litany (the absence of Bernward and Oswald) may suggest a lay patron + (see Kroos, 1972, p. 119). The litany is followed by petitions, one + beginning Ut antistitem nostrum and collects (fol. 131v), ending + imperfectly because of the loss of leaves: + Omnipotens sempiterne deus dirige actus nostros in beneplacito tuo + … Deus a quo sancta desideria recta consilia et iusta sunt … - Deus omnium fidelium pastor et rector famulum tuum quem pastorem ecclesie tue presse uoluisti … ending at preest proficere. + Deus omnium fidelium pastor et rector famulum tuum quem pastorem + ecclesie tue presse uoluisti … ending at preest + proficere. @@ -128,12 +165,20 @@ Modern foliation in purple pencil; i–iv + 1–137. - (fols. i–iv, 1–2) paper flyleaves | (fols. 3–8) I (6) | (fols. 9–10) II (2) paper and parchment leaves | (fols. 11–20) III (10) | (fols. 21–76) IV–X (8) | (fols. 77–83) XI (8−1) 8 cancelled | (fols. 84–131) XII–XVII (8). One or more quires missing at the end; psalm 101 starts at the beginning of a new quire. + (fols. i–iv, 1–2) paper flyleaves | (fols. 3–8) I (6) | (fols. + 9–10) II (2) paper and parchment leaves | (fols. 11–20) III (10) | (fols. + 21–76) IV–X (8) | (fols. 77–83) XI (8−1) 8 cancelled | (fols. 84–131) + XII–XVII (8). One or more quires missing at the end; psalm 101 starts at + the beginning of a new quire. qui non abijt (psalter, fol. 11r). - Ruled in ink with single vertical and double horizontal bounding lines, extending the full height and width of page; two horizontal lines in the middle of each page also extend its full width; 22 lines per page; written above the top line; written space: + Ruled in ink with single vertical and + double horizontal bounding lines, extending the full height and width of + page; two horizontal lines in the middle of each page also extend its + full width; 22 lines per page; written above the top line; written space: + 158 96 @@ -141,12 +186,18 @@ - Formal Gothic book hand, black and brown ink. + Formal Gothic book hand, black and brown + ink. - Antiphons are added in the margins in 14th-century hands, some with musical notation for the incipits. + Antiphons are added in the margins in 14th-century hands, some with + musical notation for the incipits. - Red and blue penwork KL monograms in the calendar; gold architectural arches framing pages and subdividing them into two columns; medallions with miniatures on gold background, depicting the Signs of the Zodiac and the Labours of the Months: - January: man with a drinking bowl warming legs by the fire (damaged); Aquarius + Red and blue penwork KL monograms in the calendar; + gold architectural arches framing pages and subdividing them into two + columns; medallions with miniatures on gold background, depicting the Signs + of the Zodiac and the Labours of the Months: + January: man with a drinking bowl warming legs by the fire + (damaged); Aquarius February: man digging with a spade; Pisces March: man pruning a tree; Aries April: man grafting (?) plants; Taurus @@ -154,62 +205,117 @@ June: bird feeding its young in a nest; Cancer July: man mowing hay with a scythe; Leo August: man reaping grain; Virgo - September: man cutting grapes; a basket of grapes in his hand; itembra + September: man cutting grapes; a basket of grapes in his hand; + itembra October: man sowing; Scorpio November: man slaughtering a pig; Sagittarius December: Janus feasting; Capricorn. - 11-line initial infilled with Archangel Michael piercing a dragon (almost completely rubbed off) with a spear at psalm 51 (fol. 47v). - Full-page Beatus-initial (fol. 10v), decorated with interlace, animal figures, human and animal heads, floral and geometric designs on gold background. Similar initials, normally 11 lines high, at liturgical divisions, at psalms 26 (with nude human figure, fol. 27v), 38 (fol. 38r), 52 (7-line, fol. 48r), 68 (13-line, fol. 58v), 80 (12-line, fol. 71r), 97 (fol. 82v), 101 (fol. 84r), 109 (fol. 95r). - 3-line blue initials with red penwork, alternating with gold initials with red and blue penwork at the beginnings of psalms. - 1-line plain alternating red or blue initials at the beginnings of verses and periods. - Added full-page drawing (fol. 10r) in brown and red ink, and red, blue and yellow wash, depicting Christ rising from the tomb, holding a standard in his left hand, with the words O data est mihi om[nis] … emerging from his right hand (late 13th or early 14th century). + 11-line initial infilled with Archangel Michael + piercing a dragon (almost completely rubbed off) with a spear at psalm 51 + (fol. 47v). + Full-page Beatus-initial (fol. 10v), decorated with + interlace, animal figures, human and animal heads, floral and geometric + designs on gold background. Similar initials, normally 11 lines high, at + liturgical divisions, at psalms 26 (with nude human figure, fol. 27v), 38 + (fol. 38r), 52 (7-line, fol. 48r), 68 (13-line, fol. 58v), 80 (12-line, fol. + 71r), 97 (fol. 82v), 101 (fol. 84r), 109 (fol. 95r). + 3-line blue initials with red penwork, alternating + with gold initials with red and blue penwork at the beginnings of + psalms. + 1-line plain alternating red or blue initials at the + beginnings of verses and periods. + Added full-page drawing (fol. 10r) in brown and red + ink, and red, blue and yellow wash, depicting Christ rising from the tomb, + holding a standard in his left hand, with the words O data est mihi + om[nis] … emerging from his right hand (late 13th or early 14th + century).

Brown leather over wood boards.

 -

Rebacked in the Bodleian with fragments of the earlier spine pasted to the new, including a black leather title-piece lettered in gilt PSALTERIUM. The base of the spine is lettered in gilt MS. || Lat. liturg. || e. I; a circular paper label at the top is inscribed 935.

+

Rebacked in the Bodleian with fragments of the earlier spine pasted to + the new, including a black leather title-piece lettered in gilt + PSALTERIUM. The base of the spine is lettered in gilt MS. || + Lat. liturg. || e. I; a circular paper label at the top is + inscribed 935.

 - German, Hildesheim (?) + German, Hildesheim (?) - 13th century, first half (after 1194) -

Made for a lay patron (?) for use in Hildesheim: evidence of the calendar and litany. The miniature on fol. 47v portrays St Michael slaying the dragon, but this is common at psalm 51 in German psalters (Büttner, 2004, p. 24 and n. 98) and does not necessarily suggest that the psalter was made for the Abbey Church of St Michael, Hildesheim. St Michael is not emphasized in the litany, the calendar is not graded, monastic subdivisions are not marked in the psalter, and the litany disagrees with the calendar and is followed by a petition beginning Ut antistitem nostrum. St Godehard is the only Hildesheim bishop in the litany. The lower margin of the first leaf is excised, presumably to remove an ownership inscription (fol. 3).

+ 13th century, first half (after 1194) +

Made for a lay patron (?) for use in Hildesheim: evidence of the calendar + and litany. The miniature on fol. 47v portrays St Michael slaying the + dragon, but this is common at psalm 51 in German psalters (Büttner, 2004, p. + 24 and n. 98) and does not necessarily suggest that the psalter was made for + the Abbey Church of St Michael, + Hildesheim. St Michael is not emphasized in the litany, the + calendar is not graded, monastic subdivisions are not marked in the psalter, + and the litany disagrees with the calendar and is followed by a petition + beginning Ut antistitem nostrum. St Godehard is the only Hildesheim + bishop in the litany. The lower margin of the first leaf is excised, + presumably to remove an ownership inscription (fol. 3).

 - Owned by the Leyben family in Hildesheim in the 15th century: obit in the calendar; Henning Leyben, his widow and children are mentioned in charters from Hildesheim (see Kroos, 1972, p. 129). - Belonged to chapel children in common, presumably in Hildesheim, in the 17th century: inscription on the inside of the upper board and a note on fol. i recto by Lee (see below), stating that on the old binding was a note: Dieser salter horett den Cappen kinderen ins gemein undt ins gemein der dess will lehren der must den erst zum besten keren undt must er sich rutten weren and on the outside of the cover were the letters and figures: DEM. || 16xx. + Owned by the Leyben family in + Hildesheim in the 15th century: obit in the calendar; Henning Leyben, his widow + and children are mentioned in charters from Hildesheim (see Kroos, 1972, p. + 129). + Belonged to chapel children in + common, presumably in Hildesheim, in the 17th century: inscription on the inside of + the upper board and a note on fol. i recto by Lee (see below), stating that on + the old binding was a note: Dieser salter horett den Cappen kinderen ins + gemein undt ins gemein der dess will lehren der must den erst zum besten + keren undt must er sich rutten weren and on the outside of the cover + were the letters and figures: DEM. || 16xx. - William Henry Black (1808–72), c. 1850 (fols. 1–2). + William Henry Black + (1808–72), c. 1850 (fols. 1–2). - John Lee (formerly Fiott) (1783–1866), antiquary and astronomer, see ODNB, of Hartwell House near Aylesbury: inscribed J. Lee, Doctors Commons. R[e]paired 8. January 1836, No 10/97 London (fol. i recto); 10/97 in pencil (fol. 3r); armorial bookplate with the motto Verum atque decens (fol. i recto). - Bought at an auction at Messrs. Puttick and Simpson’s, 14 July 1887 (lot 935, cf. label on spine) for £2 4s (as recorded on fol. i recto); 127 (fol. i recto). + John Lee (formerly Fiott) + (1783–1866), antiquary and astronomer, see ODNB, of Hartwell House near + Aylesbury: inscribed J. Lee, Doctors Commons. R[e]paired 8. January 1836, No + 10/97 London (fol. i recto); 10/97 in pencil (fol. 3r); armorial + bookplate with the motto Verum atque decens (fol. i recto). + Bought at an auction at Messrs. Puttick and Simpson’s, 14 + July 1887 (lot 935, cf. label on spine) for £2 4s (as recorded on fol. i + recto); 127 (fol. i recto). - Description based on Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 425–8; additions by Andrew Dunning. Previously described in the Summary Catalogue. - Summary Catalogue, vol. 5, p. 681 + Description based on Elizabeth Solopova, Latin Liturgical + Psalters in the Bodleian Library: A Select Catalogue (Oxford, + 2013), pp. 425–8; additions by Andrew Dunning. Previously described in + the Summary Catalogue. + Summary Catalogue, vol. 5, p. + 681 - + Digital Bodleian (full digital facsimile) - + Digital Bodleian (130 images from 35mm slides) @@ -220,20 +326,58 @@ Online resources: - Manuscripts from German-Speaking Lands – A Polonsky Foundation Digitization Project + Manuscripts from German-Speaking Lands – A Polonsky Foundation + Digitization Project - Printed descriptions: - A. Watson, Catalogue of Dated and Datable Manuscripts in Oxford Libraries (1984), - no. 544 - + Select bibliography to 2004: + Frere, no. 474. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 83 - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 83 + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 6: Fragments - Office Books, Rituals, + Directories (typescript, 1957), p. 117 - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 6: Fragments - Office Books, Rituals, Directories (typescript, 1957), p. 117 + Kroos, R., ‘Das Psalterium der Mechthild von Anhalt’ in E. + Guldan (ed.), Beiträge zur Kunstgeschichte: eine Festgabe für Heinz + Rudolf Rosemann zum 9. Oktober 1960 (Munich: Deutscher + Kunstverlag München Berlin, 1960), pp. 75–94. + ——, ‘Beiträge zur niedersächsischen Buchmalerei des 13. Jahrhunderts’, + Die Diözese Hildesheim in Vergangenheit und Gegenwart 40 (1972), pp. + 117–34. + A. Watson, Catalogue of Dated and Datable Manuscripts in Oxford + Libraries (1984), + no. 544 + + Krämer, S., Handschriftenerbe des deutschen Mittelalters, 3 + vols. (Munich: Beck, 1989–90), vol. 1, p. + 354. + Braun-Niehr, B., Der Codex Vaticanus Rossianus 181: Studien zur + Erfurter Buchmalerei um 1200 (Berlin: Gebr. Mann, 1996), pp. + 57, 143. + Väth, P., Die illuminierten lateinischen Handschriften + deutscher Provenienz der Staatsbibliothek zu Berlin Preussischer + Kulturbesitz, 1200–1350, 2 vols. (Wiesbaden: Harrassowitz, + 2001), vol. 1, p. 98. + Wolter-von dem Knesebeck, H., Der Elisabethpsalter in Cividale + del Friuli: Buchmalerei für den Thüringer Landgrafenhof zu Beginn des + 13. Jahrhunderts (Berlin: Deutscher Verlag für + Kunstwissenschaft, 2001), pp. 70 n. 38, 123 n. 57, 365. + Büttner, F. O., ‘Der illuminierte Psalter im Westen’ in + Büttner (2004), pp. 1–106. + + + + + @@ -245,7 +389,9 @@ Andrew Dunning Encoded/updated description by Solopova. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -254,4 +400,4 @@

- \ No newline at end of file + diff --git a/collections/Lat_liturg/MS_Lat_liturg_f_11.xml b/collections/Lat_liturg/MS_Lat_liturg_f_11.xml index a9c8daa7e7..dca8e4ff5b 100644 --- a/collections/Lat_liturg/MS_Lat_liturg_f_11.xml +++ b/collections/Lat_liturg/MS_Lat_liturg_f_11.xml @@ -5,8 +5,11 @@ MS. Lat. liturg. f. 11 MSS. Lat. liturg. (Latin liturgical) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford diff --git a/collections/Lat_liturg/MS_Lat_liturg_f_22.xml b/collections/Lat_liturg/MS_Lat_liturg_f_22.xml index ef8c13c571..0783a0df0b 100644 --- a/collections/Lat_liturg/MS_Lat_liturg_f_22.xml +++ b/collections/Lat_liturg/MS_Lat_liturg_f_22.xml @@ -1,13 +1,17 @@ - + + MS. Lat. liturg. f. 22 MSS. Lat. liturg. (Latin liturgical) - Cataloguer - Bodleian Library staff - Peter Kidd + Cataloguer + Elizabeth Solopova + + + Encoding + Matthew Holford @@ -30,134 +34,344 @@ University of Oxford Bodleian Library MS. Lat. liturg. f. 22 - ark:29072/x09019s31208ark:29072/x08w32r628p6 + ark:29072/x09019s31208 + ark:29072/x08w32r628p6 + Not in SC (late accession) + Portable Secular Psalter with Antiphons in Latin (pastedowns, Netherlandish); Northern Netherlands, 15th century, second half (f. 1) Psalter - Portable ferial psalter with antiphons and versicles, containing also: - Latin - - (fol.171v) - Collects for the souls of the dead, including two specifically for women - Latin + + + Fols. ia and ii–v are blank paper fly-leaves; fols. i and 201, + originally pastedowns, are made from a 15th-century (?) document in + Netherlandish on parchment, containing apparently business records, + mentioning ‘koninc’ (fol. i recto, l. 14), and a date (?) in the last + line of fol. 201v: ‘[ ...]ent sestich op sunt (?) val[ ... ...]s dach [ + ...]’. + Middle Dutch - - (fol.173) - Devotion based on the Five Wounds - In honore ac vnione quinque volnerum [sic] ac omnium vulnerum tuorum et preciocissimi sanguinis tui(first prayer) - - Each prayer referring to the '... anima .N. ac anime omnium fidelium defunctorum ...' with slight variants - Latin + + (fols. 1r–171r) + Psalms 1–150, written as prose, with titles ‘psalmus’, without + numbers. Punctuated throughout, with colon used to mark metrum and + punctus used to mark minor pauses. Psalms are in the biblical order; + subdivisions within psalms are not indicated, apart from psalm 118, + subdivided into twenty-two 8-verse units. + The psalms are accompanied by antiphons, versicles, invitatoria, cues + for hymns, etc. with rubrics referring to the secular use. + Hymn ‘Consors paterni luminis lux’ (Chevalier, no. 3830) is written + out in full after psalm 25 (fol. 27r). + There are textual divisions at the beginning of psalms appointed first + for Matins during the week in the secular use (1, 26, 38, 52, 68, 80, + 97), ‘three fifties’ (51 and 101), psalms appointed first for the second + and third Nocturns (15 and 18), Prime (21), Terce (118: 33), Sext (118: + 81), None (118: 129) and Vespers on Monday, Thursday, Friday and Saturday + in the secular use (114, 131, 137, 143) (see ‘Decoration’). - - (fol.177) - Litany of the dead - each invocation alternating with a prayer as far as ‘Proicius esto’ (fol. 184r), each prayer also referring to '... animam .N. ac animas ...' as in the preceding devotion; followed by four prayers: - - Fons bonitatis et origo pietatis + + (fols. 171v–172v) + Prayers for the dead, with rubrics: + + Da nobis domine ut animam famuli tui sacerdotis N + + + Concede quesumus omnipotens deus animabus famulorum ac + sacerdotum tuorum N + + + Omnipotens sempiterne deus cui nunquam sine spe + misericordie + + + Inclina domine aurem tuam ad preces nostras quibus + misericordiam tuam supplices + + + Qvesumus domine pro tua pietate miserere anime famule tue N + + + + Maiestatem tuam domine supplices exoramus + + + Deus qui nos patrem et matrem honorare precepisti miserere + clementer animabus + + + Fidelium deus omnium conditor et redemptor animabus famulorum + famularumque tuarum remissionem ... + + + + (fols. 173r–177r) + Devotion, consisting of eight prayers to Christ, each followed by + cues for psalms: + + In honore ac vnione quinque volnerum ac omnium volnerum tuorum + + + + Domine iesu christe qui gemitum contriti cordis + + + Domine iesu christe qui remissis delictis beatitudinem te + confessis attribuis + + + Domine iesu christe speciale gaudium et refugium tribulatorum + + + + Domine iesu christe nostrarum peccaminum mitis indultor + + + + Domine iesu christe pastor bone qui propter mortalium omnium + redemptionem + + + Domine iesu christe tribulacionum nostrarum optime mitigator + + + + Domine iesu christe gloriose deus in quem sanctae animae totam + spei fiduciam ... + + + + (fols. 177r–187r) + Litany for the dead, with each invocation on fols. 177r–184r followed + by a prayer: + + Domine deus rex celi et terre pater clementissime qui per + coeternam tibi sapienciam + + + Domine iesu christe fili dei viui desideratissime vite dulcedo + + + + O sancte spiritus paraclite per beatissima tua dona + + + O beata trinitas quam iure laudant adorant et glorificant + + + + O sancta maria stella maris spes exulum consolacio - - Pijssime domine ihesi christe consolator tristium + + O pia mater regis angelorum solamen desolatorum - - Domine ihesu christe. exaudi preces nostras propter honorem omnium animarum fidelium + + Christi virgo dilectissima miserorum consolatrix - - Propter magnitudinem et latitudinem tue caritatis diuine + + O sancte michael princeps milicie excercitus dei + + + O sancte gabriel archangele fortitudo dei humili + + + O sancte raphael archangele medicina dei + + + O vos omnes sancti angeli et archangeli throni et dominationes + + + + O sancte iohannes baptista gemma celestis et lucerna + + + Domine iesu christe patriarcharum gaudium prophetarum desiderium + + + + Domine iesu christe thesaurus apostolorum hereditas + ewangelistarum + + + Domine iesu christe fons et origo scientiarum et liberacio + fidelium + + + Domine iesu christe iusticia et sufficiencia sanctorum + + + + Domine iesu christe corona triumphancium laus martyrum ac + miseracio fidelium + + + Domine iesu christe corona confitencium glorificacio sacerdotum + ac salus animarum + + + Domine iesu christe corona uirgimum redempcio animarum et + gaudium sanctorum + + + Omnes sancte anime quas clementissimus dominus de omnibus + angustiis + + + Rogo et obsecro vos omnes sancti dei ut animam + + Followed by collects (fols. 185v–187r): + + Fons bonitatis et origo pietatis pater misericordiarum + + + + Piissime domine iesu christe consolator tristium et omnium + fidelium defunctorum redemptor + + + Domine iesu christe exaudi preces nostras propter honorem + + + + Propter magnitudinem et latitudinem tue caritatis diuine + - Latin - - (fol.187) - Rosary of the Virgin - with fifty mysteries - Hic incipit rosarium beate Marie - Ave maria gratia plena ... Quem tu virgo sanctissima mente et corpore. angelo nunciante de spirium santo concepisti Amen - Latin + + (fols. 187r–192v) + Rosarium Beatae Mariae (‘Hic incipit rosarium beate marie’), + beginning ‘Ave maria gratia plena ...’ and consisting of fifty short + passages describing the life of Christ, each followed by ‘Ave maria’, the + first beginning ‘Quem tu virgo sanctissima mente et corpore angelo + nunciante ...’. The text is subdivided into five parts, each beginning + with a 2-line initial, and ends with ‘O Maria semper aue Sertum hoc ne + ducas graue ...’ with rubric ‘Oracio’. - - (fol.192v) - Prose - Sequencia - Ave preclara maris stella in lucem gencium - Chevalier 2045 - Latin + + (fols. 192v–194r) + Sequence ‘Ave preclara maris stella’ (Chevalier 2045) and response ‘Salue maria gemma pudicicie’. + - - (fol.194) - Responsory - followed by prayers, versicles and antiphons. - Salve Maria gemma pudicicie - Latin + + (fols. 194v–196r) + Collects, antiphons, versicles and cues for psalms, canticles and + hymns: + + Christus resurgens ex mortuis iam non moritur + + + Cum rex glorie christus infernum debellaturus intraret + + + + Presta quesumus omnipotens deus ut qui gratiam dominice + resurrectionis + + + Ave iesu rex glorie qui cuncta bona facis da nobis + + + Deus qui de beate marie virginis vtero verbum tuum + + + Ecclesie tue quesumus domine preces placatus admitte ut + destructis + + + Deus omnium fidelium pastor et rector famulum tuum + + Fols. 196v–200v are partially ruled (bounding lines only), otherwise + blank. + Latin + + + +

- sua et + sua et in furore (psalter, fol. 2r)

- Paper; the first leaf of the text parchment, and with strips of parchment sewing-guards in the centre of each quire. Watermarks: fleur de lys in shield with rosette, cf. Briquet 1743–6; letter P, cf. Briquet 8606. - i (modern paper) + i (parchment) + 4 + 1 (parchment) + 199 + i (parchment) leaves. - 145 - 105 - - - 95 - 65 - - - 1(12) (1st, 2nd, 11th and 12th leaves are singletons), 2(12)–16(12), 17(8), catchwords survive in most quires - leaf signatures survive sporadically, apparently on alternate leaves (e.g. h1, h2, h3 on fols. 85, 87, 89) [a]-[r]. - + + + paper; first leaf of text is parchment; parchment fly-leaves (fols. i and 201). Watermarks: + fleur de lys in shield with rosette, cf. Briquet + 1743–6; letter P, cf. Briquet 8606. + + 206 leaves: i (modern paper) + i (parchment) + 4 + 1 (parchment) + 199 + i + (parchment) leaves. c. 145113 modern, in pencil; ia + i–v + 1–201. (ia–v) I (4+2) fols. ia and i are singletons | (fols. 1–12) II (12) 1, 2 and 11, 12 + are singletons | (fols. 13–191) III–XVII (12) | (fols. 193–200) XVIII (8) | (fol. 201) + singleton. + + Parchment sewing guards are used at the centres of quires; fragments of catchwords + survive; leaf signatures occasionally survive (e.g. quire VIII, fols. 73–84: apparently on alternate + leaves (e.g. h1, h2, h3 on fols. 85, 87, 89).) - - Ruled in brown ink with 19 lines, the top pair and bottom pair ruled the full width of the page; single vertical bounding lines extend the full height of the page; in 1 column; prickings usually survive in the fore-edge and lower margins. 18 written lines - + + Ruled in brown ink with single vertical and double horizontal bounding lines, + extending the full height and width of page; 18 lines per page; prickings survive; written + below the top line; written space: c. 9565 + + + Formal Gothic book hand, black ink - Good initial. (Pächt and Alexander i. 236) - Headings in red. - -

One seven-line initial to Psalm 1 (fol. 1r): in blue with white foliate decoration, on a ground of red penwork, with florishing extending down the height of the page, the decoration within the initial with touches of green and burnished gold.

 - -

Five-line initials in red, with reserved designs, on a ground of purple penwork, the decoration within the initial with touches of green, usually also with burnished gold and/or pale yellow, at the remaining eight-part divisions of the psalter (fols. 27v, 44r, 59v (brown penwork), 75v, 95r (brown penwork), 113r, 132r), and at the start of the Rosary of the Virgin (fol. 187r); the initial to the Devotion on the Five wounds (a letter 'I') may also have been intended at this level in the hierachy, but it uses only red and purple (fol. 173r).

-

Four-line initials of similar design at the start of the hours of Prime on Sunday (fol. 21v) and for Ps.51 (fol. 59r) and Ps.101 (fol. 115r)

-

Three-line initials of similar design at the start of the psalms for the second and third nocturns (fol. 13r, 18v), and vespers on Friday (fol. 159r)

-

Three-line initials of similar design but without gold, green, or yellow, at the start of the psalms for vespers for each other day (fols. 135v, 140v, 143v, 146v, 154v, 165r)

 -

Two-line initials in plain red to other psalms, etc.; plain one-line initials in red to verses, etc.

- + Red or blue initials with contrasting purple or red penwork, green and yellow wash, + and gold at textual divisions: seven lines high at psalm 1 (fol. 1r); five or six lines high + at psalms 26 (fol. 27v), 38 (fol. 44r), 52 (59v), 68 (fol. 75v), 80 (fol. 95r), 97 (fol. 113r), + 109 (132r), the beginning of prayers (fol. 173r) and Rosarium Beatae Mariae (fol. 187r); + and four lines high at psalms 51 (fol. 59r) and 101 (fol. 115r).3-line similar initials at the beginning of psalms 15 (13r), 18 (fol. 18v), 21, (fol. 21v), + 114 (fol. 135v), 118: 33 (fol. 140v), 118: 81 (fol. 143v), 118: 129 (146v), 131 (fol. 154v), + 137 (fol. 159v) and 143 (fol. 165r).2-line plain red initials at the beginnings of psalms and prayers.1-line plain initials, alternating red and blue on fol. 1r, and red elsewhere, at the + beginnings of verses and periods. + Rubrics in red ink. + - - -

Original binding. Sewn on four split alum(?) tawed bands, and bound in oak boards coverd in blind-tooled polished brown calf; the covers with a lattice of fillets with rose designs stamped in the interstices; vestiges of two clasps at the fore-edge (fastening from the lower to the upper board); the spine with a paper label inscribed 'BREVIARIUM ANT[...] | MSS.'

- - - Fols. i and 201 are former pastedowns, a fragments of a 16th-cent. document in Dutch on parchment; fols. ii-v, are original paper endleaves. + +

15th-century (?) (original (?)) Dutch binding, brown leather over boards with criss-cross design of + double blind fillet lines and stamps in the form of five-petalled stylized daisies and + quatrefoil leaves. Sewn on four slit bands, four raised bands on spine. 19th-century + (?) paper label on spine inscribed ‘BREVIARIUM AN[ ...] || MSS.’. Holes left by + the fittings of two clasps on both covers, fastening from bottom to top. Former pastedowns + (fols. i and 201) made from a parchment document.

 + + - 15th century, second half + 15th century, + second half Dutch - Given by G. R. Driver, 1930 + Made in northern Netherlands: evidence of decoration. + + Given by G. R. Driver, 1930 - Typescript description by Bodleian library staff, revised by Peter Kidd, late 1990s. For more recent description see Elizabeth Solopova, Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue (Oxford, 2013), pp. 391–4. + Adapted (2024) from Elizabeth Solopova, + Latin Liturgical Psalters in the Bodleian Library: A Select + Catalogue (Oxford, 2013), pp. 391–4, retaining some details from the earlier typescript description by Bodleian library staff, revised by Peter + Kidd, late 1990s. - + Digital Bodleian (1 image from 35mm slides) @@ -166,7 +380,10 @@ Printed descriptions: - S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 2: Office Books (typescript, 1957), p. 109 + Pächt and Alexander (1966–73), vol. 1, no. 236. + S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian + Library, Oxford, vol. 2: Office Books (typescript, 1957), + p. 109 @@ -175,9 +392,12 @@ + Convert full description from Solopova catalogue. First online publication. - James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl + James Cummings Up-converted the markup using https://github.com/jamescummings/Bodleian-msDesc-ODD/blob/master/convertTolkien2Bodley.xsl @@ -186,4 +406,4 @@

- \ No newline at end of file + diff --git a/collections/Liturg/MS_Liturg_396.xml b/collections/Liturg/MS_Liturg_396.xml index ef3f6f0ccd..3eb2b1ed49 100644 --- a/collections/Liturg/MS_Liturg_396.xml +++ b/collections/Liturg/MS_Liturg_396.xml @@ -168,7 +168,7 @@ (6) Protege domine famulos tuos subsidiis pacis ... Fol. 160v is blank. - Latin + Latin with some Middle Dutch in the calendar diff --git a/collections/Rawl_D/MS_Rawl_D_894.xml b/collections/Rawl_D/MS_Rawl_D_894.xml index 104ffede54..fb14de0d30 100644 --- a/collections/Rawl_D/MS_Rawl_D_894.xml +++ b/collections/Rawl_D/MS_Rawl_D_894.xml @@ -9,6 +9,16 @@ Elizabeth Solopova Matthew Holford + + Cataloguer + Elizabeth Solopova + (fols. 81-88) + + + Encoding + Matthew Holford + (fols. 81-88) + @@ -34,51 +44,43 @@ 13660 + Guardbook: collection of fragments from ecclesiastical service books - - Fragments: collection of fragments from ecclesiastical service books - Latin - - + (fol. 18) Ferial Psalter, use of Sarum (cutting) 15th century, first half Latin - + Evangelistary Latin - + (fol. 32) Missal, use of Sarum 15th century, first quarter. Single leaf. Latin - + (fols. 43–44) Psalter 14th century, beginning. Fragments. Latin - + (fol. 72) Missal 14th century, first half. Single leaf. Latin - + (fol. 73) Book of Hours 15th century, beginning. Single leaf. Latin - - (fols. 81–8) - Order of Secular Psalter, Use of Rome - 1483. - Latin - + @@ -157,10 +159,127 @@ + + + + MS. Rawl. D. 894, fols. 81-88 + + + Order of Secular Psalter, Use of Rome; Netherlands (?), 1483 + + Latin + + Order of Secular Psalter(fols. 81ra–86vb) + Rubric ‘Incipit officium psalmiste ad modum siue ordinarium sacre curie + Romane ...’. Invitatoria, antiphons, versicles, responses, canticles, hymns, prayers, + chapters and psalms for the year in secular use, with detailed rubrics, written in two + columns as prose. The texts are written out in full, apart from psalms, abbreviated to + their opening words, in the following order: + – Sunday Matins (fols. 81ra–82ra); + – Sunday Lauds (fols. 82ra–82rb); + – Sunday Prime (fols. 82rb–82vb); + – Prime during the week (fols. 82vb–83rb); + – Terce (fols. 83rb–83va); + – Sext (fol. 83va–b); + – None (fol. 83vb); + – Sunday Vespers (fols. 83vb–84ra); + – Matins and Lauds for each day of the week, from ‘feria secunda’ to ‘Sabbato’ (fols. + 84ra–85vb); + – Vespers for each day of the week (fols. 85vb–86va); + – Compline (fol. 86va–b). + + + + + Rubrics such as ‘Feria secunda ad vesperas antiphone et psalmi vt infra in psalterio’ (fol. 85vb) + and folio references such as ‘Require folio 61’ (fol. 82ra) or ‘Require folio 103’ (fol. 84rb) + suggest that the manuscript is a quire from a psalter, probably with psalms in the + biblical order (the list of Penitential Psalms on fol. 88rb has the psalms in the biblical + order with folio numbers increasing sequentially). + (fol. 86vb–87ra) + Order of the Gradual Psalms (the opening words of psalms 119, + 124 and 129, each ‘cum quatuor psalmis sequentibus’, followed by prayers, cues for versicles, + antiphons, etc.). + (fols. 87ra–88rb) + Litany, including: Martin and Ludowic (Louis of France (?)) among + the confessors; Benedict, Francis, Antony (of Padua (?)), Bernardino (of Siena (?)) and + Dominic among the ‘sacerdotes’; and Clare (of Assisi (?)) and Elizabeth (of Hungary (?)) + among the virgins. The litany is followed by the usual ten Roman collects (cf. Oxford, + Bodleian Library MS. Buchanan e. 5, fols. 118r–119v) (fols. 88ra–88rb): + (1) Deus cui proprium est misereri semper et parcere suscipe ... + (2) Exaudi quesumus domine supplicum preces et confitentium tibi parce peccatis ut pariter nobis + indulgenciam tribuas benignus et pacem. + (3) Ineffabilem nobis domine misericordiam tuam clementer ostende ut simul nos ... + (4) Deus qui culpa offenderis penitencia placaris ... + (5) Omnipotens sempiterne deus miserere famulo tuo pontifice nostro et dirige eum secundum + tuam clementiam ... + (6) Deus a quo sancta desideria recta consilia et iusta sunt ... + (7) Ure igne sancti spiritus renes nostros ... + (8) Fidelium deus omnium conditor et redemptor animabus famulorum famularumque tuarum + remissionem ... + (9) Actiones nostras quesumus domine aspirando praeueni ... + (10) Omnipotens sempiterne deus qui viuorum dominaris simul et mortuorum ... + Prayers for a ‘pontifex’ in the petitions following the litany and in collect (5). + (fol. 88rb) + Order of the Penitential Psalms, including the opening words of psalms + 6, 31, 37, 50, 101, 129 and 142 with folio references. Dated at the end: ‘1483’. Fol. + 88v is ruled, otherwise blank. + + + + + +

maria alleluia resurrexit dominus (psalter, fol. 82r)

+ + + paper with watermarks + 8 leaves + c. 243 + 177 + + Modern in blue crayon; 81–88. + (fols. 81–88) I (8). + + + Ruled in plummet for two columns with single vertical and horizontal bounding + lines extending the full height and width of page; 43 lines per page; written below + the top line; written space: + c. 195 + 125 + + + + + Formal Gothic book hand, black ink. + + + 2- to 3-line red and blue initials, some with penwork decorations, at the beginnings + of sections of text. + 1-line red and blue initials at the beginnings of verses and periods. + Cadels. + Rubrics in red ink. + + + + + 1483 + Netherlands (?) + + Written in 1483 to accompany a psalter, perhaps in the Netherlands, for a patron + with Franciscan connections (Franciscan saints in the litany), though Benedict is the + first in the list of ‘sacerdotes’. The order of psalms reflects secular use. Contains prayers + for a ‘pontifex’. + + + + van Dijk (1958), fol. 119b. + + + Fols. 81-88: convert full description from Solopova catalogue. Toby Burrows/Mapping Manuscript MigrationsProvenance and acquisition information added using https://github.com/mapping-manuscript-migrations/oxford-tei-updates/blob/master/update_oxford_prov.rb in collaboration with the Mapping Manuscript Migrations project. First online publication. diff --git a/collections/Rawl_G/MS_Rawl_G_18.xml b/collections/Rawl_G/MS_Rawl_G_18.xml index 927a4a92a1..416ef3b64d 100644 --- a/collections/Rawl_G/MS_Rawl_G_18.xml +++ b/collections/Rawl_G/MS_Rawl_G_18.xml @@ -5,8 +5,11 @@ MS. Rawl. G. 18 MSS. Rawl. G. (Rawlinson G) - Summary description + Cataloguer Elizabeth Solopova + + + Encoding Matthew Holford diff --git a/persons.xml b/persons.xml index ede577ef42..e40b2f20f4 100644 --- a/persons.xml +++ b/persons.xml @@ -916,6 +916,9 @@ + + Sisbert, Archbishop of Toledo, active 7th century + Sheldon, Ralph, 1623-1684 diff --git a/places.xml b/places.xml index 6b69b52e39..b6eeb5b3a7 100644 --- a/places.xml +++ b/places.xml @@ -11989,6 +11989,10 @@ This record contains information from VIAF (Virtual International Authority File) which is made available under the ODC Attribution License. + + Trogir (Trau), cathedral church of St Lawrence + Katedrala sv. Lovrijenca (Trogir, Croatia) + Eichstätt, Augustinerchorfrauenstift Marienstein @@ -29520,6 +29524,11 @@ Gatz, Johannes Baptistes --> Venice, San Servolo, monastery of Benedictine monks and nuns + + Venice, Carthusian monastery of Sant'Andrea del Lido + Venice, Carthusian monastery of San Andrea del Lido + + diff --git a/works.xml b/works.xml index 636f135969..3e99dcf6b9 100644 --- a/works.xml +++ b/works.xml @@ -31235,6 +31235,15 @@ Titre collectif pour deux séries de commentaires théologiques de passages diff + + Sisbert, Archbishop of Toledo, active 7th century + Sisbert, Archbishop of Toledo, active 7th century: Lamentum paenitentiae [Latin] + + + + CPL 1533Díaz 334 + +